Serge Marshennikov, 1971 | Realist / Figurative painter

Serge Marshennikov🎨 /Сергей Маршенников is an Russian painter🎨, known for working in the Realist style.

He was awarded🎨 “Chairman’s Choice Award” at the 2008/2009 International Art Renewal Center’s salon, and received Certificate of Excellence for his outstanding achievement in art.

He was chosen as “Top 30” in 2008 by the Portrait Society of America.

Born on May 30, 1971 in Ufa (Bashkiria, USSR), Serge Marshennikov was raised and educated in the USSR.

For biographical notes -in english and italian- and other works by Marshennikov🎨 see:

• Serge Marshennikov, 1971 | Figurative painter🎨.
• Serge Marshennikov, 1971 | Figurative painter | VideoArt🎨.

Christine Ellger, 1948 | Surrealist Fine Art Photographer

German fine art photographer Christine Ellger was born in Dresden and took up photography as a hobby 11 years ago.

At first she was just capturing the scenes and objects around her but then she focused on digital editing and photo manipulation.

She says "My life has become interesting and exciting through this hobby.

It makes me perceive the Beauty.

All the time, often unconsciously, I am on the search for motifs".

Barbara J. Wachter | Abstract Figurative painter

Statement

Barbara J. Wachter expresses not only what she sees, but what she senses. That invisible quality takes her art to a level that really connects to the viewer. You can sense the emotion, beauty, even the weather in her paintings. An exciting new addition to her talents, encaustic painting, will also be on exhibit.

Art as defined by Webster is the human ability to make things: Creativity of man as distinguished from the world of nature.

Therefore, artwork being the personal work of the artist is as much invisible as it is apparent to the viewer’s eye, e.g. figurative works show the figure looking somewhere in the distance to those sights unseen.

Leonardo da Vinci | Come la Scultura è di minore ingegno che la Pittura..

Trattato della Pittura

Parte prima | Capitolo 34

Leonardo da Vinci | Trattato della pittura | Testo Integrale

Adoperandomi io non meno in scultura che in pittura, ed esercitando l'una e l'altra in un medesimo grado, mi pare con picciola imputazione poterne dare sentenza, quale sia di maggiore ingegno, difficoltà e perfezione l'una che l'altra.

Prima la scultura è sottoposta a certi lumi, cioè di sopra, e la pittura porta per tutto seco e lume e ombra.

E lume e ombra è la importanza adunque della scultura; lo scultore in questo caso è aiutato dalla natura del rilievo, ch'ella genera per sé; e il pittore per accidentale arte lo fa ne' luoghi dove ragionevolmente lo farebbe la natura; lo scultore non si può diversificare nelle varie nature de' colori delle cose; la pittura non manca in parte alcuna.

Ming Feng, 1957 | Impressionist painter

Award winning Artist Ming Feng was born in Guangzhou, China. He was admitted to the Guangzhou municipal Teenage Art School and graduated from the Guangzhou Academy of Fine Arts in 1986.

There, he studied artistic theories and Chinese and Western art philosophy. Before arriving in the United States, Ming achieved prominence as an acclaimed artist in his native China. First, he worked as a stage designer with the Modern Drama Troupe of Guangzhou.

Later, he worked for the Guangzhou Art Design company where he created layouts, advertisement designs, product placards, and book illustrations.

In 1984 he became a member of the prestigious Chinese Artist Association, the nation’s top professional artist organization. His paintings are kept in a permanent collection in the Guangzhou Fine Art Museum.

Barbara Flowers | En plein air /Figurative painter

Barbara Flowers is an international artist who lived most of her life in a small village near the Rhine Valley in Germany. A deep desire to create art began at a young age. Barbara’s parents encouraged her artistic growth with private art lessons and visits to Europe’s museums to see the collections of masterpieces.

She was educated in foreign languages and had a successful career as a foreign language correspondent.

Ultimately, Barbara’s passion to create art became so strong that she closed the door on her career and opened a new door to the world of art. She has never regretted making that decision. Every day Barbara looks forward to creating art that will convey the same sense of beauty to the viewer that inspired the artist.

Eyvind Earle | Conceptual Illustrator

Born in New York in 1916, Eyvind Earle began his prolific career at the age of ten when his father, Ferdinand Earle, gave him a challenging choice: read 50 pages of a book or paint a picture every day. Earle choose both.

From the time of his first one-man showing in France when he was 14, Earle’s fame had grown steadily.

At the age of 21, Earle bicycled across country from Hollywood to New York, paying his way by painting 42 watercolors. In 1937, he opened at the Charles Morgan Galleries, his first of many one-man shows in New York.

Nishant Dange, 1982 | Abstract painter

Born in Nagpur, Maharashtra-India, Nishant Dange earned a BFA at Government Chitrakala Mahavidyalaya, Nagpur, in 2004.

