Rainer Maria Rilke | Io temo tanto la parola degli uomini / I am so afraid of people's words, 1898

Io temo tanto la parola degli uomini.

Dicono tutto sempre cosí chiaro:

questo si chiama cane e quello casa,

e qui è l'inizio e là è la fine.

Auguste Rodin | Detail from The Gates of Hell, 1890

Franz Richard Unterberger | Romantic painter of waterscapes

Austrian painter Franz Richard Unterberger (1838-1902), a Romantic style painter of waterscapes, landscapes, architecture and Genre, was born in Innsbruck, in what was then the Austro-Hungarian Empire, on 15th August 1838, one of eleven children of a wealthy bourgeois family.

He decided to pursue a career as an artist at a relatively young age and enrolled in the Academy in Munich.

Here he studied with Albert Zimmerman (1808-1888) a professor and landscape painter at the Academy and with Julius Lange (1817-1878).

Rainer Maria Rilke / Rodin | Love Song, 1907

How shall I hold my soul and yet not touch

It with your own? How shall I ever place

It clear of you on anything beyond?

Oh gladly I would stow it next to such

Things in the darkness as are never found

Down in an alien and silent space

That does not resonate when you resound.

Auguste Rodin - Fugit Amor, 1881

Rainer Maria Rilke | La sera / The evening

Come una indefinibile fata d'ombre...

Vien da lungi la Sera, camminando

per l'abetaia tacita e nevosa.

Johan August Malmström (1829-1901) | Dancing Fairies, 1866

Rainer Maria Rilke | Do not be afraid, it’s me / Non aver paura, sono io..

Do not be afraid, it’s me.

You do not feel that I infringe on you,

with all your senses?

He put wings, my heart,

and now, white flies around your face.

Do not you see my soul before you,

adorned with silence?

Lea Reinhart | Still life painter

Lea Reinhart (Brno 1877 - 1970 Vienna) was an Austrian painter, known for Miniatures and still life painting.

She presumably studied at the Vienna Art School for Women under guidance of the Viennese painters Robert Scheffer and Adalbert Franz Seligman.

Her miniatures and still life paintings enjoy great popularity.

Egon Schiele | The genius who died at 28

Painter and precociously talented draftsman; accepted into Vienna's Academy of Fine Arts in 1906 at age sixteen.

From 1907 was mentored by Gustav Klimt, who invited him to exhibit at monumental 1909 Kunstschau exhibition.

From 1910, works characterized by virtuosic use of line in penetrating portraits with expressive, contorted, sexually explicit bodies.

Leo Putz | Impressionist painter

Leo Putz (1869-1940) was a Tyrolean painter. His work encompasses Art Nouveau, Impressionism and the beginnings of Expressionism. Figures and landscapes are his predominant subjects.

Leo Putz was born in Merano in South Tyrol, Italy, in 1869.

His artistic career began in 1885 under the aegis of his stepbrother.

This was Robert Poetzelberger (1856-1930) who was a professor at the Munich Academy and who taught him drawing.

Alois Arnegger | Romantic scene painter

Alois Arnegger (1879-1967) was an Austrian painter.

Arnegger was born in Vienna. He developed his skills training at the Vienna Academy of Fine Arts under landscape artist Robert Russ (1867-1922) and historical artist August Eisenmenger (1830-1907).

Arnegger established a reputation as a fine portraitist and landscape artist, and was particularly well known for his Austrian snow scene paintings.

Bob Pejman, 1963 | Romantic painter

"There are no people in my paintings, so you can imagine yourself in the scenes", explains the artist.

Born in Vienna, Bob Pejman was surrounded by art and culture from an early age.

The son of an operatic composer and a concert musician, he spent his early childhood in Vienna, and then by way of England moved to the United States in 1976.

Pejman began painting by the age of seven, and by the time he was sixteen he had won numerous awards in group exhibitions.

Mozart | Rondo alla Turca, 1783

The Piano Sonata No. 11 in A major, K. 331 / 300i, by Austrian classical composer Wolfgang Amadeus Mozart (1756-1791) is a piano sonata in three movements.

The sonata was published by Artaria in 1784, alongside Nos. 10 and 12 (K. 330 and K. 332).

