Pete "The Street" Brown, 1967 | Urban plein-air painter

Peter first came to Bath for a year in 1986 to study an art foundation course.

He went on to graduate from Manchester Polytechnic remaining a further two years working in a studio in Ancoats, an area just north of the city centre.

He then studied a PGCE in FE in Eltham, London before giving up painting.

Returning to Bath in 1993, inspired by the architecture and life of the town, he started to draw in charcoal moving back to working in oils three years later. And it was on the streets of Bath Peter began to earn his living and it was here he earned the nick name 'Pete the Street'.

Peter paints a great deal across the UK - its cities, landscapes and coastline and in particular London.

Aleksandra Ekster | Avant Garde painter

Aleksandra Aleksandrovna Ekster (1882-1949) cubo-futurist, suprematist, constructivist and designer is one of most famous Russian Avant Garde female painters that gained international recognition.

She was a multi talented artist - a painter, ceramist, graphic artist, clothes designer.

Alexandra Ekster would also become a co-founder of the Art Déco.

In Paris, Aleksandra Ekster was a personal friend of Pablo Picasso and Georges Braque, who introduced her to Gertrude Stein.

Vilhelm Hammershøi | La poesia del silenzio

Vilhelm Hammershøi (1864-1916) è stato un pittore Danese, noto per i suoi ritratti ed interni poetici e sommessi.

Vita

Vilhelm Hammershøi nacque a Copenhagen, in Danimarca. Figlio di un mercante benestante, Christian Hammershøi, comincia a studiare disegno all'età di otto anni con Niels Christian Kierkegaard e Holger Grønvold, oltre a dipingere con Vilhelm Kyhn.

Più grande, segue i corsi di Frederik Vermehren presso la Royal Danish Academy of Fine Arts.

Dal 1883-1885 studia con Peder Severin Krøyer debuttando alla "Mostra primaverile di Charlottenborg", nel 1885, con "Ritratto di una giovane ragazza" (che mostra sua sorella Anna).

Vilhelm Hammershøi | Ritratto di una giovane ragazza. La sorella dell'artista, Anna Hammershøi

Frans Stracké | The Two Mothers, 1893 | Rijksmuseum

Franz Stracké created this sculpture in terracotta in 1893. The title "Two Mothers" refers to the woman and the dog, positioned at her feet looking upwards, whose puppies she is carrying. This work by Franz Stracké is exhibited at the Rijksmuseum in Amsterdam.

This sweet scene reflects increasing interest in the lives of fishermen. The statue shows a young woman holding her child, with her dog’s puppies gathered in her apron. Yet life is not a bed of roses for this barefoot fisherman’s wife. She has only two fish in her pouch, and the net that she drags behind her is empty. | Rijksmuseum

Frans Stracké | The Two Mothers, 1893 (detail) | Rijksmuseum

Franz Skarbina | Impressionist painter

Franz Skarbina (1849-1910) was a German impressionist painter, draftsman, etcher and illustrator.

Born in Berlin, he was the son of a goldsmith from Zagreb. From 1865-1869, he studied at the Prussian Academy of Arts.

After graduation, he spent two years as a tutor to the daughters of Count Friedrich von Perponcher-Sedlnitzky (1821-1909), during which time he travelled to Dresden, Vienna, Venice, Munich, Nuremberg and Merano.

In 1877, he had acquired the funds to make a year-long study trip to the Netherlands, Belgium and France, where he came under the influence of impressionism.

Christine de Pizan | The first professional woman writer

Christine de Pizan or Pisan, born Cristina da Pizzano (1364 - c. 1430), was a poet and author at the court of King Charles VI of France and several French dukes.

Venetian by birth, Christine served as a court writer in medieval France after the death of her husband. Christine's patrons included dukes Louis I of Orleans, Philip the Bold of Burgundy, and his son John the Fearless.

Her best known works include The Book of the City of Ladies and The Treasure of the City of Ladies, both written when she worked for John the Fearless of Burgundy. Her books of advice to princesses, princes, and knights remained in print until the 16th century.

Christine de Pizan - Bibliothèque nationale de France, Département des manuscrits, Français

Vittorio Sgarbi: Roberto Ferri, un accademico appassionato

Vittorio Sgarbi: Roberto Ferri, un accademico appassionato

Roberto Ferri accende il mio orgoglio. Non ebbi dubbi sulla qualità della sua pittura, intesa anche come proprietà di esecuzione, quando, non molti anni fa, lo pose alla mia attenzione Fabio Isman, entusiasta per una grande mostra che aveva presentato.

Nessun dubbio che le opere chiamassero stupore e meraviglia secondo i precetti dell’estetica barocca. Ma Ferri era un contemporaneo e per di più giovanissimo. Colpiva in lui la borgesiana indifferenza per il tempo.

Come se si dicesse: se devo dipingere, devo dipingere bene, altrimenti meglio fare il pasticcere, o, anche, come molti raffinati (da Giulio Paolini a Damien Hirst), il vetrinista.

Ecco: una cosa possiamo dire di Ferri: non è un vetrinista.

Eppure è adatto alle vetrine, ama esibirsi ed essere esibito.

Nicholas St. John Rosse, 1960

Cornish artist Nicholas St.John Rosse has a traditional artistic background, honing his skill over the years. Draftsmanship and realism are central to his painting.

He focuses on the human figure, often exploring how posture conveys meaning.

Nicholas St John Rosse was educated at University College School.

From an early age he became interested in painting, encouraged and enthused by watching the landscape painter Donald Towner at work in the open air and visiting his studio.