Camille Pissarro | Rue Saint-Honoré, in the afternoon, 1897

Rue Saint-Honoré, dans l'après-midi. Effet de pluie ("Rue Saint-Honoré, in the afternoon. Effect of rain") is an 1897 oil painting by Camille Pissarro.

The work was made towards the end of Pissarro's career, when he abandoned his experiments with Pointillism and returned to a looser Impressionist style.

It is part of a series of works that Pissarro made in 1897-98 from a window of the Grand Hôtel du Louvre, looking down across the edge of the Place du Théâtre Français (now the Place André-Malraux) and along the rue Saint-Honoré, portraying the people, carriages and buildings, the trees, fountains and streetlamps, in an early afternoon shower of rain.

Camille Pissarro | Rue Saint-Honoré, in the afternoon. Effect of rain, 1897 | Museo Thyssen-Bornemisza, Madrid

Camille Pissarro | La charcutiére, 1883

Like 'The Little Country Maid', this painting was executed while the artist lived near Pontoise, north-west of Paris.

During the 1880s he became interested in painting rural market scenes, several of which were based on the markets at Pontoise and its neighbouring villages.

Such subjects allowed Pissarro to combine the study of the human figure with depictions of outdoor scenes of everyday rural life.

Although he wrote to his son Lucien that he wished the painting to have a 'certain naive freshness', hence the light and informal brushstrokes, the central figure of the 'charcutière' was painted from the model and the pose carefully studied.

Camille Pissarro | La charcutiére, 1883 | Tate Gallery

Camille Pissarro | Petite bonne flamande dite 'La Rosa', 1896

Petite bonne flamande dite 'La Rosa' / Little Flemish Girl Called Rosa - is one of a small group of paintings that Camille Pissarro painted in 1896, which depict a young Flemish girl, Rosa, who was at the time the Pissarro family’s housemaid.

‘I’m doing a few figure paintings based on la Rosa’ (letter from Pissarro to L. Pissarro, in J. Pissarro and C. Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, vol. III, Paris, 2005, p. 694), Pissarro wrote to his son Lucien on 4 December 1895 from Paris.

Camille Pissarro | Impressionist / Post-Impressionist painter

Camille Pissarro, in full Jacob-Abraham-Camille Pissarro (born July 10, 1830, St. Thomas, Danish West Indies-died Nov. 13, 1903, Paris, France), painter and printmaker who was a key figure in the history of Impressionism.

Pissarro was the only artist to show his work in all eight Impressionist group exhibitions; throughout his career he remained dedicated to the idea of such alternative forums of exhibition. He experimented with many styles, including a period when he adopted Georges Seurat’s "pointillist" approach.

A supportive friend and mentor to influential artists such as Paul Cézanne and Paul Gauguin, he was described by many who knew him as "Father Pissarro".

Camille Pissarro: "Paint the essential character of things.."

‣ "Painting, art in general, enchants me. It is my life. What else matters? When you put all your soul into a work, all that is noble in you, you cannot fail to find a kindred soul who understands you, and you do not need a host of such spirits. Is not that all an artist should wish for?"

‣ "Dipingi solo con i tre colori fondamentali e i loro immediati complementari".

Camille Pissarro | Quotes / Aforismi

‣ "Blessed are they who see beautiful things in humble places where other people see nothing".

‣ "Beati coloro che vedono le cose belle in luoghi umili dove invece altre persone non vedono nulla".

‣ "Don't be afraid in nature: one must be bold, at the risk of having been deceived and making mistakes".

‣ "Non aver paura della natura: devi essere audace correndo il rischio di rimanere deluso e di commettere errori".

Camille Pissarro | Autumn at Eragny

Camille Pissarro (1830-1903) was a Danish-French Impressionist and Neo-Impressionist painter.

His importance resides in his contributions to both Impressionism and Post-Impressionism.

Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.

Camille Pissarro | Les paysans / I contadini..

"Blessed are they who see beautiful things in humble places where other people see nothing"

Camille Pissarro.

While the Impressionists are known for their depictions of city streets and country leisure, Camille Pissarro (1830-1903) covered his canvases with images of the day-to-day life of French peasants.

His greatest work joins his fascination with rural subject matter with the empirical study of nature under different conditions of light and atmosphere, deriving from intense study of French Realism.

Camille Pissarro | Snow Effect

Paint the essential character of things.

Dipingi il carattere essenziale delle cose.

At fifty, that is in 1880, I formulated the idea of unity, without being able to render it. At sixty, I am beginning to see the possibility of rendering it.

A cinquant'anni, nel 1880, ho formulato l'idea di unità, senza essere in grado di realizzarla. A sessant'anni sto cominciando a vedere la possibilità di realizzarla.

Camille Pissarro | L'Impressionismo ed il Neoimpressionismo

Pissarro e l'impressionismo

Considerando la sua partecipazione a tutte le 8 esposizioni del gruppo è inevitabile dare per scontato che Camille Pissarro risponda alla generica definizione di «pittore impressionista».

Egli, in realtà, si pose in maniera ambivalente davanti alle ambizioni del gruppo: se da un lato decantava la mobilità della luce e degli effetti cromatici e le potenzialità del principio compositivo en plein air, impiegando al contempo macchie di colori piccole e irregolari, dall'altra dava vita a composizioni che, seppur in assenza di linee di contorno, sono solide e ben congeniate, inondate di una luce che «modella ed evidenzia le forme con dolcezza e vivacità, pur non arrivando mai a dissolverle» come, nella maturità pittorica, avevano fatto alcuni suoi colleghi come Monet o Renoir.