Visualizzazione post con etichetta Marc Chagall. Mostra tutti i post
Visualizzazione post con etichetta Marc Chagall. Mostra tutti i post
Alda Merini / Marc Chagall | I do not need money / Io non ho bisogno di denaro..

Alda Merini / Marc Chagall | I do not need money / Io non ho bisogno di denaro..

I do not need money.
I have need of feelings
of words, words chosen wisely
of flowers called thoughts,
of roses called presences
of dreams inhabiting the trees,
of songs that make statues dance,
of stars that murmur to the ear of lovers.


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Alda Merini / Marc Chagall | I do not need money / Io non ho bisogno di denaro..

I do not need money.
I have need of feelings
of words, words chosen wisely
of flowers called thoughts,
of roses called presences
of dreams inhabiting the trees,
of songs that make statues dance,
of stars that murmur to the ear of lovers.


Marc Chagall | Les Offrandes, 1958

Marc Chagall | Les Offrandes, 1958

In his address delivered at the inauguration on 7 July 1973 - his 86th birthday - of the Musée national message biblique Marc Chagall in Nice, the artist described the meaning he found in Biblical stories:

It has always seemed to me and still seems today the greatest source of poetry of all time.
Ever since then, I have searched for its reflection in life and in Art.
The Bible is like an echo of nature and this is the secret I have tried to convey
- (quoted in J. Baal-Teshuva, ed., Chagall, A Retrospective, New York, 1995, p. 295).


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Marc Chagall | Les Offrandes, 1958

In his address delivered at the inauguration on 7 July 1973 - his 86th birthday - of the Musée national message biblique Marc Chagall in Nice, the artist described the meaning he found in Biblical stories:

It has always seemed to me and still seems today the greatest source of poetry of all time.
Ever since then, I have searched for its reflection in life and in Art.
The Bible is like an echo of nature and this is the secret I have tried to convey
- (quoted in J. Baal-Teshuva, ed., Chagall, A Retrospective, New York, 1995, p. 295).


Marc Chagall's America Windows, 1977

Marc Chagall's America Windows, 1977

The America Windows are a stunning display of the iconic style of one of the world’s most prolific and expressive artists.
They capture Marc Chagall’s unique vision as he reflected, late in his career, on the resilience and freedom of the creative spirit.

At eight feet high and thirty feet across, these stained glass windows are a vast arrangement of colors of the highest intensity - bright reds, oranges, yellows, and greens - placed against brilliant shades of blue. Representations of people, animals, and items such as writing implements, musical instruments, and artists’ tools float above a skyline of buildings and trees.


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Marc Chagall's America Windows, 1977

The America Windows are a stunning display of the iconic style of one of the world’s most prolific and expressive artists.
They capture Marc Chagall’s unique vision as he reflected, late in his career, on the resilience and freedom of the creative spirit.

At eight feet high and thirty feet across, these stained glass windows are a vast arrangement of colors of the highest intensity - bright reds, oranges, yellows, and greens - placed against brilliant shades of blue. Representations of people, animals, and items such as writing implements, musical instruments, and artists’ tools float above a skyline of buildings and trees.


Marc Chagall | The Tree of Life, 1963 | Stained glass

Marc Chagall | The Tree of Life, 1963 | Stained glass

The Tree of Life or The Peace window - La Paix ou L’Arbre de vie - at the chapel of Cordeliers of Sarrebourg, a small town in the Vosges Mountains in France, is a stained-glass window about 15 feet (4,6 meters) wide and 12 feet (3,7 meters) high, contains several symbols of peace and love, such as the young child in the center, being kissed by an angelic face which emerges from a mass of flowers.
The Peace Window / Tree of Life is the largest stained-glass window made by Marc Chagall.
On the left, below and above, motherhood and the people who are struggling for peace are depicted.
Musical symbols in the panel evoke thoughts of Beethoven's Ninth Symphony, which was a favourite of Mr. Hammarskjöld's.


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Marc Chagall | The Tree of Life, 1963 | Stained glass

The Tree of Life or The Peace window - La Paix ou L’Arbre de vie - at the chapel of Cordeliers of Sarrebourg, a small town in the Vosges Mountains in France, is a stained-glass window about 15 feet (4,6 meters) wide and 12 feet (3,7 meters) high, contains several symbols of peace and love, such as the young child in the center, being kissed by an angelic face which emerges from a mass of flowers.
The Peace Window / Tree of Life is the largest stained-glass window made by Marc Chagall.
On the left, below and above, motherhood and the people who are struggling for peace are depicted.
Musical symbols in the panel evoke thoughts of Beethoven's Ninth Symphony, which was a favourite of Mr. Hammarskjöld's.


