Judy Nimtz, 1973 | Figurative painter

Judy Nimtz was born in Taiwan and raised on the island of O’ahu in Hawai’i.

After completion of her MFA in 2008 from Laguna College of Art and Design, Judy made Southern California her home.

Nimtz has exhibited her work in several solo and group exhibitions in the Los Angeles area including a joint survey exhibition with Kenny Harris at The Santa Monica College Barrett Art Gallery, Santa Monica, CA (2012) and multiple Artist-In-Residencies in Siena and Tuscany, Italy (2011-2015).

Anish Kapoor, 1954 | Sky Mirror | Steel sculptures

Sir Anish Mikhail Kapoor, CBE, RA is a British-Indian sculptor specializing in installation art and conceptual art.

Born in Mumbai, Kapoor attended the elite all-boys Indian boarding school The Doon School, before moving to the UK to begin his art training at Hornsey College of Art and, later, Chelsea School of Art and Design.

His notable public sculptures include Cloud Gate (2006, also known as "The Bean") in Chicago's Millennium Park; Sky Mirror, exhibited at the Rockefeller Center in New York City in 2006 and Kensington Gardens in London in 2010; Temenos, at Middlehaven, Middlesbrough; Leviathan, at the Grand Palais in Paris in 2011; and ArcelorMittal Orbit, commissioned as a permanent artwork for London's Olympic Park and completed in 2012.

Igor Medvedev / Медведев Игорь, 1961

Игорь Медведев was born in Novopskov, Ukraine.

In 1985 he graduated from the Moscow Institute of Electronics Techniques, physio-chemical faculty.

His first personal exhibition took place in the Youth Dramatic Theatre in 1990.

Thereafter he was regularly exhibited by the leading galleries in Vilnuce, Kaunas: Juste, Contemporary Art Center, Russian House and others.

Berthold Woltze | Genre painter

Berthold Woltze (born 24 August 1829 in Havelberg; died 29 November 1896 in Weimar) was a German genre painter, portrait painter, and illustrator.

Berthold Woltze was a professor at Weimar Saxon Grand Ducal Art School.

In the period from 1871 to 1878 he published numerous of his works in the Gartenlaube newspaper.

One of his most famous works is Der lästige Kavalier (The Annoying Gentleman).

He was the father of the architectural painter Peter Woltze (1860-1925).

Samuel Palmer | Romantic / Visionary painter

Samuel Palmer RWS Hon.RE (Hon. Fellow of the Society of Painter-Etchers) (1805-1881) was a British landscape painter, etcher and printmaker.

He was also a prolific writer.

Palmer was a key figure in Romanticism in Britain and produced visionary pastoral paintings.

Palmer painted churches from around age twelve, and first exhibited Turner-inspired works at the Royal Academy at the age of fourteen.

He had little formal training, and little formal schooling, although he was educated briefly at Merchant Taylors' School.

Giuseppe de Sanctis | Genre painter

Giuseppe De Sanctis (1858-1924) was an Italian painter, primarily of portraits and cityscapes.

He was born in Naples. His father, Cesare, was a businessman who loved music, art and the theater.

He was, in fact, a close friend of Verdi, who attended Giuseppe's baptism.

As a result, contrary to the experience of many other aspiring artists, his family encouraged his desire to become a painter.

Gilberto Geraldo, 1962 | Figurative painter

Born in Sao Paulo, Gilberto Geraldo started his dedication towards paintings and drawings by the age of 11 with a clear goal of becoming an artist.

By the age of 16, he was made a member of the Artists Association of Sao Paulo.

Nevertheless he was not intimidated by the premature and ascending success of his career, moving on into his studies and researches, searching for the excellence of his art.

Zaha Hadid, the great Dame of Architecture

Dame Zaha Mohammad Hadid DBE RA (Arabic: زها حديد Zahā Ḥadīd; 31 October 1950 - 31 March 2016) was an Iraqi-British architect, artist and designer, recognized as a major figure in architecture of the late-20th and early-21st centuries.

Born in Baghdad, Iraq, Hadid studied mathematics as an undergraduate and then enrolled at the Architectural Association School of Architecture in 1972.

In search of an alternative system to traditional architectural drawing, and influenced by Suprematism and the Russian avant-garde, Hadid adopted painting as a design tool and abstraction as an investigative principle to "reinvestigate the aborted and untested experiments of Modernism [...] to unveil new fields of building".