sabato, novembre 07, 2015 Aggiornato il:

J.T. Winik | Figurative painter

Kingston based artist J. T. Winik obtained a Bachelor of Fine Art at Nova Scotia College of Art and Design and a Bachelor of Education at the University of Western Ontario in London. Since 1996, J.T Winik has dedicated herself entirely to painting, dividing her time primarily between Spain, Holland and Canada. Winik's work frequently incorporates the female form. Recurring themes examine the emotional tension within the psychological context of various dualities: power and fragility, angst and felicity, and passion and passivity.

'For as long as I can remember, people - their stories, their relationships, their travels, those well-worn paths through pain and joy - have fascinated me. Each tale so different from the other, each voice unique, the life of any given person unfolds with revelations enough to astound any philosopher seeking to make sense of human experience.
From an early age, as with many children, visual expression became as natural as breathing and hours were spent drawing whenever and wherever I could - on walls, in the sand, between the pages of old, musty books discovered in the attic - and yes, on clean white sheets of paper too. The subjects of these early drawings were most often people: portraits or narratives which revolved around the lives of girls, adventure stories which led my heroines through battles with nature, into the depths of jungles, over deserts, across seas …encountering both monsters and princes along the way. Imaginary life was rich and the ups and downs were wonderfully exciting and real. Drawing was a way of making them so.
And in truth, after all these years, things haven’t really changed that much.
The narrative element still plays a key role in much of my work and although the jungles, deserts and seas exist quietly beneath the surface, the adventures have shifted with a wealth of experience in having travelled the worn path threadbare. My work is about dichotomies. The intellect battles with the heart, for instance, yet, they are able to dance, interact, and influence each other - they are engaged in a disparate (and desperate) tango, stepping on each other’s feet - sometimes arguing loudly, and at other times, steaming in silence. Exploring this interplay is to a great degree what feeds my work'.

  • 1999 - The Organization of Kingston Women Artists, Best of Show Award Ontario Arts Council, Exhibition Assistance Grant;
  • 1998 - Ontario Arts Council, Exhibition Assistance Grant;
  • 1997 - Art Focus Magazine Award, Toronto, Best in Oils;
  • 1995 - Cabbagetown Arts & Crafts Show, Toronto, Best of Show Ontario Arts Council, Exhibition Assistance Grant.