Leonard Cohen / Jack Vettriano | Dance me to the end of love

Dance me to the wedding now

dance me on and on dance me very tenderly

and dance me very long we’re both of us beneath our love

we’re both of us above

dance me to the end of love

The Belle Époque: A Dream of Times Gone by Vittorio Corcos

Italian painter Vittorio Matteo Corcos (1859-1933) was known for genre works depict winsome and finely dressed young men and women, in moments of repose and recreation.

Born in Livorno, Italy, he studied drawing and painting at the Academia di Belle Arti in Florence under Enrico Pollastrini.

He then traveled to Paris where he met Léon Bonnat, and signed a contract with the Goupil and Cie, he was able to supplement his income as a portrait painter with illustrations for magazines.

Mozart | Rondo alla Turca, 1783

The Piano Sonata No. 11 in A major, K. 331 / 300i, by Austrian classical composer Wolfgang Amadeus Mozart (1756-1791) is a piano sonata in three movements.

The sonata was published by Artaria in 1784, alongside Nos. 10 and 12 (K. 330 and K. 332).

The third movement of this sonata, the "Rondo alla Turca", or "Turkish March", is often heard on its own and regarded as one of Mozart's best-known piano pieces.

Théodore Frère | Orientalist painter

Charles-Théodore Frère (1814-1888) was a French Orientalist painter.

His younger brother, Pierre-Édouard, and his nephew and namesake, Charles Edouard Frère, were also painters.

Painter of historical subjects, genre scenes, local scenes, landscapes (with figures) and seascapes; watercolourist and draughtsman. Orientalist.

The son of a Paris music publisher, Frère studied at the École des Beaux-Arts under Léon Cogniet and Camille Roqueplan.

Lorenzo Lotto | The Recanati Polyptych, 1506-1508

The Recanati Polyptych is a painting by the Italian Renaissance painter Lorenzo Lotto, executed in 1506-1508 and housed in the Civic Museum of Villa Colloredo Mels, Recanati, Italy.

The work is dated and signed Laurent[ius] Lotus MDVIII.

Lotto began to work on the piece in 1506 as a devotional for the church of San Domenico in Recanati.