Picasso and Victor Hugo | Look not at the face, young girl..

Non guardare il volto

fanciulla, guarda il cuore.

Il cuore di un bel giovane è spesso deforme.

Ci sono cuori in cui l'amore non si conserva.

Fanciulla, l'abete non è bello,

non è bello come il pioppo,

ma d'inverno mantiene le foglie.

Henderson Cisz, 1960 | Cityscape painter

Henderson Cisz is a Brazilian painter** known for his inspirational paintings that feature scenes from the world’s most beautiful cities - London, New York, Paris and Venice.

Henderson Cisz was born in Brazil and grew up in a small village in Parana State.
Cisz had talent from a very young age, but considered it only a hobby. By the time he finished school, he entered a position as a banker.

Arnold Bocklin | Symbolist painter

Arnold Böcklin, (October 16, 1827, Basel, Switzerland - January 16, 1901, Fiesole, Italy), painter whose moody landscapes and sinister allegories greatly influenced late 19th-century German artists and presaged the symbolism of the 20th-century Metaphysical and Surrealist artists.

Although he studied and worked throughout much of northern Europe - Düsseldorf, Antwerp, Brussels, and Paris - Böcklin found his real inspiration in the landscape of Italy, where he returned from time to time and where the last years of his life were spent.

Maxwell Whitmore | Fashion painter / Illustrator

Maxwell Coburn Whitmore, Jr. (1913-1988) was an American painter, magazine illustrator and a commercial artist whose work included advertisements for Gallo Wine and other national brands.

He additionally became known as a race-car designer.

Whitmore was inducted into the Society of Illustrators Hall of Fame in 1978.

Jean-François Millet | Pittore Realista

Jean-François Millet (Gréville-Hague, 4 ottobre 1814 – Barbizon, 20 gennaio 1875) è stato un pittore Francese, considerato uno dei maggiori esponenti del Realismo.

Biografia

Jean-François Millet nacque il 4 ottobre 1814 a Gréville-Hague, in Normandia, primogenito di Jean-Louis-Nicolas ed Aimée-Henriette-Adélaïde Henry Millet, entrambi poveri contadini. Millet iniziò la sua precoce ma irregolare formazione su iniziativa dei genitori, che lo affidarono ad alcuni precettori privati, per poi proseguire gli studi a Cherbourg, dove giunse nel 1833 a studiare pittura sotto la guida del ritrattista Paul Dumouchel, senza per questo trascurare di aiutare la famiglia nel duro lavoro dei campi.