Paul Seignac | Genre painter

During the 19th century, genre scenes were a popular subject throughout Europe.

The French painter Paul Guillaume Seignac (1826-1904) specialized in genre paintings depicting children, rural life and everyday scenes.

Claude Debussy | Danse Sacrée

"Dances for Harp and String Orchestra", in full in the original, "Danses pour harpe chromatique avec accompagnement d'orchestre d'instruments à cordes" (Dances for chromatic harp with string orchestra accompaniment), is a 1904 work by Claude Debussy.

There are two sections: Danse sacrée and Danse profane, and the work is sometimes billed accordingly.

It is a two-movement work, of about ten minutes' duration.

MAuguste Alexandre Hirsch | Calliope enseignant la musique à Orphée, 1865 | Musée d'art et d'archéologie du Périgord

Adolphe Alexandre Lesrel | Academic / genre painter

Adolphe Alexandre Lesrel (1839-1929) was a French painter.

Throughout his career, Lesrel collected awards, medals and official recognitions.

In 1889, at the Salon of the Society of French Artists and at the Universal Exhibition, Lesrel received an honorable mention.

François-Alfred Delobbe | Genre painter

François-Alfred Delobbe, (13 October 1835, Paris - 10 February 1920, Paris) was a French painter in the Naturalist style.

He was a student of Thomas Couture and William Bouguereau at the École des Beaux-arts, where he had been admitted at the age of sixteen, and had his debut at the Salon in 1861 with a portrait of his mother.

Claude Debussy | Arabesque No. 2. | Allegretto scherzando

The second arabesque in G major is noticeably quicker and more lively in tempo.

It opens with left hand chords and right hand trills.

The piece makes several transpositions and explores a lower register of the piano.

Again notable is a hint of the pentatonic scale.

It closes in a similar fashion to the first arabesque.

Claude Monet | Flower Beds at Vétheuil | Museum of Fine Arts, Boston

Offenbach's Can-can | The scandalous Moulin Rouge's dance

The French Cancan dance is an eight-minute performance facing the audience, during which dancers measuring 5’7” tall lead the dance to a piece of music by German-born French composer Jacques Offenbach (1819-1880).

It’s an art that requires Parisian cabaret dancers to have balance, flexibility, acrobatic ability and rhythm.

They have to be able to do the splits and perform impressive moves like the “port d’armes”, the “cathedral” and the “military salute”.

Henri de Toulouse-Lautrec | At the Moulin Rouge, the Dance, 1889-90 | Philadelphia Museum of Art

Paquita

Paquita is a ballet in two acts and three scenes originally choreographed by Joseph Mazilier to music by Édouard Deldevez and Ludwig Minkus.

Paul Foucher received royalties as librettist.

Paquita is the creation of French composer Édouard Deldevez and Paris Opéra Ballet Master Joseph Mazilier.

Sergiy Lyacevitch | Dancing flower

The Dying Swan

The Dying Swan (originally The Swan) is a solo dance choreographed by Mikhail Fokine to Camille Saint-Saëns's Le Cygne from Le Carnaval des animaux as a pièce d'occasion for the ballerina Anna Pavlova, who performed it about 4,000 times.

The short ballet (four minutes) follows the last moments in the life of a swan, and was first presented in St. Petersburg, Russia in 1905.

The ballet has since influenced modern interpretations of Odette, heroine of Tchaikovsky's ballet Swan Lake, and has inspired non-traditional interpretations as well as various adaptations.

Antoon van Welie | Anna Pavlova as the Dying Swan, 1938

Louis-Ernest Barrias | Romantic / Art Nouveau sculptor

Louis-Ernest Barrias (1841-1905) was a French sculptor of the Beaux-Arts school.

In 1865 Barrias won the Prix de Rome for study at the French Academy in Rome.

Barrias was involved in the decoration of the Paris Opéra and the Hôtel de la Païva in the Champs-Élysées.

His work was mostly in marble, in a Romantic realist style indebted to Jean-Baptiste Carpeaux.

Hugues Merle | The Lunatic of Etretat, 1871

"The Lunatic of Etretat" is a painting by French Academic artist Hugues Merle (1822-1881).

It is part of the collection of the Chrysler Museum of Art, in Norfolk, Virginia.

The woman’s face is a mask of suffering while she cradles, not a sleeping baby, but a wooden log!

Is Merle’s "Lunatic" mourning the loss of a child, or mad with longing for one?

Hugues Merle | Genre painter

From National Gallery of Art:

Born in 1823 at Saint-Marcellin (Isère), Hugues Merle studied in Paris with the history painter Léon Cogniet (1794-1880) and devoted himself to a wide range of subjects, from religious themes and historical anecdotes to incidents from contemporary life, particularly of the urban and rural poor.

