Kate Lightfoot - Pop Surrealism painter

I'm a self-taught Aussie artist who lives in a quiet Melbourne town-house with my lovely boyfriend, two demanding cats and a bright blue Siamese fighting fish called Jet Li.
During the day, I work in the creative department of an advertising agency. At night, I draw my girls.
I like to work in pencil as I have absolutely no patience and I hate waiting for paint to dry. Watercolour is also great fun (and dries quickly!) - it has a mind of its own and I love the surprise results you can get from it.

Italia Ruotolo | Pop Art painter

Italia Ruotolo born in Naples, Italy.

After Classic Literature studies graduated at the Fine Arts Academy of Naples.

For many years she worked as goldsmith and jewel designer.

Ruotolo's work is a broad range of pop art and Art Nouveau.

Lennette Newell ~ Fashion photographer

Naturalist fashion photographer Lennette Newell channels a lifelong passion for Earth’s biodiversity and the magical wonder of the natural world into compelling animal portraits that afford viewers an intimate glimpse of creatures large and small.

Franco Puliti, 1945

After completing art school in Lucca, Tuscany, he immersed himself in the new generation of artists, post-Macchiaioli Toscani, the Italian equivalent of French Impressionists. In the late 1960’s, he opened a studio in Livorno, Italy where he had permanent exposition until the mid- 1970’s.  He moved to the United States in 1980, continuing his art career and showing his work from coast to coast.  The careful geometric design and harmonious distribution of color throughout his work reflect his excellent artistic schooling and passion for his craft.

Rembrandt | Periods, themes and styles

Throughout his career, Rembrandt (1606-1669) took as his primary subjects the themes of portraiture, landscape and narrative painting. For the last, he was especially praised by his contemporaries, who extolled him as a masterly interpreter of biblical stories for his skill in representing emotions and attention to detail.

Stylistically, his paintings progressed from the early "smooth" manner, characterized by fine technique in the portrayal of illusionistic form, to the late "rough" treatment of richly variegated paint surfaces, which allowed for an illusionism of form suggested by the tactile quality of the paint itself.