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The Cimitero monumentale di Staglieno is an extensive monumental cemetery located on a hillside in the district of Staglieno of Genoa, It...
Il cimitero monumentale di Staglieno
The Cimitero monumentale di Staglieno is an extensive monumental cemetery located on a hillside in the district of Staglieno of Genoa, Italy, famous for its monumental sculpture. Covering an area of more than a square kilometre, it is one of the largest cemeteries in Europe.
History
The design of the cemetery of the City of Genoa dates back to Napoleon's Edict of Saint-Cloud from 1804, when he forbade burials in churches and towns.
The original project was approved in 1835 by the City's architect Carlo Barabino (1768-1835). However, he died the same year as a result of the cholera epidemic that struck the city and the project passed to his assistant and pupil Giovanni Battista Resasco (1798-1871).
Emilio ( Emi ) Grau Sala was a Catalan painter. He studied at the Escuela de Bellas Artes de Barcelona. He was a famous colorist ( oil pain...
Emilio Grau Sala (1911-1975) | Colorist painter
Emilio (Emi) Grau Sala was a Catalan painter. He studied at the Escuela de Bellas Artes de Barcelona.
He was a famous colorist (oil painting, watercolor and pastel) and illustrator.
Having made his debut at the Salon des Humoristes in Paris when extremely young, he had his first one-man show in Barcelona at the age of 18, and went on to have shows of his work throughout the world - Paris, Madrid, London, Buenos Aires, New York.
Lo spirituale nell'arte, 1910 I. Introduzione Ogni opera d’arte è figlia del suo tempo, e spesso è madre dei nostri sentimenti. Anal...
Wassily Kandinsky | I - Dell'Estetica, 1910
Lo spirituale nell'arte, 1910
I. Introduzione
Ogni opera d’arte è figlia del suo tempo, e spesso è madre dei nostri sentimenti.
Analogamente, ogni periodo culturale esprime una sua arte, che non si ripeterà mai più.
Lo sforzo di ridar vita a princìpi estetici del passato può creare al massimo delle opere d'arte che sembrano bambini nati morti. Noi non possiamo, ad esempio, avere la sensibilità e la vita interiore degli antichi Greci.
E se in scultura tentassimo di adottare i loro princìpi non faremmo che produrre forme simili alle loro, ma prive di anima.
Come le imitazioni delle scimmie. Esteriormente i movimenti delle scimmie sono perfettamente uguali a quelli dell'uomo.
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| Wassily Kandinsky | Oval n°2, 1925 |
Heart! We will forget him! You and I, tonight! You may forget the warmth he gave, I will forget the light! Cuore! Lo dimenticheremo! T...
Emily Dickinson | Heart! We will forget him! / Cuore! Lo dimenticheremo!
Heart! We will forget him!
You and I, tonight!
You may forget the warmth he gave,
I will forget the light!
Cuore! Lo dimenticheremo!
Tu ed io, questa notte!
Tu potrai dimenticare il calore che dava -
Io dimenticherò la luce!
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| Francine Van Hove, 1942 |
Willem Kalf ( 1619-1693 ) was a Dutch Golden Age painter who specialized in still lifes. Later in his life, Kalf became an art dealer and a...
Willem Kalf | Dutch Golden Age painter
Willem Kalf (1619-1693) was a Dutch Golden Age painter who specialized in still lifes. Later in his life, Kalf became an art dealer and appraiser.
Life and work
Willem Kalf was born in Rotterdam, in 1619. He was previously thought to have been born in 1622, but H. E. van Gelder's important archival research has established the painter's correct place and date of birth. Kalf was born into a prosperous patrician family in Rotterdam, where his father, a cloth merchant, held municipal posts as well.
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