Alexander Saidov, 1970 | The Garden of Eden

The compositions in Alexander Saidov's paintings are thought out to the smallest detail and every part of his imaginary world seems real.

While painting his pieces, the artist almost becomes a storyteller, who sounds so convincing that viewers start perceiving everything depicted not as a fantasy, but as real world, with its own course of life.

In some artworks, fantasy worlds are based on myths, legends, and religious texts, which are familiar to a wide range of viewers.

Tina Cassati | Surreal fashion

Berlin based artist Tina Cassati, makes costumes (sculpture le mode and giardino di arte), ruffs, hats-, bags - and shoes-, jewelry objects into modern surreale digital-photo-art worlds and illustrations.

She paints, sews, draws, photographs, digital collage - mixed media, collage, illustration.

She does not care about genres.

Her work is influenced by Renaissance, Baroque, Traditional Clothing (Folk Costumes) fairy tales. To her, fashion is fine art.

Sarah Myers, 1980 | Figurative sculptor

Sarah Myers lives and works in Arizona.

As a child her fascination for the artwork in museums - and even for ancient artifacts - formed her feeling that art was the language of a world filled with splendor and possibility.

She continues this today with her love of human expressions, depicting heads, hands, movement, vitality in a range of mediums from line drawing and painting to ceramic sculpture.

William Dyce | Pre-Raphaelite painter

Prof William Dyce FRSE RSA RA (1806-1864) pioneer of state art education in Great Britain.

Dyce studied at the Royal Scottish Academy, Edinburgh and the Royal Academy schools, London.

One of the first British students of early Italian Renaissance painting, he visited Italy in 1825 and 1827-1828, meeting in Rome a group of young German painters, the Nazarenes.

Claude Monet | The Houses of Parliament, 1900-1905

Claude Monet painted a series of oil paintings of the Palace of Westminster, home of the British Parliament, in the fall of 1899 and the early months of 1900 and 1901 during stays in London.

All of the series' paintings share the same viewpoint from Monet's window or a terrace at St Thomas' Hospital overlooking the Thames and the approximate canvas size of 81 cm x 92 cm (32 in x 36 3/8 in).

They are however painted during different times of the day and weather circumstances.