Cappella Sistina | La Volta di Michelangelo, 1508-1512

"Senza aver visto la Cappella Sistina non è possibile formare un'idea apprezzabile di cosa un uomo solo sia in grado di ottenere" - Johann Wolfgang von Goethe

La decisione di Giulio II di rifare integralmente la decorazione della volta fu probabilmente dovuta ai gravi problemi di natura statica che interessarono la Sistina fin dai primi anni del suo pontificato (1503-1513).

Essi dovettero essere la conseguenza degli scavi eseguiti sia a nord che a sud dell’edificio per la costruzione della Torre Borgia e del nuovo San Pietro.

Dopo che nel maggio del 1504, una lunga crepa si aprì nella volta, fu incaricato Bramante, allora architetto di Palazzo, di porvi rimedio, il quale mise in opera alcune catene nel locale soprastante la Cappella.

The Sistine Chapel, Michelangelo's masterpiece, 1508-1512

Julius II's decision to completely renovate the decoration of the Ceiling was probably due to the serious problems of a static nature that affected the Sistine Chapel from the earliest years of his pontificate (1503-1513).

They must have been the result of the excavations carried out both to the north and to the south of the building for the construction of the Borgia Tower and for the new St Peter's.

After a long crack had opened in the Ceiling in May 1504, Bramante, then the Palace architect, was charged with finding a solution and he fixed some tie rods in the area above the Chapel.

However, the damage suffered by the old painting must have been such as to convince the pontiff to entrust Michelangelo with a new pictorial decoration.

The Last Judgment, 1535-1541 (Michelangelo)

The mighty composition, painted by Michelangelo between 1536-1541, is centred around the dominant figure of Christ, captured in the moment preceding that when the verdict of the Last Judgement is uttered (Matthew 25:31-46).

His calm imperious gesture seems to both command attention and placate the surrounding agitation. It starts a wide slow rotary movement in which all the figures are involved.

Greyhounds playing sculpture in the Vatican Museum

A 2nd Century CE Roman statue group of two sighthounds playing.

The statue group was discovered in 1774 in Monte Cagniolo, Italy.

Group of greyhounds playing | Rome, Vatican Museums, Hall of Animals

Vatican Museums, Hall of Animals

The display in the two rooms which together make up the Hall of the Animals was set up under Pope Pius VI (1775-1799) with antique works of art, often much restored and sometimes completely re-worked, with the aim of creating a 'stone zoo'.

Many artists worked on the sculptures in this display during the 1700s, the most important of whom was Francesco Antonio Franzoni.

Sandro Botticelli | The Map of Hell, 1480-1490

The Divine Comedy Illustrated by Botticelli is a manuscript of the Divine Comedy by Dante, illustrated by 92 full-page pictures by Sandro Botticelli that are considered masterpieces and amongst the best works of the Renaissance painter.

The images are mostly not taken beyond silverpoint drawings, many worked over in ink, but four pages are fully coloured.

The manuscript eventually disappeared and most of it was rediscovered in the late nineteenth century, having been detected in the collection of the Duke of Hamilton by Gustav Friedrich Waagen, with a few other pages being found in the Vatican Library.

Sandro Botticelli | The Map of Hell, 1480-1490 | Vatican Museums