Michelangelo | Bacchus, 1496-1497

Bacchus (1496-1497) is a marble sculpture by the Italian High Renaissance sculptor, painter, architect and poet Michelangelo Buonarroti.

The statue is somewhat over life-size and depicts Bacchus, the Roman god of wine, in a reeling pose suggestive of drunkenness.

Commissioned by Raffaele Riario, a high-ranking Cardinal and collector of antique sculpture, it was rejected by him and was bought instead by Jacopo Galli, Riario’s banker and a friend to Michelangelo.

Along with the Pietà the Bacchus is one of only two surviving sculptures from the artist's first period in Rome.

Cappella Sistina | La Volta di Michelangelo, 1508-1512

"Senza aver visto la Cappella Sistina non è possibile formare un'idea apprezzabile di cosa un uomo solo sia in grado di ottenere" - Johann Wolfgang von Goethe

La decisione di Giulio II di rifare integralmente la decorazione della volta fu probabilmente dovuta ai gravi problemi di natura statica che interessarono la Sistina fin dai primi anni del suo pontificato (1503-1513).

Essi dovettero essere la conseguenza degli scavi eseguiti sia a nord che a sud dell’edificio per la costruzione della Torre Borgia e del nuovo San Pietro.

Dopo che nel maggio del 1504, una lunga crepa si aprì nella volta, fu incaricato Bramante, allora architetto di Palazzo, di porvi rimedio, il quale mise in opera alcune catene nel locale soprastante la Cappella.

Caravaggio and the birth of Baroque

Italian Renaissance painter Michelangelo Merisi da Caravaggio (1571-1610) "put the oscuro (shadows) into chiaroscuro".

Chiaroscuro was practised long before he came on the scene, but it was Caravaggio who made the technique a dominant stylistic element, darkening the shadows and transfixing the subject in a blinding shaft of light.

Correggio | Jupiter and Io, 1530

Jupiter and Io is a painting by the Italian late Renaissance artist Antonio Allegri da Correggio (1489-1534).

It is part of the collection of the Kunsthistorisches Museum of Vienna, Austria.

History

The series of Jupiter's Loves was conceived after the success of Venus and Cupid with a Satyr. Correggio painted four canvasses in total, although others had been programmed perhaps.

Master of the Story of Griselda | Artemisia, 1498

"Artemisia" - Museo Poldi Pezzoli, Milano (Lombardia, Italy) - attributed to an anonymous Sienese master, known conventionally as the Master of the story of Griselda.

The Master of the Griselda Story is named from set of paintings which relate the story of Patient Griselda.

Other paintings have been ascribed to him.

The style is typical of Sienese art in the late fifteenth century and reflects the manner of Luca Signorelli.

His figures are notable for their elongated limbs, almost dancing motion and great elegance.

Alda Merini | Alla tua salute, amore mio!

Sono folle di te, amore

che vieni a rintracciare

nei miei trascorsi

questi giocattoli rotti delle mie parole.

Ti faccio dono di tutto

se vuoi,

Pablo Picasso |The Embrace, 1900

Ivan Pili, 1976 | Figurative painter

Ivan Pili, concert musician, composer and visual artist, was born in Cagliari, Italy.

His artistic skills emerged from the earliest age, first on the kindergarten benches and then manifested themselves in his early portraiture works at the age of 9 years.

From 1986-1990 he attended painters in Cagliari asking for his presence in their labs to try to improve the technique of the little boy.

Leo Putz | Impressionist painter

Leo Putz (1869-1940) was a Tyrolean painter. His work encompasses Art Nouveau, Impressionism and the beginnings of Expressionism. Figures and landscapes are his predominant subjects.

Leo Putz was born in Merano in South Tyrol, Italy, in 1869.

His artistic career began in 1885 under the aegis of his stepbrother.

This was Robert Poetzelberger (1856-1930) who was a professor at the Munich Academy and who taught him drawing.