Lorenzo Bartolini | Neoclassical sculptor

Lorenzo Bartolini (7 January 1777 - 20 January 1850) has been recognised as one of the great sculptors of Europe.

His style is quite different from the traditional Neo-Classical style of Antonio Canova and Bertel Thorvaldsen, because it is not based on the antique or on standard Academic principles.

He was a controversial and polemical artist.

His fascinating life has all the drama of a novel by Stendhal.

Lorenzo Bartolini (7 January 1777 - 20 January 1850) has been recognised as one of the great sculptors of Europe.

His style is quite different from the traditional Neo-Classical style of Antonio Canova and Bertel Thorvaldsen, because it is not based on the antique or on standard Academic principles.

He was a controversial and polemical artist.

His fascinating life has all the drama of a novel by Stendhal.

Giambologna | Hercules and the Centaur Nessus, 1599

The marble group of Hercules and the Centaur Nessus, was completed in 1599 by Flemish sculptor Giambologna, born Jean Boulogne (1529-1608). The sculpture was carved, impressively, from a single block of marble by Giambologna and it sits in the open-air gallery Loggia dei Lanzi on the Piazza della Signoria in Florence, among the square's other famous marble occupants.

Showing an advanced understanding of anatomy - visible in Hercules' rib cage, showing through his taut skin and the veined legs of the centaur, poised in battle - Giambologna's statue is a powerful evocation of the strength of mortal man.

The marble group of Hercules and the Centaur Nessus, was completed in 1599 by Flemish sculptor Giambologna, born Jean Boulogne (1529-1608). The sculpture was carved, impressively, from a single block of marble by Giambologna and it sits in the open-air gallery Loggia dei Lanzi on the Piazza della Signoria in Florence, among the square's other famous marble occupants.

Showing an advanced understanding of anatomy - visible in Hercules' rib cage, showing through his taut skin and the veined legs of the centaur, poised in battle - Giambologna's statue is a powerful evocation of the strength of mortal man.

Lorenzo Bartolini | The Nymph Arnina, 1825

For the first time ever, the original marble The Nymph Arnina by Lorenzo Bartolini (1777-1850), was exposed to the public for the first time on 18 November until February 8th 2015, accompanied by his beautiful plaster cast, owned by the Academy Gallery, returned after being deposited for a few decades at the Civic Museum of Prato, and together with some documents aimed to evoke the complex history of the work that Bartolini, in this version, shows the dedication to Giovanni degli Alessandri, leading figure in the cultural life of the early nineteenth century Florentine.

For the first time ever, the original marble The Nymph Arnina by Lorenzo Bartolini (1777-1850), was exposed to the public for the first time on 18 November until February 8th 2015, accompanied by his beautiful plaster cast, owned by the Academy Gallery, returned after being deposited for a few decades at the Civic Museum of Prato, and together with some documents aimed to evoke the complex history of the work that Bartolini, in this version, shows the dedication to Giovanni degli Alessandri, leading figure in the cultural life of the early nineteenth century Florentine.

Pio Fedi | The Rape of Polyxena, 1865

The Rape of Polyxena is a marble statue located in the Loggia dei Lanzi, the open-air museum in Florence, Italy’s Piazza della Signoria.

It was sculpted in 1868 by Italian sculptor who worked chiefly in the Romantic style, Pio Fedi (1815-1892), but it was placed alongside several sculptures from the Renaissance.

The Rape of Polyxena embodies Hellenistic, Renaissance, Baroque and Neoclassicist mannerisms regarding its style and theme.

The Rape of Polyxena is a marble statue located in the Loggia dei Lanzi, the open-air museum in Florence, Italy’s Piazza della Signoria.

It was sculpted in 1868 by Italian sculptor who worked chiefly in the Romantic style, Pio Fedi (1815-1892), but it was placed alongside several sculptures from the Renaissance.

The Rape of Polyxena embodies Hellenistic, Renaissance, Baroque and Neoclassicist mannerisms regarding its style and theme.

