Paul Gauguin: "Innanzi tutto, l'emozione!"

Nel nuovo stile di Paul Gauguin, il cloisonnisme o sintetismo, il colore si chiude in zone, così che la scena si presenta in superficie e si annulla ogni rapporto tra spazio e volumi.

A proposito dell'uso delle ombre, nel 1888, Gauguin scriveva a Émile Bernard:

- «Guardate i giapponesi, che pure dipingono in modo ammirevole e vedrete una vita all'aria aperta e al sole, senza ombre.

Usano i colori solo come combinazione di toni, di armonie diverse [...] voglio staccarmi quanto più è possibile da qualsiasi cosa che dia l'illusione di un oggetto, e poiché le ombre sono il trompe-l'oeil del sole, sono propenso ad eliminarle".

Aldo Balding, 1960 ~ Figurative painter

The narrative quality of Aldo Balding's magnificent paintings is usually what initially draws his viewers in. Aldo's works have been referred to as "nostalgic", but he considers them timeless. Aldo's conveys his love of the more formal time and finds a suited man is much more interesting, narratively speaking, than someone in sneakers and jeans. He continues the timeless feel of his work into his interior scenes and landscapes.

Ron Hicks, 1965 | Impressionist Figurative painter

Ron Hicks was born in Columbus, Ohio but spent most of his childhood growing up in the modest and friendly neighborhood of Park Hill in Denver, Colorado.
He shared a dream with a close childhood friend early on... "He just always knew he would go to college and become an artist", remembers Ron's friend.

Ron's family later relocated back to Ohio where, during his high school, he was awarded* several awards and honors for various art shows and competitions.

Daniel Garber | Impressionist painter

Daniel Garber (1880-1958) was an American painter and member of the art colony at New Hope, Pennsylvania.

He is best known today for his large impressionist scenes of the New Hope area, in which he often depicted the Delaware River.

He also painted figurative interior works and excelled at etching.

The Crescent Moon Tower, Dubai

The Crescent Moon Tower is the architectural design project submitted to the 11th ThyssenKrup Elevator Architecture Award by the California-based firm Transparence House. In response to the challenge to design a tall emblem structure for Za’abeel Park, one that should signify the modern face of Dubai, Transparence House chose a larger than life crescent shape that has a two-fold statement. First it boldly identifies Dubai as part of the Islamic world, and second, because of the technical difficulty of building such a structure, it proclaims Dubai’s advanced level of technical and economic development.

The Crescent Moon Tower is designed to accommodate a children’s library, a conference facility, a restaurant, multiple cafes, and an open-air observation platform.