Sir John Everett Millais | Ophelia, 1851-1852

The scene depicted is from Shakespeare's Hamlet, Act IV, Scene VII, in which Ophelia, driven out of her mind when her father is murdered by her lover Hamlet, falls into a stream and drowns:

There, on the pendent boughs her coronet weeds

Clambering to hang, an envious sliver broke;

When down her weedy trophies and herself

Fell in the weeping brook. Her clothes spread wide,

And, mermaid-like, awhile they bore her up;

Sir John Everett Millais | Ophelia, 1851-1852 | Tate Britain, London

Marc Chagall's America Windows, 1977

The America Windows are a stunning display of the iconic style of one of the world’s most prolific and expressive artists.

They capture Marc Chagall’s unique vision as he reflected, late in his career, on the resilience and freedom of the creative spirit.

At eight feet high and thirty feet across, these stained glass windows are a vast arrangement of colors of the highest intensity - bright reds, oranges, yellows, and greens - placed against brilliant shades of blue. Representations of people, animals, and items such as writing implements, musical instruments, and artists’ tools float above a skyline of buildings and trees.

Paul-Louis Delance | Allegorical / History painter

Paul-Louis Delance (1848-1924) was a French painter and educator.

He is known for his allegorical and genre scene paintings early in his career, and his religious, and landscape paintings later in his career.

Paul-Louis Gustave Delance was born on March 14, 1848, in Paris, France.

His grandfather was Comte Joseph van Roosebeck from Belgium.

Van Gogh's starry skies

"At present I absolutely want to paint a starry sky.

It often seems to me that night is still more richly coloured than the day; having hues of the most intense violets, blues and greens.

If only you pay attention to it you will see that certain stars are lemon-yellow, others pink or a green, blue and forget-me-not brilliance.

And without my expatiating on this theme it is obvious that putting little white dots on the blue-black is not enough to paint a starry sky" - Vincent van Gogh, Letter to Wilhelmina van Gogh, the sister, written 9 and 16 September 1888 in Arles.

Vincent van Gogh | Starry Night Over the Rhône, 1888 | Musée d'Orsay, Paris

Johannes Vermeer | The Milkmaid / La Lattaia, 1657-1658

The Milkmai was painted by Johannes Vermeer in about 1657-58.

The small picture (18 x 16 1/8 in., or 45.5 x 41 cm) could be described as one of the last works of the Delft artist’s formative years (ca. 1654-58), during which he adopted various subjects and styles from other painters and at the same time introduced effects based on direct observation and an exceptionally refined artistic sensibility.

Influenced by the detailed realism of Gerrit Dou (1613-1675) and his followers in Leiden, Vermeer created his most illusionistic image in The Milkmaid (Rijksmuseum, Amsterdam, SK-A-2344).