The third movement of this sonata, the "Rondo alla Turca", or "Turkish March", is often heard on its own and regarded as one of Mozart's best-known piano pieces.

Eugene de Blaas | Academic /Genre painter

Eugene de Blaas also known as Eugenio De Blaas or Eugen von Blaas, was born on July 24th in the Italian village of Albano, near Rome in 1843, to Austrian parents.

His career was enriched by a talented and artistic family.

His father, Carl von Blaas (1815-1894), was one of the most notable portrait painters of Roman society, a successful history portrait and fresco painter of the late Biedermeier period.

Johann Strauss | Morning Papers, Op 279 | Viennese waltz

Morgenblätter (Morning Papers), Op. 279, is a Viennese waltz composed by Johann Strauss II (1825-1899) in 1863 and first performed on 12 January 1864 at the Sofiensaal in Vienna.

The work's genesis was attributed to the composition of a waltz by Jacques Offenbach later titled "Abendblätter" when Offenbach dedicated his work to the influential Vienna Authors' and Journalists' Association (Presseclub Concordia).

Camille Claudel | La valse, 1889-1905

Leopold Pollak | Genre painter

Leopold Pollak (1806-1880), was an Austrian genre and portrait painter.

Born in Bohemia as the son of a Jewish merchant. Pollak showed an early talent for painting.

In 1819, he enrolled at the Prague Academy of Fine Arts, where he studied for five years under the Director of the Academy, Joseph Bergler.

He continued his studies in Vienna with Johann Peter Krafft.

Mozart: "A little night music", 1787

Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart (1756-1791).

The German title means "a little night music" and is one of Mozart's most famous works.

The serenade is written for an ensemble of two violins, viola, cello, and double bass, but it is often performed by string orchestras.

Paquita

Paquita is a ballet in two acts and three scenes originally choreographed by Joseph Mazilier to music by Édouard Deldevez and Ludwig Minkus.

Paul Foucher received royalties as librettist.

Paquita is the creation of French composer Édouard Deldevez and Paris Opéra Ballet Master Joseph Mazilier.

Sergiy Lyacevitch | Dancing flower

Radetzky March

The "Radetzky March", Op. 228, is a march composed by Johann Strauss (Senior) which was first performed on 31 August 1848 in Vienna to celebrate the victory of the Austrian Empire under Field Marshal Joseph Radetzky von Radetz (the piece's namesake) over the Italian forces at the Battle of Custoza, during the First Italian War of Independence.

Mozart | Concerto for Flute and Harp | 1 - Allegro

Mozart wrote the "Concerto for Flute, Harp, and Orchestra in C major" in April 1778, during his seven-month sojourn in Paris.

It was commissioned by Adrien-Louis de Bonnières, duc de Guînes (1735-1806), a flutist, for his use and for that of his eldest daughter, Marie-Louise-Philippine (1759-1796), a harpist, who was taking composition lessons from the composer, at the duke's home, the Hôtel de Castries.

Mozart stated in a letter to his father that he thought the duke played the flute "extremely well" and that Marie's playing of the harp was "magnifique".

Louis-Ernest Barrias (1841-1905) | Mozart child with a violin, 1887 | Musée Fabre

Ave Maria (Schubert)

"Ellens dritter Gesang" ("Ellens Gesang III", D. 839, Op. 52, No. 6, 1825), in English: "Ellen's Third Song", was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German.

Giovanni Battista Salvi called Sassoferrato (1609-1685) | The Madonna in prayer | Christie's

Johann Strauss | By the Beautiful Blue Danube

"The Blue Danube" is the common English title of "An der schönen blauen Donau", Op. 314 / German for "By the Beautiful Blue Danube", a waltz by the Austrian composer Johann Strauss II (1825-1899), composed in 1866.

Originally performed on 15 February 1867 at a concert of the Wiener Männergesang-Verein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire.

Its initial performance was considered only a mild success, however, and Strauss is reputed to have said:

"The devil take the waltz, my only regret is for the coda - I wish that had been a success!"

Mihály Zichy | Ball in the Concert Hall of the Winter Palace during the Official Visit of Nasir al-Din Shah in May 1873-1874 | State Hermitage, St. Petersburg