Lisa Yuskavage, 1962 | Figurative painter

Lisa Yuskavage is an American artist🎨 who lives and works in New York City. She is known for her figure paintings, in which seemingly ignoble subjects are depicted with classic, historical techniques.

Yuskavage was born in 1962 in Philadelphia, Pennsylvania. She attended the Tyler School of Art at Temple University, and studied abroad during her third year through the Tyler School of Art’s program in Rome, before obtaining her BFA in 1984. Yuskavage received her MFA from the Yale School of Art in 1986.

She had a New York exhibit sell out before it opened, and one of her paintings sold at auction for more than $1 million.

In September 2015, Lisa Yuskavage: The Brood opened at the Rose Art Museum of Brandeis University in Waltham, Massachusetts.

Guercino | Baroque painter

Giovanni Francesco Barbieri (1591-1666) was called Guercino in reference to his pronounced squint.

He was the leading Bolognese painter after the death of Guido Reni. His earlier pictures typically combine the chiaroscuro effects of Caravaggio with a charm and softness not usually found in followers of this artist.

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Salvatore Romano, 1957 | Symbolist painter

Salvatore Romano was born in Palermo and after his artistic studies at the Art Institute of Palermo and the Academy of Fine Arts of the painting course he moved to Florence, where he still lives and works.

He has held many collective and fifteen personal exhibitions.

His art has always been oriented towards New Symbolism.

National critics such as Marcello Venturoli, Dino Pasquali, Francesco Carbone, Nicolò D’Alessandro and Roberto Roda have dealt with him.

Tintoretto | Mannerist painter

Tintoretto (1519-1594) was an artist of immense output and dramatic style who emerged from the Venetian School of painting.

He was one of the best known Venetian painters next to Titian (1485-1576), having very briefly trained under the master.

Tintoretto had high ambitions, and adorned an inscription in his studio that said, "Michelangelo’s design and Titian’s Color".

In this he sought to produce the brilliant compositional methods of Michelangelo, while using the bold coloring of Titian; a goal of the highest order for Renaissance painting.