Paintings of Notre-Dame de Paris

Victor Hugo🎨, in The Hunchback of Notre-Dame:
"A vast symphony in stone, so to speak; the colossal work of one man and one people, all together one and complex, like the Iliads and the Romanceros, whose sister it is; prodigious product of the grouping together of all the forces of an epoch, where, upon each stone, one sees the fancy of the workman disciplined by the genius of the artist start forth in a hundred fashions; a sort of human creation, in a word, powerful and fecund as the divine creation of which it seems to have stolen the double character - ariety, eternity".

Sylvius Paoletti (1864-1921) Notre Dame de Paris, 1907

Jean-Francois Raffaëlli | Paris painting

Elie Anatole Pavil | Paris de la Belle Époque

Ukrainian-born French painter Elie Anatole Pavil [1873-1948] came to Paris in 1892. He established himself in Montmartre, on the Rue Caulaincourt.

He had arrived at the high point of La Belle Époque; Pavil dedicated himself to capturing its atmosphere on canvas. For most of the next fifty years he painted the cafes, the beautiful women, the jazz bands and artist ateliers of Paris.

His paintings show an intimate knowledge of the inhabitants of the streets and alley’s of Montmartre. Elegant couples dancing, beautiful models posing, working men finishing their day with a drink at the bar, all were captured in Pavil’s carefully balanced compositions, many of which show the distinct the influence of Degas and Renoir.