Mariangela Gualtieri | Amore mio / My love

Mariangela Gualtieri | Amore mio / My love

Amore mio,
è difficile da questo fondo, da questo finale, dire come mi manchi,
come immenso tu sei nel mancare, adesso che mi sono persa
fra masse dure, fra cinghie di buio pesto, senza divinità,
senza la tua mano che tutto sorregge.

Marc Chagall | The Lovers, 1929

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Mariangela Gualtieri | Amore mio / My love

Amore mio,
è difficile da questo fondo, da questo finale, dire come mi manchi,
come immenso tu sei nel mancare, adesso che mi sono persa
fra masse dure, fra cinghie di buio pesto, senza divinità,
senza la tua mano che tutto sorregge.

Marc Chagall | The Lovers, 1929

Louis Aragon | Non esistono amori felici / There is no happy love, 1943

Louis Aragon | Non esistono amori felici / There is no happy love, 1943

Nulla appartiene all’uomo. Né la sua forza
Né la sua debolezza né il suo cuore E quando crede
Di aprire le braccia la sua ombra è quella di una croce
E quando crede di stringere la felicità la stritola
La sua vita è uno strano e doloroso divorzio
Non esistono amori felici.


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Louis Aragon | Non esistono amori felici / There is no happy love, 1943

Nulla appartiene all’uomo. Né la sua forza
Né la sua debolezza né il suo cuore E quando crede
Di aprire le braccia la sua ombra è quella di una croce
E quando crede di stringere la felicità la stritola
La sua vita è uno strano e doloroso divorzio
Non esistono amori felici.


Ivan Malinowski | Adesso è il momento..!

Ivan Malinowski | Adesso è il momento..!

Adesso è il momento di fare ciò che ti piace.
Non aspettare lunedì, non aspettare domani.
Non fare allungare davanti a te la carovana
di sogni calpestati. Non aspettare.

Non frenarti per paura o viltà.
Non posporre la vita con altra morte,
e non aspettare niente dalla sorte
che non sia più della tua tenacia e della tua energia.


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Ivan Malinowski | Adesso è il momento..!

Adesso è il momento di fare ciò che ti piace.
Non aspettare lunedì, non aspettare domani.
Non fare allungare davanti a te la carovana
di sogni calpestati. Non aspettare.

Non frenarti per paura o viltà.
Non posporre la vita con altra morte,
e non aspettare niente dalla sorte
che non sia più della tua tenacia e della tua energia.


Gabriele D’Annunzio | Canta la gioia, 1896

Gabriele D’Annunzio | Canta la gioia, 1896

Canta la gioia fa parte della seconda edizione (1896) di Canto Novo, la raccolta di poesie di Gabriele D’Annunzio (1863-1938), dedicate al suo primo grande amore e la sua prima musa letteraria, la Giselda Zucconi detta Lalla, che incontro durante l'ultimo anno di liceo, il 15 aprile 1881, mentre era ospite a Firenze di Mario Foresi per le vacanze pasquali.

Canta la gioia! Io voglio cingerti
di tutti i fiori perché tu celebri
la gioia la gioia la gioia,
questa magnifica donatrice!


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Gabriele D’Annunzio | Canta la gioia, 1896

Canta la gioia fa parte della seconda edizione (1896) di Canto Novo, la raccolta di poesie di Gabriele D’Annunzio (1863-1938), dedicate al suo primo grande amore e la sua prima musa letteraria, la Giselda Zucconi detta Lalla, che incontro durante l'ultimo anno di liceo, il 15 aprile 1881, mentre era ospite a Firenze di Mario Foresi per le vacanze pasquali.

Canta la gioia! Io voglio cingerti
di tutti i fiori perché tu celebri
la gioia la gioia la gioia,
questa magnifica donatrice!


Marc Chagall's Colors

Marc Chagall's Colors

An early modernist, Marc Chagall (1887-1985) was associated with the École de Paris as well as several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints.
He experienced modernism's "golden age" in Paris, where "he synthesized the art forms of Cubism, Symbolism, and Fauvism, and the influence of Fauvism gave rise to Surrealism".


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Marc Chagall's Colors

An early modernist, Marc Chagall (1887-1985) was associated with the École de Paris as well as several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints.
He experienced modernism's "golden age" in Paris, where "he synthesized the art forms of Cubism, Symbolism, and Fauvism, and the influence of Fauvism gave rise to Surrealism".


