Daniel Densborn, 1946 | Flamenco dancers

Daniel Densborn is a French self-taught painter.

Thanks to a knife and to small touches of color which he wisely applies on a canvas, he gives life to the subjects that he represents: bullfighting, hose racing, dancing.. the fury, the power of life intrinsic to his source of inspiration are thus perfectly captured.

His paintings are bold and romantic.

Victor Hugo | Surrealist Illustrator

Victor Marie Hugo (1802-1885) was not only one of France's greatest poet, novelist and dramatist, but also a prolific artist, painter, watercolourist, draughtsman and caricaturist.

Victor Hugo produced more than 4000 drawings.

Originally pursued as a casual hobby, drawing became more important to Hugo shortly before his exile, when he made the decision to stop writing in order to devote himself to politics.

Drawing became his exclusive creative outlet during the period 1848-1851.

Jean Béraud | Belle Époque painter

Jean Béraud (January 12, 1848 - October 4, 1935) was a French painter renowned for his numerous paintings depicting the life of Paris, and the nightlife of Paris society.

Pictures of the Champs Elysees, cafés, Montmartre and the banks of the Seine are precisely detailed illustrations of everyday Parisian life during the "Belle Époque".

He also painted religious subjects in a contemporary setting.

Eugène Delaplanche | Figurative sculptor

Eugène Delaplanche (28 February 1836 - 10 January 1891) was a French sculptor, born at Belleville, Seine.

He was a pupil of the neoclassical sculptor Francisque Joseph Duret (French, 1804-1865), gained the Prix de Rome in 1864 (spending 1864-67 at the Villa Medici in Rome), and the medal of honor° in 1878.

Francois Fressinier, 1968 | Mixed media painter

Born in Cognac, France to scholarly portrait photographer parents with an affinity for aesthetics, it was fitting that modern figurative artist, François Fressinier, would develop a unique, enchanting style.

His father's admiration for the works of the Old Masters and his exposure to some of the world's most historic places, along with France's Gallo-Roman ruins and Gothic churches inclined François to explore and create figurative, symbolic artwork.

In addition, his education at the Ecole Brassart in Tours afforded him the opportunity to study the drawings and paintings of old and new masters.

Camille Pissarro | Rue Saint-Honoré, in the afternoon, 1897

Rue Saint-Honoré, dans l'après-midi. Effet de pluie ("Rue Saint-Honoré, in the afternoon. Effect of rain") is an 1897 oil painting by Camille Pissarro.

The work was made towards the end of Pissarro's career, when he abandoned his experiments with Pointillism and returned to a looser Impressionist style.

It is part of a series of works that Pissarro made in 1897-98 from a window of the Grand Hôtel du Louvre, looking down across the edge of the Place du Théâtre Français (now the Place André-Malraux) and along the rue Saint-Honoré, portraying the people, carriages and buildings, the trees, fountains and streetlamps, in an early afternoon shower of rain.

Camille Pissarro | Rue Saint-Honoré, in the afternoon. Effect of rain, 1897 | Museo Thyssen-Bornemisza, Madrid

Théodore Frère | Orientalist painter

Charles-Théodore Frère (1814-1888) was a French Orientalist painter.

His younger brother, Pierre-Édouard, and his nephew and namesake, Charles Edouard Frère, were also painters.

Painter of historical subjects, genre scenes, local scenes, landscapes (with figures) and seascapes; watercolourist and draughtsman. Orientalist.

The son of a Paris music publisher, Frère studied at the École des Beaux-Arts under Léon Cogniet and Camille Roqueplan.

Paul Seignac | Genre painter

During the 19th century, genre scenes were a popular subject throughout Europe.

The French painter Paul Guillaume Seignac (1826-1904) specialized in genre paintings depicting children, rural life and everyday scenes.

Claude Debussy | Danse Sacrée

"Dances for Harp and String Orchestra", in full in the original, "Danses pour harpe chromatique avec accompagnement d'orchestre d'instruments à cordes" (Dances for chromatic harp with string orchestra accompaniment), is a 1904 work by Claude Debussy.

There are two sections: Danse sacrée and Danse profane, and the work is sometimes billed accordingly.

It is a two-movement work, of about ten minutes' duration.

MAuguste Alexandre Hirsch | Calliope enseignant la musique à Orphée, 1865 | Musée d'art et d'archéologie du Périgord

Adolphe Alexandre Lesrel | Academic / genre painter

Adolphe Alexandre Lesrel (1839-1929) was a French painter.

Throughout his career, Lesrel collected awards, medals and official recognitions.

In 1889, at the Salon of the Society of French Artists and at the Universal Exhibition, Lesrel received an honorable mention.

François-Alfred Delobbe | Genre painter

François-Alfred Delobbe, (13 October 1835, Paris - 10 February 1920, Paris) was a French painter in the Naturalist style.

