Henri Evenepoel | Fauve painter

Henri-Jacques-Edouard Evenepoel was born on this day October 3, 1872, in Nice. The artist died at the age of 27, in 1899.

Evenepoel was a French-born Belgian artist, whose most important works are associated with Fauvism.

He first studied art in Brussels at the Académie Royale des Beaux-Arts between 1889 and 1890, and entered Paris's Ecole des Beaux-Arts in 1892.

Evenepoel entered the atelier of Gustave Moreau in 1893, which put him in contact with Henri Matisse, Georges Rouault, Albert Marquet, Edgar Maxence, Charles Milcendeau and Léon Printemps.

Happy Birthday to Lucien Lévy-Dhurmer !

Lucien Lévy-Dhurmer - a French artist and a leading exponent of Symbolism and Art Nouveau - was born on this day, September 30, 1865 to a Jewish family in Algiers, French Algeria.

His works include paintings, drawings, ceramics, furniture and interior design.

In 1865, he began studying drawing and sculpture in Paris at the Ecole Supérieure de Dessin et de Sculpture in 1879.

He first exhibited at the Paris Salon of 1882 where he showed a small ceramic plaque.

Emile Claus | Il pittore Luminista

Oggi si celebra il 175° compleanno della figura più brillante del Luminismo, il belga Emile Claus (27 settembre 1849 - 14 giugno 1924).

Dalla sua casa idilliaca lungo il fiume Leie, Claus dipinse capolavori che continuano ad affascinare gli amanti dell'arte in tutto il mondo.

Émile Claus nacque in un piccolo villaggio delle Fiandre occidentali, sulle rive della Lys, sedicesimo figlio di una famiglia di commercianti rurali.

Konstantinos Kavafis | Per le scale / On the stairs / Στες σκάλες

Konstantinos Petrou Kavafis, noto in Italia anche come Costantino Kavafis / Κωνσταντίνος Καβάφης (Alessandria d'Egitto, 1863-1933), è stato un poeta e giornalista Greco.

Kavafis era uno scettico che fu accusato di attaccare i tradizionali valori della cristianità, del patriottismo e dell'eterosessualità, anche se non sempre si trovò a suo agio nel ruolo di anticonformista.

Pubblicò 154 poesie, spesso ispirate all'antichità ellenistica, romana e bizantina, ma molte altre sono rimaste incomplete od allo stato di bozza.

Scrisse le sue poesie più importanti dopo i quarant'anni.

Come un recluso, egli non fu mai riconosciuto durante la sua vita.

Oltre che i suoi soggetti, anticonvenzionali per l'epoca, le sue poesie mostrano anche un'abile e versatile arte, che viene spesso perduta nella traduzione delle sue opere.

La sua poetica viene insegnata nelle scuole greche.

Andre Kohn

Konstantinos Kavafis | Muri / Walls / Τείχη

Senza preavviso, né pietà, senza nessun pudore,

muri massicci ed alti mi hanno costruito intorno.

E sono qui che mi dispero e per il mio dolore

non penso ad altro: e mi rodo il cervello tutto il giorno.

René Magritte

James Ensor | The Oyster Eater / La mangiatrice di ostriche, 1882

"The Oyster Eater" is an oil painting executed in 1882 by the Belgian Expressionist artist James Ensor which is now in the collection of the Royal Museum of Fine Arts, Antwerp.

The genre work depicts the artist's sister Mitche eating oysters on her own at a well-appointed table replete with flowers, plates, wine and table linen.

Art critics were unapologetic about James Ensor's "The Oyster Eater".

"Offensive! Immoral! Vice!"

Yet there is not a streak of nudity to be seen, nor intimately entwined bodies.

So what was the problem?

Anna Boch | Post-impressionist painter

Anna Boch participated in the Neo-Impressionist movement.

Her early works used a Pointillist technique, but she is best known for her Impressionist style which she adopted for most of her career.

A pupil of Isidore Verheyden, she was influenced by Théo van Rysselberghe whom she met in the artistic group, Les XX.

Anna-Rosalie Boch (1848-1936), known as Anna, was a Belgian painter, art collector, and the only female member of the artistic group, Les XX.

Frantz Charlet | Impressionist painter

Frantz Charlet (1862-1928) was a Belgian painter, etcher and lithographer.

An Impressionist, he was one of the founding members in 1882, with James Ensor and Théo van Rysselberghe (1862-1926) of the group Les XX.

It is one of the first painters in Belgium to look for brighter colours and a spontaneous touch, thus becoming closer French Impressionists.

Charlet studied at the Académie Royale des Beaux-Arts in Brussels from 1872-1873 and again from 1876-1881; among his fellow pupils there were Eugène Broerman, François-Joseph Halkett, Théo van Rysselberghe and Rodolphe Wytsman, and his teacher was Jean-François Portaels.

Théo Van Rysselberghe and Les XX

Théo van Rysselberghe was one of the prominent co-founders of the Belgian artistic circle Les XX on 28 October 1883.

This was a circle of young radical artists, under the patronage, as secretary, of the Brussels jurist and art lover Octave Maus (1856-1919).

They rebelled against the outmoded academism of the time and the prevailing artistic standards.

Joaquín Sorolla to Clotilde: “You are my flesh, my life and my brain”..

Clotilde García Castillo (1865-1929) married Joaquín Sorolla y Bastida (Spanish Realist/Impressionist painter, 1863-1923) at the age of 23 and they ended their days together.

The painter died six years before her, in 1923.

Clotilde donated all her assets to the State for the foundation of a museum in honour of her husband's work - the family home where the Sorolla Museum stands today.

