Visualizzazione post con etichetta Art Quotes - Literature. Mostra tutti i post
Visualizzazione post con etichetta Art Quotes - Literature. Mostra tutti i post
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Salvatore Quasimodo | Il girasole piega a occidente / Almost a Madrigal

Il girasole piega a occidente
e già precipita il giorno nel suo
occhio in rovina e l'aria dell'estate
s'addensa e già curva le foglie e il fumo
dei cantieri. S'allontana con scorrere
secco di nubi e stridere di fulmini
quest'ultimo gioco del cielo. Ancora,

Vincent van Gogh | Sunflowers, 1888

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Anne Sexton | Noi / Us

Ero avvolta nella pelliccia
nera, nella pelliccia bianca
e tu mi svolgevi
e in una luce d’oro
poi m’incoronasti,
mentre fuori dardi di neve
diagonali battevano alla porta.


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Ella Wheeler Wilcox: "Ridi e il mondo riderà con te. Piangi, e piangerai da solo..."

Ridi e il mondo riderà con te.
Piangi, e piangerai da solo.
Poiché il vecchio mondo triste deve prendere
in prestito la sua allegria,
ma ha già abbastanza guai per conto suo.
Canta, e le colline ti risponderanno.

Rene Magritte | La vie heureuse, 1944

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Antonio Calderara | Abstract / Minimalist painter

- "Contemplation, harmony, proportion, stillness; this is the invisible thread that weave my aspiration" - Antonio Calderara


Self-taught as a child growing up in Milan, and later mentored for a time by a young Lucio Fontana, the earliest influences of Antonio Calderara (1903-1978) were of the figuration and light effects of Piero della Francesca, Seurat and the Milanese Novecento painters.
After abandoning his university studies in engineering in 1925 the young man dedicated himself fully to experimenting with colour and form.

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Pablo Neruda | Your Laughter

Take bread away from me, if you wish,
take air away, but
do not take from me your laughter.

Do not take away the rose,
the lance flower that you pluck,
the water that suddenly

Pierre-Auguste Renoir | Dance at Bougival, 1883 | Museum of Fine Arts Boston

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Coco Chanel creò la nuova Donna del XX secolo

Forte ed ambiziosa, Gabrielle Coco Chanel (1883-1971), sovvertì la moda femminile costretta all’interno di rigidi schemi sociali, rivoluzionò il concetto di femminilità, imponendosi come figura fondamentale del fashion design e della cultura popolare del XX secolo.
Chanel non faceva parte della aristocrazia parigina, né dell’alta borghesia, ma riuscì a rendere à la page gli abiti delle sartine e delle commesse anche tra le ricche signore di Deauville.


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Wisława Szymborska | Hatred

See how efficient it still is,
how it keeps itself in shape -
our century’s hatred.
How easily it vaults the tallest obstacles.
How rapidly it pounces, tracks us down.
It is not like other feelings.
At once both older and younger.


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Out of Africa, 1985

"If I know a song of Africa, of the giraffe and the African new moon lying on her back, of the plows in the fields and the sweaty faces of the coffee pickers, does Africa know a song of me?
Will the air over the plain quiver with a color that I have had on, or the children invent a game in which my name is, or the full moon throw a shadow over the gravel of the drive that was like me, or will the eagles of the Ngong Hills look out for me?"

Robert Redford and Meryl Streep Shampoo Scene in "Out of Africa"

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Karen Blixen | L'Incontro

Ah, quando sei lontano e nessuno
più nomina il tuo nome -
quando ovunque mi rechi sento
cupo e gelido un vuoto -
comincio a credere che tu sia solo un sogno
nato dalle brame della mia mente,

Charles-Amable Lenoir | Reverie, 1893

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Salvador Dali: "Give me two hours a day of activity, and I'll take the other twenty-two in dreams"!

"I believe that the moment is near when by a procedure of active paranoiac thought, it will be possible to systematize confusion and contribute to the total discrediting of the world of reality".
"If you understand a painting beforehand, you might as well not paint it".
"We are all hungry and thirsty for concrete images. Abstract art will have been good for one thing: to restore its exact virginity to figurative art".


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Love Letter from Balzac to Countess Ewelina Hańska

My beloved angel,

I am nearly mad about you, as much as one can be mad: I cannot bring together two ideas that you do not interpose yourself between them.
I can no longer think of nothing but you. In spite of myself, my imagination carries me to you.
I grasp you, I kiss you, I caress you, a thousand of the most amorous caresses take possession of me.
As for my heart, there you will always be - very much so. I have a delicious sense of you there.
But my God, what is to become of me, if you have deprived me of my reason?

Lorenzo Bartolini | Buste d'Ewelina Hańska, 1837 | Musée Bertrand, à Châteauroux, France

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Cassie Phillips | Let them

If they want to choose something or someone over you,
Let them.
If they want to go weeks without talking to you,
Let them.
If they are okay with never seeing you,
Let them.


