Gwen Murphy | Shoe Sculptures

Gwen Murphy, American sculptor, is a brilliant artist who breathes new life into old shoes, by transforming them from fashion accessories into intriguing works of art.

Ever since she was a little girl, Gwen liked to look at shoes and found that they were staring back at her, each pair with its own character and personality.

Depending on model and how worn out they were, some shoes sometimes looked sleepy, other times grouchy or fierce, some even looked like they were singing.

Hubertus van Hove | Genre / Romantic painter

Hubertus (Huib) van Hove (13 May 1814, in The Hague - 14 November 1865 Antwerp) was a Dutch painter, the son of Bartholomeus van Hove (1790-1880) and a teacher of some artists who became members of the Hague School.

Hubertus or Huib van Hove was taught painting not only by his father, but also by Hendrik van de Sande Bakhuyzen.

Ming Feng, 1957 | Impressionist painter

Award winning Artist Ming Feng was born in Guangzhou, China.

He was admitted to the Guangzhou municipal Teenage Art School and graduated from the Guangzhou Academy of Fine Arts in 1986.

There, he studied artistic theories and Chinese and Western art philosophy.

Before arriving in the United States, Ming achieved prominence as an acclaimed artist in his native China.

First, he worked as a stage designer with the Modern Drama Troupe of Guangzhou.

Later, he worked for the Guangzhou Art Design company where he created layouts, advertisement designs, product placards, and book illustrations.

Jacob Maris | The Hague School

Jacob Hendricus Maris (1837-1899) was a Dutch painter, who with his brothers Willem and Matthijs belonged to what has come to be known as the Hague School of painters.

He was considered to be the most important and influential Dutch landscape painter of the last quarter of the nineteenth century.

His first teacher was painter J.A.B. Stroebel who taught him the art of painting from 1849 to 1852.

Coderch & Malavia | Figurative sculptors

Coderch and Malavia is a sculpture project in which the human body is at the core of the plastic discourse.

A universe of meaningful forms centred on the idealised human figure. And a clear horizon: Beauty as an everyday tool.

Joan Coderch and Javier Malavia came together in 2015 to carry out sculptural work featuring a refined technique, which is present from the modelling in the studio to the final piece cast in bronze.