Joaquín Sorolla | Clotilde seated on the Sofa (Clotilde sentada en un sofá), 1910 | Museo Sorolla, Madrid

Of all the portraits Sorolla painted of his wife, this is probably the most successful and is a fundamental work within the context of his artistic production.

The viewer is presented here with a refined lady, reflecting her social status and so mirroring her husband’s professional success.

Joaquín Sorolla y Bastida | Clotilde seated on the Sofa, 1910 | Museo Sorolla

Kimon Loghi | Symbolist / Art Nouveau painter

Being part of the generation of artists who created in the romantic era of Romanian and universal art, Kimon Loghi painted in warm, vivid colors that give the feeling of being authentic and natural.

His works are compositionally balanced and deal with themes related to nature: landscapes and still lifes.

"One thing worth noting in Kimon Loghi's paintings is the fact that the characters are a sporadic presence, the emphasis being on the rendering of nature and atmosphere".

Kimon Loghi (1871-1952) was a Romanian painter of Aromanian origin.

Kimon Laghi was born in 1871 in the Greek city of Serres, at that time under the control of the Ottoman Empire.

Gabriele D’Annunzio | Canta la gioia, 1896

Canta la gioia fa parte della seconda edizione (1896) di Canto Novo, la raccolta di poesie di Gabriele D’Annunzio (1863-1938), dedicate al suo primo grande amore e la sua prima musa letteraria, la Giselda Zucconi detta Lalla, che incontro durante l'ultimo anno di liceo, il 15 aprile 1881, mentre era ospite a Firenze di Mario Foresi per le vacanze pasquali.

Canta la gioia! Io voglio cingerti

di tutti i fiori perché tu celebri

la gioia la gioia la gioia,

questa magnifica donatrice!

Marc Chagall

Joaquín Sorolla, lo Spagnolo della Bella Époque

Joaquín Sorolla y Bastida (1863-1923) è stato un pittore Spagnolo, un luminare nel regno dell'arte, maestro della luce, del colore e dello spirito vibrante della Spagna.

Annoverato fra i rinnovatori della pittura spagnola in chiave impressionista, è tra i pittori più prolifici, con un catalogo di più di 2.200 opere.

Joaquín Sorolla nacque a Valencia in Spagna il 27 febbraio 1863.

Rimasto orfano di entrambi i genitori a soli due anni d'età fu allevato nella famiglia di una zia materna insieme alla sorella Eugenia.

Manifestò presto la sua attitudine al disegno.

José Mongrell i Torrent | Genre painter

José Mongrell i Torrent (1870-1937) was a Spanish painter, born in Valencia and died in Seville.

He studied at the San Carlos School of Fine Arts with Ignacio Pinazo (1849-1916).

During this formative period, he already showed his skills as a portraitist and entered the National Exhibition of Fine Arts in Madrid for the first time, where he would continue participating throughout his career.

Vincent van Gogh | The Factory at Asnières, 1887

In the late nineteenth century, the French landscape was becoming increasingly marked by signs of industry.

Van Gogh depicts a glass factory in Asnières, a suburb northwest of Paris where the artist painted frequently in the summer of 1887.

The round objects stacked along the sides of the pathway are balls of glass awaiting melting inside the buildings.

They would have been formed into lantern globes for gas streetlights and interior fixtures. | Source: © The Barnes Foundation

Vincent van Gogh | The Factory at Asnières, Summer, 1887 | The Barnes Foundation

Nikolay Dubovskoy | Romantic painter

Nikolay Nikanorovich Dubovskoy / Николай Никанорович Дубовской (1859-1918) was a Russian landscape painter, associated with the Peredvizhniki.

Together with Isaac Levitan, he helped create what came to be known as the "Landscape of Mood".

He displayed artistic talent at an early age; copying illustrations from Niva and other popular magazines.

Claude Monet | Woman Seated under the Willows, 1880

A woman sits among loosely painted, crescent-shape blades of emerald and lemon-lime green grass, under tall trees in this vertical scene.

The brushstrokes are unconnected and visible, so many of the details difficult to make out.

Facing our left almost in profile, the woman’s form is suggested with thick strokes of eggshell white, periwinkle blue, mint green, and deep pink.

We get the impression of a light-colored dress that pools around her hips and legs, and a hat atop dark hair. Her face is painted with an area of blush peach.

Claude Monet | Woman Seated under the Willows, 1880 | National Gallery of Art, Washington, D.C.

Gabriele D'Annunzio | I pastori / The Shepherds

Settembre, andiamo. È tempo di migrare.

Ora in terra d'Abruzzi i miei pastori

lascian gli stazzi e vanno verso il mare:

scendono all'Adriatico selvaggio

che verde è come i pascoli dei monti.

Giovanni Segantini | Mezzogiorno sulle Alpi / Midday in the Alps, 1891

Gabriele D’Annunzio | La pioggia nel pineto / The rain in the pinewood

Taci. Su le soglie

del bosco non odo

parole che dici

umane; ma odo

parole più nuove

che parlano gocciole e foglie

lontane.

Claude Monet | The Rain (La pluie), 1886-1887

Pierre-Auguste Renoir | The Bay of Naples, 1881

The corner of the balcony visible at lower left in this composition indicates Renoir’s vantage point overlooking the bay of Naples.

His position afforded an iconic view of the harbor with the volcano Mount Vesuvius in the background, wafting smoke into the sky.

Inspired by the southern Italian light, Renoir painted another version of this vista at a different time of day (The Clark Art Institute, Williamstown, Mass.).

James Duncan, a wealthy sugar refiner, purchased the present work in 1883, making it the first Impressionist picture acquired by a Scottish collector.

Pierre-Auguste Renoir | The Bay of Naples, 1881 | Metropolitan Museum of Art