Arturo Martini | Modern sculptor

Arturo Martini, (1889, Treviso - 1947, Milan), Italian sculptor and painter who was active between the World Wars.

He is known for figurative sculptures executed in a wide variety of styles and materials.

Martini was trained in goldsmithing and in ceramics and worked for a time as a potter.

In 1905 he began sculpting; he attended art classes in Italy at Treviso and Venice before traveling to Munich, Germany, where he studied under the academic sculptor Adolf von Hildebrand in 1909.

Emilio Greco | Figurative sculptor

Emilio Greco (1913-1995) - Italian sculptor and draughtsman, mainly of female figures and portrait busts.

Born in Catania, Sicily.

At the age of thirteen entered the workshop of a stone mason, learning to carve crosses and figures for cemeteries; also began making sculpture on his own account and studied briefly at the Palermo Academy 1934.

Vincenzo Cardarelli | I gabbiani / Seagulls

Non so dove i gabbiani abbiano il nido,

ove trovino pace.

Io son come loro

in perpetuo volo.

La vita la sfioro

com'essi l'acqua ad acciuffare il cibo.

Jimmy Lawlor, 1967 | Surrealist painter

Sexto Canegallo | Pointillist / Futurist painter

Italian painter Giuseppe Sexto Canegallo (1892-1966) was born on 2 February 1892 in Sestri Ponente.

He attended the Linguistic Academy in Genoa, where he was a student of Lazzaro Luxardo, Tullio Salvatore Quinzio, Lorenzo Massa and Alfredo Luxoro.

His artistic style was initially influenced by the pointillist poetics of Plinio Nomellini, together with other artists such as Angelo Morbelli, Gaetano Previati and Rubaldo Merello.

Massimo Fedele, 1964 | Abstract painter

Massimo Fedele was born in Turin, Italy.

After a few months his family moved to Apulia, in San Vito dei Normanni (Brindisi) where he still lives and works.

After obtaining a diploma from the local Technical and Commercial Institute, he realised he was not on the right track.

Claudio Bonanni, 1960 | Impressionist painter

Claudio Bonanni was born in Tivoli, Rome. From 1980-1986, he attended the Academy of Fine Arts in Rome, then he moved to Paris to study painting under the guidance of Pio Santini, of Tivoli, moved to the French capital fifty year before.

Here he deepened the knowledge of the Impressionists, first of all Pissarro.

Antonio Canova | Paolina Borghese, 1805-1808

The reclining Paolina Borghese as Venus Victrix in the center of the room holds an apple in her hand, evoking the Venus Victrix in the judgement of Paris, who was chosen to settle a dispute between Juno (power), Minerva (arts and science) and Venus (love).

The same subject was painted on the ceiling by Domenico de Angelis (1779), framed by Giovan Battista Marchetti's tromp d'oeil architecture, and was inspired by a famous relief on the façade of the Villa Medici.

This marble statue of Pauline in a highly refined pose is considered a supreme example of the Neoclassical style.

Sleeping Hermaphroditus / L'Ermafrodito dormiente

The ambivalence and voluptuous curves of this figure of Hermaphroditus, who lies asleep on a mattress sculpted by Bernini, are still a source of fascination today.

His body merged with that of the nymph Salmacis, whose advances he had rejected, Hermaphroditus, son of Hermes and Aphrodite, is represented as a bisexed figure.

The original that inspired this figure would have dated from the 2nd century BC, reflecting the late Hellenistic taste for the theatrical.

Department of Greek, Etruscan and Roman Antiquities: Hellenistic Art (3rd-1st centuries BC) Greek, Etruscan and Roman Antiquities - Musée du Louvre.

Gaetano Bellei | Academic / Genre painter

The Italian master Gaetano Bellei was born in Modena in 1857, died in the same city in March 1922.

A student of Adeodato Malatesta and companion of John Muzzioli.

Twenty-four he won the Retired Potetti that allowed him to travel to Rome for some time learning about yourself.

Carlo Crivelli | Santa Maria Maddalena, 1480

With Carlo Crivelli, the so-called "International Gothic" style experienced its final flowering in Italy.

This perfectly preserved panel was painted towards the end of his career.

It served as the altarpiece of a provincial church dedicated to Mary Magdalene in the sparsely populated rural area of the Marches where Crivelli lived. | Source: © Rijksmuseum, Amsterdam

Carlo Crivelli | Mary Magdalene, 1480 | Rijksmuseum, Amsterdam

Raffaello Gambogi | Post-Macchiaioli painter

Raffaello Gambogi (Livorno, 1874-1943) was an Italian painter, mainly of urban landscapes and genre scenes.

In 1891 Gambogi obtained a scholarship to the Academy of Fine Arts of Florence, where he studied under Giovanni Fattori.

Narcissus by Boltraffio and after Boltraffio, 1500-1510

Narcissus at the Fountain is a 1500-1510 oil-on-panel painting by Giovanni Antonio Boltraffio, now in the Uffizi, in Florence.