Giambologna ~ The Rape of Sabine, 1579-83 | Loggia dei Lanzi, Florence

The manneristic celebrated group Rape of the Sabines by the Flemish artist Jean Boulogne, better known as Giambologna (1529-1608), is part of the statuary under the Loggia dei Lanzi in Florence’s Piazza Signoria.
The massive statue is 4.10 meters high (statues became much bigger after Michelangelo’s David) and depicts a young man lifting a girl up over his shoulder, as an older man is crouched at his feet in complete dismay. For this reason, the statue is also known as the "Three ages of Man". At the base of the statue there is a bronze plaque that depicts scenes of the abduction of the Sabine women in bas-reliefs.

The manneristic celebrated group Rape of the Sabines by the Flemish artist Jean Boulogne, better known as Giambologna (1529-1608), is part of the statuary under the Loggia dei Lanzi in Florence’s Piazza Signoria.
The massive statue is 4.10 meters high (statues became much bigger after Michelangelo’s David) and depicts a young man lifting a girl up over his shoulder, as an older man is crouched at his feet in complete dismay. For this reason, the statue is also known as the "Three ages of Man". At the base of the statue there is a bronze plaque that depicts scenes of the abduction of the Sabine women in bas-reliefs.

Giambologna | The Appennine Colossus, 1579-1580

Shrouded within the park of Villa Demidoff, in Medici Villas (Unesco World Heritage List, 2013), Pratolino, Vaglia, Tuscany, just 7 miles north of Florence, Italy, there sits a gigantic 16th century sculpture - 14-meter-tall masterpiece statue - known as Colosso dell'Appennino, or the Appennine Colossus. The brooding structure was first erected in 1580 by Flemish sculptor Giambologna, pseudonym of Jean de Boulogne (Douai, 1529 - Florence, 1608).

Shrouded within the park of Villa Demidoff, in Medici Villas (Unesco World Heritage List, 2013), Pratolino, Vaglia, Tuscany, just 7 miles north of Florence, Italy, there sits a gigantic 16th century sculpture - 14-meter-tall masterpiece statue - known as Colosso dell'Appennino, or the Appennine Colossus. The brooding structure was first erected in 1580 by Flemish sculptor Giambologna, pseudonym of Jean de Boulogne (Douai, 1529 - Florence, 1608).

Antonio Canova | Psyché et l'Amour, 1788-1793

"Psyche Revived by Cupid's Kiss" is a sculpture by Antonio Canova first commissioned in 1787 by Colonel John Campbell. It is regarded as a masterpiece of Neoclassical sculpture, but shows the mythological lovers at a moment of great emotion, characteristic of the emerging movement of Romanticism.

It represents the god Cupid in the height of love and tenderness, immediately after awakening the lifeless Psyche with a kiss. The story of Cupid and Psyche is taken from Lucius Apuleius' Latin novel The Golden Ass and was popular in art.

- Joachim Murat acquired the first or prime version (pictured) in 1800. After his death the statue entered the Louvre Museum in Paris, France in 1824;

"Psyche Revived by Cupid's Kiss" is a sculpture by Antonio Canova first commissioned in 1787 by Colonel John Campbell. It is regarded as a masterpiece of Neoclassical sculpture, but shows the mythological lovers at a moment of great emotion, characteristic of the emerging movement of Romanticism.

It represents the god Cupid in the height of love and tenderness, immediately after awakening the lifeless Psyche with a kiss. The story of Cupid and Psyche is taken from Lucius Apuleius' Latin novel The Golden Ass and was popular in art.

- Joachim Murat acquired the first or prime version (pictured) in 1800. After his death the statue entered the Louvre Museum in Paris, France in 1824;

Antonio Canova | Drawing

Antonio Canova - Autoritratto, 1792

Antonio Canova (1757-1822) was the leading proponent of Neoclassicism and Italy's last internationally famous artist.
The sculptor Antonio Canova, born in the village of Possagno in 1757, rose to celebrity from humble origins. For biographical notes -in english and italian- and works by Canova see Antonio Canova ~ Neoclassical sculptor.

Antonio Canova - Autoritratto, 1792

Antonio Canova (1757-1822) was the leading proponent of Neoclassicism and Italy's last internationally famous artist.
The sculptor Antonio Canova, born in the village of Possagno in 1757, rose to celebrity from humble origins. For biographical notes -in english and italian- and works by Canova see Antonio Canova ~ Neoclassical sculptor.