Marc Chagall: "Lo stile non è importante. Esprimersi lo è"

Marc Chagall: "Lo stile non è importante. Esprimersi lo è"

"Color is everything. When color is right, form is right. Color is everything, color is vibration like music; everything is vibration".

"Despite all the troubles of our world, in my heart I have never given up on the love in which I was brought up or on man's hope in love. In life, just as on the artist's palette, there is but one single colour that gives meaning to life and art–the colour of love".


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Marc Chagall: "Lo stile non è importante. Esprimersi lo è"

"Color is everything. When color is right, form is right. Color is everything, color is vibration like music; everything is vibration".

"Despite all the troubles of our world, in my heart I have never given up on the love in which I was brought up or on man's hope in love. In life, just as on the artist's palette, there is but one single colour that gives meaning to life and art–the colour of love".


Rabindranath Tagore | Se tu non parli / If you do not speak..

Rabindranath Tagore | Se tu non parli / If you do not speak..

Se tu non parli
riempirò il mio cuore del tuo silenzio
e lo sopporterò.
Resterò qui fermo ad aspettare come la notte
nella sua veglia stellata
con il capo chino a terra
paziente.

Marc Chagall | The Lovers, 1929

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Rabindranath Tagore | Se tu non parli / If you do not speak..

Se tu non parli
riempirò il mio cuore del tuo silenzio
e lo sopporterò.
Resterò qui fermo ad aspettare come la notte
nella sua veglia stellata
con il capo chino a terra
paziente.

Marc Chagall | The Lovers, 1929

Jaroslav Seifert | Se al cuore si potesse dire / If one could tell one’s heart…

Jaroslav Seifert | Se al cuore si potesse dire / If one could tell one’s heart…

Se al cuore si potesse dire:
non correre!
Se potessi ordinargli: brucia!
Già si spegne.

Marc Chagall

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Jaroslav Seifert | Se al cuore si potesse dire / If one could tell one’s heart…

Se al cuore si potesse dire:
non correre!
Se potessi ordinargli: brucia!
Già si spegne.

Marc Chagall

Kahlil Gibran: Il vero amore / True love

Kahlil Gibran: Il vero amore / True love

Il vero amore non è né fisico né romantico.
Il vero amore è l’accettazione di tutto ciò che è,
è stato, sarà e non sarà.

Marc Chagall

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Kahlil Gibran: Il vero amore / True love

Il vero amore non è né fisico né romantico.
Il vero amore è l’accettazione di tutto ciò che è,
è stato, sarà e non sarà.

Marc Chagall

Pedro Salinas | Non rifiutare i sogni / Don’t reject dreams / No rechaces los sueños

Pedro Salinas | Non rifiutare i sogni / Don’t reject dreams / No rechaces los sueños

Non rifiutare i sogni in quanto sogni.
Tutti i sogni possono
esser realtà, se il sogno non finisce.

La realtà è un sogno. Se sogniamo
che la pietra è la pietra, quello è la pietra.

A correre nei fiumi non è un’acqua,
ma è un sognare, l’acqua, cristallino.


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Pedro Salinas | Non rifiutare i sogni / Don’t reject dreams / No rechaces los sueños

Non rifiutare i sogni in quanto sogni.
Tutti i sogni possono
esser realtà, se il sogno non finisce.

La realtà è un sogno. Se sogniamo
che la pietra è la pietra, quello è la pietra.

A correre nei fiumi non è un’acqua,
ma è un sognare, l’acqua, cristallino.


Wislawa Szymborska | A few words on the soul / Qualche parola sull'anima

Wislawa Szymborska | A few words on the soul / Qualche parola sull'anima

We have a soul at times.
No one's got it non-stop,
for keeps.

Day after day,
year after year
may pass without it.

Marc Chagall | Deux tetes

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Wislawa Szymborska | A few words on the soul / Qualche parola sull'anima

We have a soul at times.
No one's got it non-stop,
for keeps.

Day after day,
year after year
may pass without it.

Marc Chagall | Deux tetes

Pedro Salinas / Chagall | "Per vivere non voglio isole, palazzi, torri.."

Pedro Salinas / Chagall | "Per vivere non voglio isole, palazzi, torri.."

To live I don't want
islands, palaces, towers.

What steeper joy
Than living in pronouns!

Take off your clothing,
features, pictures;
I don't want you like that,
masked as another,
always a daughter of something.

Marc Chagall | Over the town / Sulla città, 1918

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Pedro Salinas / Chagall | "Per vivere non voglio isole, palazzi, torri.."