A copy is held in the National Gallery, London.

Both works show a young man in profile, interpreted as Narcissus due to his downward gaze.

Giovanni Antonio Boltraffio | Narcissus at the Fountain | Uffizi Gallery, Florence

Giovanni Antonio Boltraffio | The Virgin and Child, 1493-1499

A grave, statuesque young woman gazes down at a positively enormous child, who lies sideways across her lap.

Her deep red gown is open to reveal her breast, which she offers to her son - though he seems uninterested.

He turns his head away from his mother to look out at the viewer, while playing with the beads which dangle from her scarf.

We know from their delicate haloes that these are the Virgin Mary and infant Christ, but this is a very modern Mary, painted in a newly realistic manner.

Boltraffio (Milan, 1467-1516) was Leonardo da Vinci’s most gifted pupil, and imitated his master in style and technique.

Carlo Francesco Nuvolone | Baroque painter

Carlo Francesco Nuvolone (Milan, 1609-1662)) was an Italian painter of religious subjects and portraits who was active mainly in Lombardy.

He became the leading painter in Lombardy in the mid-17th century, producing works on canvas as well as frescoes.

Because his style was perceived as close to that of Guido Reni he was nicknamed il Guido della Lombardia (the Guido of Lombardy).

Michelangelo | Bacchus, 1496-1497

Bacchus (1496-1497) is a marble sculpture by the Italian High Renaissance sculptor, painter, architect and poet Michelangelo Buonarroti.

The statue is somewhat over life-size and depicts Bacchus, the Roman god of wine, in a reeling pose suggestive of drunkenness.

Commissioned by Raffaele Riario, a high-ranking Cardinal and collector of antique sculpture, it was rejected by him and was bought instead by Jacopo Galli, Riario’s banker and a friend to Michelangelo.

Along with the Pietà the Bacchus is one of only two surviving sculptures from the artist's first period in Rome.

Cappella Sistina | La Volta di Michelangelo, 1508-1512

"Senza aver visto la Cappella Sistina non è possibile formare un'idea apprezzabile di cosa un uomo solo sia in grado di ottenere" - Johann Wolfgang von Goethe

La decisione di Giulio II di rifare integralmente la decorazione della volta fu probabilmente dovuta ai gravi problemi di natura statica che interessarono la Sistina fin dai primi anni del suo pontificato (1503-1513).

Essi dovettero essere la conseguenza degli scavi eseguiti sia a nord che a sud dell’edificio per la costruzione della Torre Borgia e del nuovo San Pietro.

Dopo che nel maggio del 1504, una lunga crepa si aprì nella volta, fu incaricato Bramante, allora architetto di Palazzo, di porvi rimedio, il quale mise in opera alcune catene nel locale soprastante la Cappella.

Caravaggio and the birth of Baroque

Italian Renaissance painter Michelangelo Merisi da Caravaggio (1571-1610) "put the oscuro (shadows) into chiaroscuro".

Chiaroscuro was practised long before he came on the scene, but it was Caravaggio who made the technique a dominant stylistic element, darkening the shadows and transfixing the subject in a blinding shaft of light.

Correggio | Jupiter and Io, 1530

Jupiter and Io is a painting by the Italian late Renaissance artist Antonio Allegri da Correggio (1489-1534).

It is part of the collection of the Kunsthistorisches Museum of Vienna, Austria.

History

The series of Jupiter's Loves was conceived after the success of Venus and Cupid with a Satyr. Correggio painted four canvasses in total, although others had been programmed perhaps.

Master of the Story of Griselda | Artemisia, 1498

"Artemisia" - Museo Poldi Pezzoli, Milano (Lombardia, Italy) - attributed to an anonymous Sienese master, known conventionally as the Master of the story of Griselda.

The Master of the Griselda Story is named from set of paintings which relate the story of Patient Griselda.

Other paintings have been ascribed to him.

The style is typical of Sienese art in the late fifteenth century and reflects the manner of Luca Signorelli.

His figures are notable for their elongated limbs, almost dancing motion and great elegance.

Gian Lorenzo Bernini, uomo ed artista universale

Oltre ai suoi autoritratti e ad un ritratto fattogli dal Gaulli (Roma, Gall. Corsini), il Bernini è stato descritto fisicamente e moralmente da numerosi autori: basti ricordare lo Chantelou, ed il figlio Domenico, che lo disse "aspro di natura, fisso nelle operazioni, ardente nell'ira".

Egli fu l'artista più intimamente legato al cattolicesimo risorgente nella temperie postridentina, e non può esserci dubbio sulla sua convinzione religiosa; pare che negli anni successivi al 1630 la sua fede si fosse approfondita e che nell'ultimo periodo della sua vita frequentasse assiduamente gesuiti e oratoriani: era amico intimo dei padre G. P. Oliva, gesuita, per il quale disegnò il frontespizio al secondo volume delle Prediche (1664) e ebbe come consigliere spirituale anche un suo nipote, padre Marchesi, oratoriano.