Visualizzazione post con etichetta 19th century Art. Mostra tutti i post
Visualizzazione post con etichetta 19th century Art. Mostra tutti i post
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William Dyce | Pre-Raphaelite painter

Prof William Dyce FRSE RSA RA (1806-1864) pioneer of state art education in Great Britain.
Dyce studied at the Royal Scottish Academy, Edinburgh and the Royal Academy schools, London.
One of the first British students of early Italian Renaissance painting, he visited Italy in 1825 and 1827-1828, meeting in Rome a group of young German painters, the Nazarenes.


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Claude Monet | The Houses of Parliament, 1900-1905

Claude Monet painted a series of oil paintings of the Palace of Westminster, home of the British Parliament, in the fall of 1899 and the early months of 1900 and 1901 during stays in London.
All of the series' paintings share the same viewpoint from Monet's window or a terrace at St Thomas' Hospital overlooking the Thames and the approximate canvas size of 81 cm x 92 cm (32 in x 36 3/8 in).
They are however painted during different times of the day and weather circumstances.


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Robert Antoine Pinchon | Post-Impressionist painter

Claude Monet referred to him: "As a surprising touch in the service of a surprising eye".

Among Robert Antoine Pynchons' important works are a series of paintings of the River Seine, mostly around Rouen and landscapes depicting places in or near Upper Normandy.
Robert Antoine Pinchon (1886-1943) was a French Post-Impressionist landscape painter of the Rouen School- l'École de Rouen.
He was consistent throughout his career in his dedication to painting landscapes en plein air.


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Arthur John Elsley | Genre painter

Arthur John Elsley (20 November 1860 - 19 February 1952) was an English painter of the late Victorian and Edwardian periods, famous for his idyllic genre scenes of playful children and their pets.
He achieved great popularity during his life and much of his work appeared in calendars, magazines and books.
Elsley was born in London, one of six children of John Elsley, coachman and amateur artist, and Emily Freer.
Elsley's father had exhibited at the British Institution Exhibition in 1845 but later in life contracted tuberculosis which forced him into early retirement.


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Pasquale Celommi | A good catch, 1895

Pasquale Celommi (1851-1928) was an Italian painter, known for his outdoor scenes of Italian life in verist style.
Born in Montepagano, Abruzzo, Italy, he developed a keen eye for detail and depicted everyday life with a captivating realism.
Thanks to the help of a local landowner, Don Camillo Mezzopreti, and to a contribution of 30 lire by the Municipality, he managed to study until the year 1873, when he enrolled in the Academy of Fine Arts in Florence.


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Pasquale Celommi | Verist painter

Pasquale Celommi (1851-1928) was born in Montepagano - Italy, into a family of fishermen.
Celommi showed an early interest in art and often drew in his home as a child.
Celommi decided to receive academic training and moved Florence to study under Antonio Ciseri at the Academy of Florence.
He was a strong student and often praised by his teacher Ciseri. Celommi started exhibiting his work in various regions of Italy.
Celommi had a large exhibition in Turin and eventually in Rome.


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Paul Chabas | Figurative painter

Paul Émile Chabas (1869-1937) was a French painter and illustrator and member of the Académie des Beaux-Arts.
He was born in Nantes, and had his artistic training under William-Adolphe Bouguereau and Tony Robert-Fleury. He first exhibited at the Salon in 1890.
He was awarded a gold medal at the Exposition Universelle of 1900 and in 1912 received the Médaille d’honneur.
His preferred subject was a young girl in a natural setting.


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Firmin Baes | A Master of Pastel painting

Firmin Baes (1874-1943) was a Belgian painter.
The son of the decorative painter Henri Baes, Firmin Baes was active as a portrait painter and a painter of still life subjects, figures, landscapes and interiors.
He studied under Léon Frédéric at the Académie Royale des Beaux-Arts in Brussels between 1888-1894, and the elder artist’s influence is evident in many of Baes’s early paintings.