Hugues Merle | The Lunatic of Etretat, 1871

"The Lunatic of Etretat" is a painting by French Academic artist Hugues Merle (1822-1881).

It is part of the collection of the Chrysler Museum of Art, in Norfolk, Virginia.

The woman’s face is a mask of suffering while she cradles, not a sleeping baby, but a wooden log!

Is Merle’s "Lunatic" mourning the loss of a child, or mad with longing for one?

Hugues Merle | Genre painter

From National Gallery of Art:

Born in 1823 at Saint-Marcellin (Isère), Hugues Merle studied in Paris with the history painter Léon Cogniet (1794-1880) and devoted himself to a wide range of subjects, from religious themes and historical anecdotes to incidents from contemporary life, particularly of the urban and rural poor.

His greatest popular successes, however, were won by scenes of maternal affection and childhood innocence that he sought to imbue with impish sweetness and sentimentality.

Paris, 1925: Art Dèco gazzled the World / L'Art Déco abbagliò il mondo

Art Déco Exposition Internationale des Arts Décoratifs et Industriels Modernes - Esposizione internazionale delle arti decorativi ed industriali moderni, tenutasi a Parigi nel 1925 - e per quest'ultimo motivo noto anche come Stile 1925 - viene considerato un fenomeno del gusto che interessò sostanzialmente il secondo ed il terzo decennio del secolo XX: riguardò le arti decorative, le arti visive, l'architettura, la moda.

L'Expo parigina del 1925 vide trionfare, fra i molti espositori stranieri, la speciale raffinatezza francese in varie categorie merceologiche, dall'ebanisteria agli accessori di moda: Parigi restava il centro internazionale del buon gusto anche negli anni critici seguiti alla prima guerra mondiale.

Coco Chanel creò la nuova Donna del XX secolo

Forte ed ambiziosa, Gabrielle Coco Chanel (1883-1971), sovvertì la moda femminile costretta all’interno di rigidi schemi sociali, rivoluzionò il concetto di femminilità, imponendosi come figura fondamentale del fashion design e della cultura popolare del XX secolo.

Chanel non faceva parte della aristocrazia parigina, né dell’alta borghesia, ma riuscì a rendere à la page gli abiti delle sartine e delle commesse anche tra le ricche signore di Deauville.

Philippe Faraut, 1963 | Figurative sculptor

Philippe Faraut is a figurative artist specializing in life-size portrait sculptures and monumental stone sculptures.

His media of choice are water-based clay and marble.

From his extensive research of the human face he developed a technique of modeling the portrait that he shares with his sculpting students during his numerous sculpting classes and seminars taught hroughout the US.

André Savy, 1982 | Santorini Walkway

French painter André Savy creates inviting scenes featuring the crisp white-washed architecture of Mykonos, Santorini and other Greek islands of the Cyclades against the mythic blues of the Aegean region.

These islands and their gentle leisurely pace of life have offered artistic inspiration to the artist on his frequent visits to capture the unique clarity of the Aegean light.

Ary Scheffer | Romantic painter

Ary Scheffer (1795-1858) was a Dutch-French Romantic painter.

Scheffer was the son of Johan Bernard Scheffer (1765-1809), a portrait painter born in Homberg upon Ohm or Kassel who had moved to the Netherlands in his youth, and Cornelia Lamme (1769-1839), a portrait miniature painter and daughter of the Dordrecht landscape painter Arie Lamme, after whom Arij (later Ary) was named.

Camille Corot | The Barbizon school of painters

Of Camille Corot Claude Monet exclaimed: "There is only one master here - Corot. We are nothing compared to him, nothing".

His contributions to figure painting are hardly less important; Degas preferred his figures to his landscapes, and the classical figures of Picasso pay overt homage to Corot's influence.

Love Letter from Balzac to Countess Ewelina Hańska

My beloved angel,

I am nearly mad about you, as much as one can be mad: I cannot bring together two ideas that you do not interpose yourself between them.

I can no longer think of nothing but you. In spite of myself, my imagination carries me to you.

I grasp you, I kiss you, I caress you, a thousand of the most amorous caresses take possession of me.

As for my heart, there you will always be - very much so. I have a delicious sense of you there.

But my God, what is to become of me, if you have deprived me of my reason?

Lorenzo Bartolini | Buste d'Ewelina Hańska, 1837 | Musée Bertrand, à Châteauroux, France

Jacqueline Marval | The Female Fauve

Jacqueline Marval was the pseudonym for Marie Josephine Vallet (1866-1932), who was a French painter, lithographer and sculptor.

Vallet was born in Quaix-en-Chartreuse into a family of school teachers.

She was married in 1866, to a traveling salesperson, Albert Valentin, but separated from her husband in 1891 after the death of her son.

