Rett Ashby, 1961 | Plein Air painter

“As I paint, I recall memories from my youth, visiting relatives and playing in barns and old houses. I enjoy the history of old houses in the rural west and researching the history of those who lived there. My oil paintings represent this history, both my own and that of others, as I strive to capture the fundamental beauty that is inherent in these rural lands and structures” - Rett Ashby.

Rembrandt | Danaë, 1636

Danaë is Rembrandt's painting from the collection of Pierre Crozat which since the 18th century has resided in the Hermitage Museum, St. Petersburg, Russia.

It is a life-sized depiction of the character Danaë from Greek mythology, the mother of Perseus.

She is presumably depicted as welcoming Zeus, who impregnated her in the form of a shower of gold.

Given that this is one of Rembrandt's most magnificent paintings, it is not out of the question that he cherished it, but it also may have been difficult to sell because of its eight-by-ten-foot size.

Davide Cambrìa, 1986 | Abstract Portrait painter

Italian born, London based artist Davide Cambria is an painter, who originally started his career in architecture. After deciding to venture into painting, Cambria taught himself to do what is now his full-time job. His work has become part of private collections across Europe, United States, Asia and Australia.

Victor Nizovtsev /Виктор Низовцев, 1965 | Fantasy painter

Russian-American artist Victor Nizovtsev /Виктор Низовцев is a masterful oil painter of theatrical figurative composition, fantasy, landscapes, and still life. While his professional art training occurred in Russia, as an artist Victor is a student of rich and diverse experiences. Inspiration for Victor’s art comes from all he sees and touches. It can be Greek mythology, Russian folklore, childhood memories, great Masters of the past, or routine daily life.

For biographical notes -in english and italian- and other works by Victor see Victor Nizovtsev, 1965 ~ Siren song.

Nathan Brutsky, 1963

Nathan was only 10 years old when his father, a man interested and knowledgeable in art, looked at some pictures his son had made in school and decided that Nathan was talented enough to study art.

The son preferred soccer to painting, of course, but his decisive father prevailed, and soon the son was spending 2 and 3 hours, daily, drawing and painting.

He painted everything he saw, without distinction, and from that day on he was rarely seen without pencil and paper.

This rich experience turned out to be very vital when, years later, Nathan began to create complex compositions, with multiple elements.