Spanish painter Juan González Alacreu was born in Burriana, Castellón, in 1937. At eight years he took classes in Arts and Crafts and at 16 he won a scholarship to the School of Fine Arts of San Carlos de Valencia. He worked for years in the illustration for various publishers until he decided to devote himself to painting.
Andrea Kowch has been described as “a powerful voice emerging, demonstrating a highly sensitive consciousness that informs a culturally-laced Symbolism”Born in Michigan, she attended Detroit’s College for Creative Studies through a Walter B. Ford II Scholarship, and graduated Summa Cum Laude in 2009 with a BFA degree in illustration. Her paintings, book illustrations, and works on paper are rich in mood, allegory, and precision of medium, reflecting a wealth of influences from Northern Renaissance and American art to the rural landscapes and vernacular architecture of her native Michigan.
Christopher Cart is a painter and print maker focusing mostly on figurative work. A native Mainer his work is also flavored by years in Guadalajara, Mexico and Seattle, Washington.Cart is currently working on a 14 foot mural to commemorate historic Hallowell of the 1890′s. And also for his home town of Hallowell, in 2012 he completed a commissioned portrait of Allen Strickland, a major donor to the Hubbard Free Library restoration fund.
William Henry Margetson (1860-1940), is a British painter noted for his pictures of very beautiful girls, typically alone and large on the canvas, and typically with short hair and hats when they are modern subjects. He studied at the South Kensington Schools, and then at the Royal Academy, exhibiting there from 1885. He lived at Wallingford on Thames. As well as modern girls and portraits, Margetson also produced a few religious pictures, and some allegorical and classical/ancient ones–for example a Cleopatra, fetchingly attired, with attendants in an Alma-Tadema setting, 1890.
En Plein Air painting, in its strictest sense, the practice of painting landscape pictures out-of-doors; more loosely, the achievement of an intense impression of the open air (French: plein air) in a landscape painting.
Until the time of the painters of the Barbizon school in mid-19th-century France, it was normal practice to execute rough sketches of landscape subjects in the open air and produce finished paintings in the studio. Part of this was a matter of convenience. Before the invention of the collapsible tin paint tube, widely marketed by the colour merchants Winsor Newton in 1841, painters purchased their colours in the form of ground pigment and mixed them fresh with an appropriate medium such as oil.
Agnes Slott-Møller, born Rambusch (10 June, 1862, in Nyboder - June 11, 1937 in Løgismose) was the daughter of the later commander in the Navy Jacob Heinrich Victor Rambusch (1825-1886) and his wife Constantine Juliane born Hansen (1834-1891). She was a Danish painter and sculptor who was influenced by Italian art before the Renaissance, British Pre-Raphaelites and the Arts and Crafts Movement in his image and style.Agnes Slott-Møller grew up in a home where she soon became aligned with the interest of Denmark and Danish culture that came to dominate her life and art.She read books on Danish history, and Adam Fabricius: "Illustrated History of Denmark", which is characterized by Lorenz Frølich drawings, became important for her, as she followed the road marked by the said Frølich and Niels Skovgaard, or even Christian Zahrtmann.