Flip Gaasendam,1957 | Neo-Impressionist painter

Born in 1957, Flip Gaasendam studied from 1977-1982 at the Minerva Academy of Groningen. In 1988 he obtained the 'J. Egberts' price of the Pictura Association. From 1992 on, he was welcomed in the best galleries of The Netherlands.

In 1997 he participated at the ‘Painters of Minerva' exhibition, held at the same time at ‘De Twee Pauwen’ Gallery in The Hague and at Panorama Mesdag Museum. Gaasendam’s works are present in many collections, notably at the Drenthe Museum, Gasunie, ING and Unilever.

Pierre-Auguste Renoir | Still Life with Roses

• "What seems most significant to me about our movement is that we have freed painting from the importance of the subject. I am at liberty to paint flowers and call them flowers, without their needing to tell a story".
• "La vita è un mazzo di fiori rossi".

Suhair Sibai, 1956 | Abstract Portrait painter

Suhair Sibai was born in Syria in 1956. Through her work, Suhair explores the concepts of identity and the Self, using the female form as her preferred medium. According to Suhair, who was educated as an artist in the sprawling metropolis of Los Angeles, the level of multiculturalism and diversity to which many of us are exposed to these days has the potential to cause the discord, displacement, and division of the Self.

Raj Chaudhuri | Orientalist painter

Raj Chaudhuri describes himself as one of the "New Orientalists", a traveling painter in the modern world. Storytelling is his focus, creating exotic imagery from ceremonial camel races to paintings utilizing bright flashes of color such as "Rajasthani Women Waiting for a Bus" which recently won Raj an Honorable Mention Award at the 15th Annual American Impressionist Society's National Juried Show.

Gaetano Cellini | Humanity Against Evil / L'umanità contro il male, 1908

L’umanità contro il male /Humanity against Evil, now at Rome’s National Gallery of Modern Art (GNAM), was one of the first works by Ravenna-born sculptor Gaetano Cellini (1873-1937).

Cellini presented the plaster model at the Milan Expo of 1906, for which he won the prestigious "Premio Fumagalli dell'Accademia di Brera".

On the base, he inscribed the title of the work and a couplet explaining its meaning:

"Thus I’ll extirpate using my teeth and nails

the eternal pain that stings my heart".