Jacques Le Nantec, 1940 | Scultore figurativo

Jacques Le Nantec, vero nome Jacques Métayer - è uno scultore Francese nato a Nantes.

Alla età di tredici anni, ripristinò una statuetta rotta e scoprì la passione per la scultura.

Nell’ottobre del 1957, ad Annecy espose le sue prime quindici opere, tra cui due a grandezza naturale.

L'arte visionaria di Anne Bachelier, 1949

Anne Bachelier è nata in Louvigne du Desert, Francia.

Ha studiato presso la Ecole des Beaux Arts, La Seyne-sur-Mer tra il 1966-1970.

L'artista cattura il suo pubblico con avvincenti immagini estremamente fantasiose che sono uniche per inventiva ed immediatamente riconoscibili.

Le sue metafisiche fantasie oniriche evocano sentimenti potenti ma anche pacifici e protettivi.

Gianni Gueggia, 1956 | Expressionist painter

Italian painter Gianni Gueggia was born in Trenzano, Brescia, Italy in 1956. 

He began exhibiting his works since 1973. He has participated in numerous national and international awards and received many favors from the critics. Numerous solo and group exhibitions in which he exhibited his works, including at the Cultural Club "Don E. Verzeletti". Lives and works in Castrezzato - Brescia, Italy.

Odysseas Oikonomou, 1967 | Children portrait painter

Albanian-born Greek painter Odysseas Oikonomou /Οδυσσέας Οικονόμου was born in Dhuvjan, Albania to Greek parents.

He paints from the age of five years old.

At the age of 14 years old, ending eight-year primary school, and after double competition (in Gjirokaster, Berat,) wins a place in the Artistic Liceu "Ajet Xhindole" in Berat.

After a four-year studying, ending in 1985 with excellent the school.

His first teacher was the eminent painter Sotir Capo «Artist i Merituar».

In 1990 he graduated from the Pedagogical Institute of Gjirokastra «Eqerem Çabej».

Adam Miller, 1979 | Renaissance / Baroque style painter

Adam Miller's paintings explore the intersection between mythology, ecology and humanism.

Visually inspired by baroque and Hellenistic narrative painting they take a polytheistic approach to contemporary folklore, questions of progress and the experience of human narrative in the face of technological change and the struggle to find meaning in a world poised between expansion and decay.

Miller's work is mannerist in it's use of the human form as a vehicle of feeling and thought beyond the literal representation of a particular person.