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Daniele da Volterra | Unfinished portrait of Michelangelo, 1544


Date: probably ca. 1544
Medium: Oil on wood
Dimensions: 34 3/4 x 25 1/4 in. (88.3 x 64.1 cm)
Classification: Paintings
Credit Line: Gift of Clarence Dillon, 1977
Accession Number: 1977.384.1

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Daniele da Volterra | Mannerist style painter / sculptor

Daniele da Volterra - Presentation of the Virgin

Daniele Ricciarelli da Volterra (1509-1566) was born in Volterra, a town in Tuscany, the painter and sculpture became known as Daniele da Volterra. He was a mannerist artist best remembered for his work in connection to Michelangelo (1475-1564).
Before befriending Michelangelo, Volterra studied in Siena with Giovanna Antonio Bazzi, called Il Sodoma (1477-1549) and Baldassare Peruzzi (1481-1537), and then with Piero Buonaccorsi, called Perin del Vaga (1501-1547). During this time he helped to complete works in the Palazzo Massimo alle Colonne in Rome, as well as in the Trinitá dei Monti and the San Marcello al Corso.
Volterra’s commission for the Orsini Chapel in the Trinitá dei Monti, were frescos he did based on drawings by Michelangelo.

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Pierre-Gérard Langlois | Abstract painter


Born in 1940 and died young, at fifty four years, in 1994, Pierre-Gérard Langlois was an French painter and lithographer. He signed some of his work the pseudonym G. Duroc.
He graduated from the Modern Arts School of Paris, then he attended the Academy of Beaux-Arts at Rouen and followed courses at the Ecole du Louvre. He had his first personal exhibition in 1965, in Paris at the Champs Elysées Théatre.
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Rembrandt | Musical Company, 1626

The subject of this painting is a mystery: is it an exhortation to praise God through singing and string music, or a scene of seduction with the old woman as a procuress?
In any case, in this early work Rembrandt used elements from his own surroundings: his mother modelled for the old woman, and Rembrandt’s own features can be recognized in the young man. | Rijksmuseum, Amsterdam

Rembrandt | Musical Company, 1626 | Rijksmuseum, Amsterdam

On the face of it, the theme of Music Allegory is straightforward enough: a music party in an interior, a common subject in Dutch art, though one to which Rembrandt himself would never return.
Three figures - a seated young woman singing, a man playing a bass gamba and a standing youth playing the harp - make music while an older woman listens on.

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Rubens and Brueghel | The Five Senses Allegory | Art workshops

The "Five Senses" is a set of Allegorical paintings created at Antwerp in 1617-1618 by two Flemish masters Jan Brueghel the Elder (Dutch painter, 1568-1625) and Peter Paul Rubens (Dutch painter 1577-1640), with Brueghel being responsible for the settings and Rubens for the figures.
They are now in the Prado Museum in Madrid.
They are all painted in oils on wood panel, approximately 65 by 110 centimetres (2 ft 2 in × 3 ft 7 in) in dimensions.

Peter Paul Rubens and Jan Bruegel the Elder | Allegory of Sight, 1617 | Museo del Prado