Visualizzazione post con etichetta Museo del Prado. Mostra tutti i post
Visualizzazione post con etichetta Museo del Prado. Mostra tutti i post
Textual description of firstImageUrl

Vicente Palmaroli | Genre painter

Vicente Palmaroli González (Zarzalejo, 1834-1896, Madrid) was a Spanish portrait and Genre painter.
He was the son of Gaetano Palmaroli, an Italian painter and lithographer, who was his first teacher. After his father's death in 1853, he took over his official position at the royal art collections.
He requested leave in 1857 to go to Rome and complete his education, using some surplus money from the collection fund.
While there, he joined a group of Spanish painters who met at the Antico Caffè Greco, including Luis Álvarez Catalá, Dióscoro Puebla, José Casado del Alisal, Eduardo Rosales, Benet Mercadé, Marià Fortuny and Alejo Vera.

Textual description of firstImageUrl

Rogier Van Der Weyden | The Descent from the Cross, c. 1435

The Descent from the Cross was commissioned by the Greater Guild of Crossbowmen of Leuven in today's Belgium and was originally installed in the Chapel of Our Lady Without the Walls. The tiny crossbows in the side spandrels of the picture reflect the original patronage. De Vos and Campbell both give an approximate date of 1435 for the painting.
De Vos argues that the earliest known copy of Van der Weyden's Deposition, the Edeleheere triptych in Leuwen, may have been completed by 1435, certainly before 1443. This implies that Van der Weyden's painting pre-dates it. The painting was exchanged around 1548 for a copy by Michael Coxcie and an organ.

Textual description of firstImageUrl

Michelangelo | San Giovannino di Ubeda, 1495-1496

The biographies of Michelangelo by Vasari (1550) and Condivi (1553) recount that following the artist’s return to Florence from Bologna in 1495, his first commission was for a marble sculpture of a “San Giovannino” for Lorenzo di Pierfrancesco de’Medici (cousin of Lorenzo the Magnificent), now identified as the present work. Rather than following the model of Donatello’s Saint John the Baptist (Florence, Museo del Bargello) as other Florentine sculptors had done, Michelangelo depicted the Baptist as much younger, no more than a boy of six or seven.

Textual description of firstImageUrl

Raimundo de Madrazo y Garreta | Genre painter

From: Museo Carmen Thyssen Málaga

Born in Rome on 24 July 1841 and christened at the church of San Carlino alle Quattro Fontane, Raimundo de Madrazo y Garreta (24 July 1841 - 15 September 1920) was a pupil of his father Federico and his grandfather José de Madrazo.
He also studied at the San Fernando Academy under Carlos Luis Ribera and Carlos de Haes, among others.
In 1862 he took up residence in Paris, where he was a pupil of the painter Léon Coignet.