To live I don't want
islands, palaces, towers.

What steeper joy
Than living in pronouns!

Take off your clothing,
features, pictures;
I don't want you like that,
masked as another,
always a daughter of something.

Marc Chagall | Over the town / Sulla città, 1918

Marc Chagall | Stained glass windows

Marc Chagall | Stained glass windows

One of Chagall's major contributions to art has been his work with stained glass. This medium allowed him further to express his desire to create intense and fresh colors and had the added benefit of natural light and refraction interacting and constantly changing: everything from the position where the viewer stood to the weather outside would alter the visual effect (though this is not the case with his Hadassah windows).
It was not until 1956, when he was nearly 70 years of age, that he designed windows for the church at Assy, his first major project. Then, from 1958-1960, he created windows for Metz Cathedral.


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Marc Chagall | Stained glass windows

One of Chagall's major contributions to art has been his work with stained glass. This medium allowed him further to express his desire to create intense and fresh colors and had the added benefit of natural light and refraction interacting and constantly changing: everything from the position where the viewer stood to the weather outside would alter the visual effect (though this is not the case with his Hadassah windows).
It was not until 1956, when he was nearly 70 years of age, that he designed windows for the church at Assy, his first major project. Then, from 1958-1960, he created windows for Metz Cathedral.


Marc Chagall | Paris through my window, 1913

Marc Chagall | Paris through my window, 1913

After Marc Chagall moved to Paris from Russia in 1910, his paintings quickly came to reflect the latest avant-garde styles.
In "Paris Through the Window", Chagall’s debt to the Orphic Cubism of his colleague Robert Delaunay is clear in the semitransparent overlapping planes of vivid color in the sky above the city.
The Eiffel Tower, which appears in the cityscape, was also a frequent subject in Delaunay’s work. For both artists it served as a metaphor for Paris and perhaps modernity itself.
Chagall’s parachutist might also refer to contemporary experience, since the first successful jump occurred in 1912. Other motifs suggest the artist’s native Vitebsk.

Marc Chagall | Paris through my window, 1913 | The Guggenheim Museums and Foundation

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Marc Chagall | Paris through my window, 1913

After Marc Chagall moved to Paris from Russia in 1910, his paintings quickly came to reflect the latest avant-garde styles.
In "Paris Through the Window", Chagall’s debt to the Orphic Cubism of his colleague Robert Delaunay is clear in the semitransparent overlapping planes of vivid color in the sky above the city.
The Eiffel Tower, which appears in the cityscape, was also a frequent subject in Delaunay’s work. For both artists it served as a metaphor for Paris and perhaps modernity itself.
Chagall’s parachutist might also refer to contemporary experience, since the first successful jump occurred in 1912. Other motifs suggest the artist’s native Vitebsk.

Marc Chagall | Paris through my window, 1913 | The Guggenheim Museums and Foundation

Anthony Hopkins: "Lascia andare le persone che non sono pronte ad amarti"..

Anthony Hopkins: "Lascia andare le persone che non sono pronte ad amarti"..

"Let go the people who are not prepared to love you. This is the hardest thing you will have to do in your life and it will also be the most important thing. Stop having hard conversations with people who don't want change.

Stop showing up for people who have no interest in your presence. I know your instinct is to do everything to earn the appreciation of those around you, but it's a boost that steals your time, energy, mental and physical health".

Marc Chagall | La Promenade, 1917

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Anthony Hopkins: "Lascia andare le persone che non sono pronte ad amarti"..

"Let go the people who are not prepared to love you. This is the hardest thing you will have to do in your life and it will also be the most important thing. Stop having hard conversations with people who don't want change.

Stop showing up for people who have no interest in your presence. I know your instinct is to do everything to earn the appreciation of those around you, but it's a boost that steals your time, energy, mental and physical health".

Marc Chagall | La Promenade, 1917

Marc Chagall | Expressionist /Cubist painter

Marc Chagall | Expressionist /Cubist painter

Marc Chagall, (1887-1985), Belorussian-born French painter, printmaker, and designer.
He composed his images based on emotional and poetic associations, rather than on rules of pictorial logic.
Predating Surrealism, his early works, such as I and the Village (1911), were among the first expressions of psychic reality in modern art.


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Marc Chagall | Expressionist /Cubist painter

Marc Chagall, (1887-1985), Belorussian-born French painter, printmaker, and designer.
He composed his images based on emotional and poetic associations, rather than on rules of pictorial logic.
Predating Surrealism, his early works, such as I and the Village (1911), were among the first expressions of psychic reality in modern art.