Studies at the Art faculty at Nicolaus Copernicus University in Torun. Diploma in 1991 at Painting Workshop of prof. M. Wiśniewski. Practises painting and drawing. Takes part in collective exhibitions and competitions. His numerous works are in the private collections in Poland and abroad. His own gallery and studio in Toruń.
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Klaudiusz Abramski, 1971

Vlad Kravchuk / Влад Кравчук, 1977 | Venice painting
Влад Кравчук was born in Dubna Russia, approximately 75 miles north of Moscow. He graduated from Venecianov Art Lyceum and followed it up studying and graduating from Moscow's Stroganov Art University. Since 1995, Vlad has taken part in many exhibitions within Russia and abroad. Vlad's paintings can be found within galleries and private collections in Russia, USA, France, Germany, Italy, Japan, China, Poland and Slovakia.Vlad's subjects are often floral, landscapes and cityscapes and occasional seascapes all of which are compatible with his style of painting with a painting knife versus a brush.

Georges Barbier | Art Déco painter
Born in Nantes France on October 10 1882, Barbier [1882-1932] was 29 years old when he mounted his first exhibition in 1911 and was subsequently swept to the forefront of his profession with commissions to design theatre and ballet costumes, to illustrate books, and to produce haute couture fashion illustrations.

Pal Fried | La Belle Époque
Pál Fried was a Hungarian-born American painter.
He studied at the Hungarian Academy under the instruction of Hugo Pohl and in Paris under Claude Monet and Lucien Simone.
He was heavily influenced by the French impressionist school of Renoir and Degas.
Pál Fried excelled in portraits of high society Parisian women, ballerinas, Oriental and western scenes, seascapes, primary working with oil and pastels, experimenting with light and movement in his work.

Ancient Greek | Legacy
The civilization of ancient Greece has been immensely influential on language, politics, educational systems, philosophy, science, and the arts. It became the Leitkultur of the Roman Empire to the point of marginalizing native Italic traditions. As Horace put it,
Graecia capta ferum victorem cepit et artis / intulit agresti Latio (Epistulae 2.1.156f.)
"Captive Greece took captive her uncivilised conqueror and instilled her arts in rustic Latium".

Anatoly Solovtsov, 1957
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