Pierre-Auguste Renoir | Bal du moulin de la Galette, 1876

Bal du moulin de la Galette [Dance at Le Moulin de la Galette] is doubtless Renoir's most important work of the mid 1870's and was shown at the Impressionist exhibition in 1877.

Author: Auguste Renoir (1841-1919)

Title: Dance at Le Moulin de la Galette

Date: 1876

Medium: Oil on canvas

Dimensions: H. 131; W. 175 cm

Current location: © RMN-Grand Palais (Musée d'Orsay) / Jean-Gilles Berizzi

Hippolyte Flandrin | Neoclassical painter

Jean-Hippolyte Flandrin (1809-1864) was a French Neoclassical painter.

His most celebrated work, Jeune Homme Nu Assis au Bord de la Mer (1836) is held in the Louvre.

From an early age, Flandrin showed interest in the arts and a career as a painter.

He was the second of three sons, all of whom were painters.

Auguste, his older brother, spent most of his life as a professor at Lyon and later died there.

Louis Janmot | Pittore simbolista

Louis Janmot (1814-1892) è stato un pittore e poeta Francese, appartenente alla Scuola di Lione, 1830 - un movimento ispirato alle correnti mistiche ed illuministe lionesi.

Louis Janmot è stato considerato una figura di transizione tra Romanticismo e Simbolismo, anticipando la componente francese della Confraternita dei Preraffaelliti; la sua opera fu ammirata da Puvis de Chavannes, Odilon Redon e Maurice Denis.

Louis Janmot | Le Poème de l'âme. L’idéal, 1850-1854 | Lyon, Musée des Beaux-Arts

Jules Worms | The furtive message, 1877

In the "Furtive Message" Jules Worms (French academic painter, 1832-1924) re-creates a Spanish street as it might have appeared in the time of Goya.

The background is based on a watercolor sketch the artist made during an 1877 visit to Salamanca.

The picturesque setting forms a backdrop for a farce.

Jules Worms | The furtive message, 1877 | Haggin Museum, California

Hortense Haudebourt-Lescot | Genre painter

Hortense Haudebourt-Lescot, born Antoinette Cécile Hortense Viel (1784-1845), was a French painter, mainly of genre and historical scenes.

She was born in Paris to Jean-Baptiste Viel, a perfumer, and his wife Cécile, née Lejeune.

Her mother became a widow two years later and remarried; to Jean-Louis Lescot, a pharmacist.

Louis Aragon | Amor mio, non dire niente / Mon Amour ne dis rien

Amor mio non dire niente

lascia cadere queste due parole nel silenzio

Come una pietra a lungo lisciata fra i palmi delle mie mani

Una pietra veloce e pesante una pietra

Che cada nel profondo della nostra vita

Édouard Cortès | Paris in the Belle Époque

Édouard Leon Cortès (1882-1969), of french and spanish ancestry, was born in Lagny-sur-Marne, a few miles east of Paris.

As an adolescent, he became fascinated with the arts and at seventeen began his studies at the Ecole des Beaux-Arts in Paris.

The year 1901 marked the artist's first exhibition at the Salon des Artistes Francais.

His piece depicting a dramatic Paris street scene at dusk brought him immediate recognition and fame.

Coco Chanel: "Fashion changes, but style endures"!

Coco Chanel and Romy Schneider

• "Where should one use perfume? A young woman asked. Wherever one wants to be kissed".

• "It’s probably not just by chance that I’m alone. It would be very hard for a man to live with me, unless he’s terribly strong".

And if he’s stronger than I, I’m the one who can’t live with him. … I’m neither smart nor stupid, but I don’t think I’m a run-of-the-mill person".

I’ve been in business without being a businesswoman, I’ve loved without being a woman made only for love".

The two men I’ve loved, I think, will remember me, on earth or in heaven, because men always remember a woman who caused them concern and uneasiness".

Louis Aragon | Tutte le parole del mondo / Toutes les paroles du monde…

Quando tutte insieme le parole del mondo ti avrò dato

Tutte le foreste d’America e tutte le messi notturne del cielo

Quando ti avrò dato ciò che brilla e ciò che l’occhio non può vedere

Tutto il fuoco della terra come una coppa di lacrime

Il seme maschile delle specie diluviane

E la mano di un bambino

Sergey Shenderovsky

Marc Chagall's America Windows, 1977

The America Windows are a stunning display of the iconic style of one of the world’s most prolific and expressive artists.

They capture Marc Chagall’s unique vision as he reflected, late in his career, on the resilience and freedom of the creative spirit.

At eight feet high and thirty feet across, these stained glass windows are a vast arrangement of colors of the highest intensity - bright reds, oranges, yellows, and greens - placed against brilliant shades of blue. Representations of people, animals, and items such as writing implements, musical instruments, and artists’ tools float above a skyline of buildings and trees.