He was a student of Thomas Couture and William Bouguereau at the École des Beaux-arts, where he had been admitted at the age of sixteen, and had his debut at the Salon in 1861 with a portrait of his mother.

Claude Debussy | Arabesque No. 2. | Allegretto scherzando

The second arabesque in G major is noticeably quicker and more lively in tempo.

It opens with left hand chords and right hand trills.

The piece makes several transpositions and explores a lower register of the piano.

Again notable is a hint of the pentatonic scale.

It closes in a similar fashion to the first arabesque.

Claude Monet | Flower Beds at Vétheuil | Museum of Fine Arts, Boston

Offenbach's Can-can | The scandalous Moulin Rouge's dance

The French Cancan dance is an eight-minute performance facing the audience, during which dancers measuring 5’7” tall lead the dance to a piece of music by German-born French composer Jacques Offenbach (1819-1880).

It’s an art that requires Parisian cabaret dancers to have balance, flexibility, acrobatic ability and rhythm.

They have to be able to do the splits and perform impressive moves like the “port d’armes”, the “cathedral” and the “military salute”.

Henri de Toulouse-Lautrec | At the Moulin Rouge, the Dance, 1889-90 | Philadelphia Museum of Art

Paquita

Paquita is a ballet in two acts and three scenes originally choreographed by Joseph Mazilier to music by Édouard Deldevez and Ludwig Minkus.

Paul Foucher received royalties as librettist.

Paquita is the creation of French composer Édouard Deldevez and Paris Opéra Ballet Master Joseph Mazilier.

Sergiy Lyacevitch | Dancing flower

The Dying Swan

The Dying Swan (originally The Swan) is a solo dance choreographed by Mikhail Fokine to Camille Saint-Saëns's Le Cygne from Le Carnaval des animaux as a pièce d'occasion for the ballerina Anna Pavlova, who performed it about 4,000 times.

The short ballet (four minutes) follows the last moments in the life of a swan, and was first presented in St. Petersburg, Russia in 1905.

The ballet has since influenced modern interpretations of Odette, heroine of Tchaikovsky's ballet Swan Lake, and has inspired non-traditional interpretations as well as various adaptations.

Antoon van Welie | Anna Pavlova as the Dying Swan, 1938

Louis-Ernest Barrias | Romantic / Art Nouveau sculptor

Louis-Ernest Barrias (1841-1905) was a French sculptor of the Beaux-Arts school.

In 1865 Barrias won the Prix de Rome for study at the French Academy in Rome.

Barrias was involved in the decoration of the Paris Opéra and the Hôtel de la Païva in the Champs-Élysées.

His work was mostly in marble, in a Romantic realist style indebted to Jean-Baptiste Carpeaux.

Hugues Merle | The Lunatic of Etretat, 1871

"The Lunatic of Etretat" is a painting by French Academic artist Hugues Merle (1822-1881).

It is part of the collection of the Chrysler Museum of Art, in Norfolk, Virginia.

The woman’s face is a mask of suffering while she cradles, not a sleeping baby, but a wooden log!

Is Merle’s "Lunatic" mourning the loss of a child, or mad with longing for one?

Hugues Merle | Genre painter

From National Gallery of Art:

Born in 1823 at Saint-Marcellin (Isère), Hugues Merle studied in Paris with the history painter Léon Cogniet (1794-1880) and devoted himself to a wide range of subjects, from religious themes and historical anecdotes to incidents from contemporary life, particularly of the urban and rural poor.

His greatest popular successes, however, were won by scenes of maternal affection and childhood innocence that he sought to imbue with impish sweetness and sentimentality.

Paris, 1925: Art Dèco gazzled the World / L'Art Déco abbagliò il mondo

Art Déco Exposition Internationale des Arts Décoratifs et Industriels Modernes - Esposizione internazionale delle arti decorativi ed industriali moderni, tenutasi a Parigi nel 1925 - e per quest'ultimo motivo noto anche come Stile 1925 - viene considerato un fenomeno del gusto che interessò sostanzialmente il secondo ed il terzo decennio del secolo XX: riguardò le arti decorative, le arti visive, l'architettura, la moda.

L'Expo parigina del 1925 vide trionfare, fra i molti espositori stranieri, la speciale raffinatezza francese in varie categorie merceologiche, dall'ebanisteria agli accessori di moda: Parigi restava il centro internazionale del buon gusto anche negli anni critici seguiti alla prima guerra mondiale.

Coco Chanel creò la nuova Donna del XX secolo

Forte ed ambiziosa, Gabrielle Coco Chanel (1883-1971), sovvertì la moda femminile costretta all’interno di rigidi schemi sociali, rivoluzionò il concetto di femminilità, imponendosi come figura fondamentale del fashion design e della cultura popolare del XX secolo.

Chanel non faceva parte della aristocrazia parigina, né dell’alta borghesia, ma riuscì a rendere à la page gli abiti delle sartine e delle commesse anche tra le ricche signore di Deauville.