Group Shows - Numerous group shows in India at, among others, the Nehru Centre, Mumbai, and Shridharani Art Gallery, New Delhi, and abroad including Singapore (2012), and Dubai, United Arab Emirates (2011).

Solo Shows - 2005/2010: Four solo shows in Mumbai and Bangalore.

Zdzisław Beksiński | Surreal architecture painter

Zdzisław Beksiński (24 February 1929 - 21 February 2005) was a Polish painter, photographer and sculptor, specializing in the field of dystopian surrealism.

Beksiński did his paintings and drawings in what he called either a 'Baroque' or a 'Gothic' manner. His creations were made mainly in two periods. The first period of work is generally considered to contain expressionistic color, with a strong style of "utopian realism" and surreal architecture, like a doomsday scenario. The second period contained more abstract style, with the main features of formalism.

Bernie Fuchs | Abstract Figurative painter and illustrator

Saturday, September 19, 2009

Bernie Fuchs, 76, Dies; Illustrator Defined Mid-Century Era

By Adam Bernstein © The Washington Post

Bernie Fuchs, 76, an illustrator whose influential work for magazines ranging from Cosmopolitan to Sports Illustrated seamlessly blended qualities of traditional narrative with hints of abstract composition, died of esophageal cancer Sept. 17 at a care facility in Fairfield, Conn. He lived in nearby Westport.

Mr. Fuchs was adept at balancing art and commerce. He met the needs of mass-circulation magazines accustomed to Norman Rockwell-style realism, but he injected a fresh vitality and impressionism that became hugely popular and transformed the illustration field. He even experimented with bold designs based on the abstract expressionism movement popularized by painters Jackson Pollock and Willem de Kooning.

Markey Robinson | Expressionist /Primitive Naif painter

David Marcus Robinson, known as Markey Robinson (February 7, 1918 - January 28, 1999 (aged 80)), was an Irish painter and sculptor with a primitive representational style. His main passion was painting, but he also produced sculptures and designed some stained glass panels.

Robinson was born in Belfast, Northern Ireland, the son of a house painter. He trained at the Belfast College of Art. He took part in boxing matches, under the name "Boyo Marko", and later worked as a merchant seaman. Robinson's first exhibitions were in Belfast during World War II. He became better known through over 20 exhibitions of his work at the Oriel Gallery in Dublin, where he used the upstairs framing room as his studio.

Eugene J. Paprocki, 1971 | Plein Air /Impressionist /Cityscape painter

Eugene J. Paprocki, is an American painter, known for working in the Impressionist / En plein air style. Eugene J. Paprocki was born in Chicago, IL in 1971.
For biographical notes -in english and italian- and other works by Paprocki, see:

• Eugene J. Paprocki, 1971 | Plein Air Impressionist painter ➦;
• Eugene Paprocki, 1971 | The impressionist city ➦;
• Eugene J. Paprocki, 1971 | Chicago painting ➦.

Francisco Goya | The Marquise of Santa Cruz / La marchesa di Santa Cruz, 1805

Joaquina Téllez-Girón y Pimentel (1784-1851) was the daughter of the Duke and Duchess of Osuna and Marchioness of Santa Cruz by her marriage to José Gabriel de Silva y Walstein in 1801. A friend of poets and literati, she was one of the most admired women of her time.

Goya presents her wearing white crêpe and reposing on a canapé upholstered in red velvet. She is crowned with grape leaves and clusters. This headdress and the lire -shaped guitar identify her as Erato, the muse of Love Poetry- a clear reference to her love of poetry and music.

Francisco Goya | The Disasters of War / I disastri della guerra, 1810-1820

The Disasters of War /Los desastres de la guerra / I disastri della guerra are a series of 82 prints created between 1810 and 1820 by the Spanish painter and printmaker Francisco Goya (1746-1828). Although Goya did not make known his intention when creating the plates, art historians view them as a visual protest against the violence of the 1808 Dos de Mayo Uprising, the subsequent Peninsular War of 1808-14 and the setbacks to the liberal cause following the restoration of the Bourbon monarchy in 1814. During the conflicts between Napoleon's French Empire and Spain, Goya retained his position as first court painter to the Spanish crown and continued to produce portraits of the Spanish and French rulers.

Benvenuto Cellini ~ Perseus with the Head of Medusa, 1554

Perseus with the Head of Medusa is a bronze sculpture made by Benvenuto Cellini in 1545. The sculpture stands upon on a square base with bronze relief panels depicting the story of Perseus and Andromeda, similar to a predella on an altarpiece. It is located in the Loggia dei Lanzi of the Piazza della Signoria in Florence, Italy. The second Florentine duke, Duke Cosimo I de’ Medici, commissioned the work with specific political connections to the other sculptural works in the piazza. When the piece was revealed to the public on 27 April 1554, Michelangelo’s David, Bandinelli’s Hercules and Cacus, and Donatello’s Judith and Holofernes were already erected in the piazza.