His greatest popular successes, however, were won by scenes of maternal affection and childhood innocence that he sought to imbue with impish sweetness and sentimentality.

Paris, 1925: Art Dèco gazzled the World / L'Art Déco abbagliò il mondo

Art Déco Exposition Internationale des Arts Décoratifs et Industriels Modernes - Esposizione internazionale delle arti decorativi ed industriali moderni, tenutasi a Parigi nel 1925 - e per quest'ultimo motivo noto anche come Stile 1925 - viene considerato un fenomeno del gusto che interessò sostanzialmente il secondo ed il terzo decennio del secolo XX: riguardò le arti decorative, le arti visive, l'architettura, la moda.

L'Expo parigina del 1925 vide trionfare, fra i molti espositori stranieri, la speciale raffinatezza francese in varie categorie merceologiche, dall'ebanisteria agli accessori di moda: Parigi restava il centro internazionale del buon gusto anche negli anni critici seguiti alla prima guerra mondiale.

Coco Chanel creò la nuova Donna del XX secolo

Forte ed ambiziosa, Gabrielle Coco Chanel (1883-1971), sovvertì la moda femminile costretta all’interno di rigidi schemi sociali, rivoluzionò il concetto di femminilità, imponendosi come figura fondamentale del fashion design e della cultura popolare del XX secolo.

Chanel non faceva parte della aristocrazia parigina, né dell’alta borghesia, ma riuscì a rendere à la page gli abiti delle sartine e delle commesse anche tra le ricche signore di Deauville.

Philippe Faraut, 1963 | Figurative sculptor

Philippe Faraut is a figurative artist specializing in life-size portrait sculptures and monumental stone sculptures.

His media of choice are water-based clay and marble.

From his extensive research of the human face he developed a technique of modeling the portrait that he shares with his sculpting students during his numerous sculpting classes and seminars taught hroughout the US.

André Savy, 1982 | Santorini Walkway

French painter André Savy creates inviting scenes featuring the crisp white-washed architecture of Mykonos, Santorini and other Greek islands of the Cyclades against the mythic blues of the Aegean region.

These islands and their gentle leisurely pace of life have offered artistic inspiration to the artist on his frequent visits to capture the unique clarity of the Aegean light.

Ary Scheffer | Romantic painter

Ary Scheffer (1795-1858) was a Dutch-French Romantic painter.

Scheffer was the son of Johan Bernard Scheffer (1765-1809), a portrait painter born in Homberg upon Ohm or Kassel who had moved to the Netherlands in his youth, and Cornelia Lamme (1769-1839), a portrait miniature painter and daughter of the Dordrecht landscape painter Arie Lamme, after whom Arij (later Ary) was named.

Camille Corot | The Barbizon school of painters

Of Camille Corot Claude Monet exclaimed: "There is only one master here - Corot. We are nothing compared to him, nothing".

His contributions to figure painting are hardly less important; Degas preferred his figures to his landscapes, and the classical figures of Picasso pay overt homage to Corot's influence.

Love Letter from Balzac to Countess Ewelina Hańska

My beloved angel,

I am nearly mad about you, as much as one can be mad: I cannot bring together two ideas that you do not interpose yourself between them.

I can no longer think of nothing but you. In spite of myself, my imagination carries me to you.

I grasp you, I kiss you, I caress you, a thousand of the most amorous caresses take possession of me.

As for my heart, there you will always be - very much so. I have a delicious sense of you there.

But my God, what is to become of me, if you have deprived me of my reason?

Lorenzo Bartolini | Buste d'Ewelina Hańska, 1837 | Musée Bertrand, à Châteauroux, France

Jacqueline Marval | The Female Fauve

Jacqueline Marval was the pseudonym for Marie Josephine Vallet (1866-1932), who was a French painter, lithographer and sculptor.

Vallet was born in Quaix-en-Chartreuse into a family of school teachers.

She was married in 1866, to a traveling salesperson, Albert Valentin, but separated from her husband in 1891 after the death of her son.

Pierre-Auguste Renoir | Bal du moulin de la Galette, 1876

Bal du moulin de la Galette [Dance at Le Moulin de la Galette] is doubtless Renoir's most important work of the mid 1870's and was shown at the Impressionist exhibition in 1877.

Author: Auguste Renoir (1841-1919)

Title: Dance at Le Moulin de la Galette

Date: 1876

Medium: Oil on canvas

Dimensions: H. 131; W. 175 cm

Current location: © RMN-Grand Palais (Musée d'Orsay) / Jean-Gilles Berizzi