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Cassie Phillips | Lasciali fare | La poesia

Se vogliono scegliere qualcosa o qualcuno al posto tuo,
Lasciali fare.
Se vogliono passare settimane senza parlarti,
Lasciali fare.
Se stanno bene a non vederti mai,
Lasciali fare.
Se stanno bene a mettere sempre se stessi al primo posto,
Lasciali fare.


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Wisława Szymborska | Ruben's Women

Herculasses, a feminine fauna.
Naked as the crashing of barrels.
Cooped up atop trampled beds.
They sleep with mouths poised to crow.
Their pupils have retreated in the depths,
and penetrate to the heart of their glands,
trickling yeast into their blood.

Peter Paul Rubens | Venus in Front of the Mirror, (1614-1615) | Museo Nacional del Prado

Daughters of the Baroque. Dough bloats in a bowl,
baths are steaming, wines are blushing.
piglets of cloud are dashing across the sky,
trumpets neigh in physical alarm.

O pumpkinned, O excessive ones,
doubled by your unveiling,
trebled by your violent poses,
fat love dishes.

Peter Paul Rubens | Mars and Rhea Silvia, 1617

Their skinny sisters got up earlier,
before dawn broke within the painting,
and no one saw them walking single file
on the unpainted side of the canvas.
Exiles of style. Ribs all counted.


Birdlike feet and hands.
They try to ascend on gaunt shoulderblades.
The thirteenth century would have given them a golden backdrop.
The twentieth, a silver screen.

But the seventeenth has nothing for the flat-chested.
For even the sky curves in relief -
curvaceous angles, a curvaceous god -
a moustached Apollo astride a sweaty steed
enters the steaming bedchamber.

Wisława Szymborska (Polish poet, essayist, translato, and recipient of the 1996 Nobel Prize in Literature, 1923-2012)

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Pope Francis: "Dear Poets, help us Dream"

Below is the letter Pope Francis wrote for the book 'Verses to God: An Anthology of Religious Poetry (italian).

Dear poets,
I know that you hunger for meaning, and that is why you reflect on how faith questions life.
This "meaning" cannot be reduced to a concept. No, it is a comprehensive meaning that encompasses poetry, symbols, and feelings.
The true meaning is not found in the dictionary - that's the meaning of words, and words are merely tools to express everything within us.


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Le Quattro Stagioni | I Concerti ed i Sonetti di Antonio Vivaldi

Le Quattro Stagioni è un gruppo di quattro concerti per violino del compositore italiano Antonio Vivaldi (Compositore e violinista Barocco, 1678-1741), ognuno dei quali dà espressione musicale ad una stagione dell'anno.
Furono composti intorno al 1718-1720, quando Vivaldi era maestro di cappella alla corte di Mantova.
Furono pubblicati nel 1725 ad Amsterdam, in quella che all'epoca era la Repubblica delle Sette Province Unite, insieme ad altri otto concerti, con il titolo Il cimento dell'armonia e dell'invenzione.

Un ritratto anonimo ad olio conservato al Museo Internazionale e Biblioteca della Musica di Bologna, generalmente ritenuto di Vivaldi, 1723

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Antonio Vivaldi's "Four Seasons" | Music and Sonnets

The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi (1678-1741), each of which gives musical expression to a season of the year.
These were composed around 1718-1720, when Vivaldi was the court chapel master in Mantua.
They were published in 1725 in Amsterdam in what was at the time the Dutch Republic, together with eight additional concerti, as Il cimento dell'armonia e dell'inventione (The Contest Between Harmony and Invention).

Orazio Gentileschi | Young Woman with a Violin (Saint Cecilia), 1612 | Detroit Institute of Arts

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Wisława Szymborska | Non ce l’ho con la primavera, 1993

Non ce l'ho con la primavera
perché è tornata.
Non la incolpo
perché adempie come ogni anno
ai suoi doveri.

Marc Chagall | Fleurs de printemps, 1930

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Platone | The Arts in education

The Republic (Greek: Πολιτεία, Politeia) is a Socratic dialogue, written by Plato around 380 BC, concerning the definition of justice (δικαιοσύνη), the order and character of the just city-state and the just man ecc..
It is Plato's best-known work, and one of the world's most influential works of philosophy and political theory, both intellectually and historically.
In the dialogue, Socrates discusses with various Athenians and foreigners the meaning of justice and whether the just man is happier than the unjust man.
He considers the natures of existing regimes and then proposes a series of hypothetical cities in comparison, culminating in Kallipolis (Καλλίπολις), a utopian city-state ruled by a class of philosopher-kings.

Raffaello | Scuola di Atene - Platone / Raphael - The School of Athens (1509-1511)

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Louis Aragon | Amor mio, non dire niente / Mon Amour ne dis rien


Amor mio non dire niente
lascia cadere queste due parole nel silenzio
Come una pietra a lungo lisciata fra i palmi delle mie mani
Una pietra veloce e pesante una pietra
Che cada nel profondo della nostra vita