Vladimir Mukhin, 1971 | Romantic painter

Vladimir Mukhin captivates audiences with his art, seamlessly blending lyricism, refined lines, and vibrant energy.

His works harmoniously merge the rich color palette of impressionism with the dynamism of Art Nouveau and the foundational techniques of traditional academic painting.

Born in Kazakhstan, Vladimir Mukhin honed his skills at the Penza Savitsky Art College before embarking on a transformative journey at the renowned Russian Academy of Painting, Sculpture, and Architecture in Moscow.

Theodore Earl Butler, l'impressionista americano a Parigi

Theodore Earl Butler (1861-1936) è stato un pittore impressionista Americano.

Nacque a Columbus, Ohio, e si trasferì a Parigi per studiare arte.

Conobbe Claude Monet a Giverny e ne sposò la figliastra, Suzanne Hoschedé.

Dopo la sua morte, sposò la sorella di lei, Marthe Hoschedé.

Butler fu uno dei membri fondatori della Society of Independent Artists.

Alexei Butirskiy, 1974 | Cityscape painter

Born in Moscow, Russian painter Алексей Бутырский entered Moscow Art College in 1992.

In 1996 he completed his studies at the Art College and graduated with an Excellence Diploma.

In 1998 he graduated from the Russian Academy of the Arts where he studied under respected professor, L.S. Hasyanova.

He graduated from the Academy with the highest honors attainable.

Alexei currently serves as Professor of Drawing at the same academy.

Meadow Gist, 1975 | Impressionist painter

Meadow Gist chooses the subject matter she paints to express a love and respect of a simpler life, when you grew your own food and more things were crafted by hand.

This is what attracted her to being an artist in the first place, "crafting a unique item that has a piece of me in it, and I can say "I made that".

She enjoys presenting a romantic view of bygone days, and sharing a little of this optimism with all who view her paintings.

Her inspiration comes from the painting of the Russian Impressionists and the way they paint daily life, as well as the Orientalists and the pride they bring to the simple man.

Francisco Sanchis Cortés, 1969 | Impressionist figurative painter

The Valencian painter Francisco Sanchis Cortés has an enviable genetic line that leads him in pursuit of the fine arts.

A line that genetically connects the best manners of Hispanic roots, heir to the demonic fictional painting of the Pinazo, Emilio Sala, Mongrell and Sorolla.

A narrative line in which he tells a lot about the story of the matter and his ability to move.

A line in which knowing how to paint is essentially valued, precisely to characterize the motifs, with humanity in the gestures of the characters and above all with an outcrop of a romantic character.

Nancy Boren, 1955 | Impressionist painter

Nancy Boren’s first painting, a watercolor, was done at age 12 while sitting next to her artist father, James Boren, as he painted at the Grand Canyon.

Since then she has branched out to original print making and oil painting, depicting a variety of landscape and marine subjects, and is often captivated by scenes in which the figure fills the canvas.

She received a Bachelor of Fine Arts from Abilene Christian University and cites the influence of notable traditional painters such as Sargent, Sorolla and Fechin.

Johan Ericson | Landscape painter

Johan Erik Ericson (1849-1925) was a Swedish landscape painter.

He was born to Anders Eriksson, a woodcarver, and his wife Johanna, née Petersson. His father emigrated to America when he was only four.

From 1872 to 1878, he studied at the Royal Institute of Art, where his primary teacher was Per Daniel Holm.

This was followed by studies in France from 1878 to 1884, where he came under the influence of the Impressionists and served as an assistant in the studios of Alfred Wahlberg.

Pierre-Auguste Renoir | Jeune fille (L’Eté), 1880

Renoir’s Jeune fille (L'Eté) is a pretty pastel fantasy: a plump brunette wears a breezy white chemise and a fashionable straw hat, festooned with a thick blue ribbon.

This Impressionist goddess of summer, nestled in a flowering meadow, has adorned her hat with freshly plucked blooms.

She leans towards the viewer with a sweet, languid look, her lips gently parted.

The sensuality of her expression is underscored by the casual exposure of her bare shoulder, arms and décolleté.

Pierre-Auguste Renoir | Jeune fille (L’Eté), 1880 | Christie's