Egisto Ferroni | Genre painter

Egisto Ferroni (14 December 1835 - 25 May 1912) was an Italian painter, depicting pastoral, rural and genre subjects.

He was born in Lastra a Signa near Florence in Tuscany, Italy.

François Gall (1912-1987) | Ballet dancers

Hungarian by birth - born in Kolozsvar in the former region of Transylvania - François Gall (1912-1987) became an impressionist painter🎨 in the pure French tradition after he moved to Paris in 1936.

He studied at the Royal Academy of Fine Arts in Rome while working to secure a living.

The artist participated in various Salon exhibitions in Paris.

Support came in 1939 when the Hungarian government awarded🎨 Gall with a scholarship. Received the Medaille🎨 de Vermeil de la Ville de Paris in 1974.

Appointed Chevalier dans l’Odre des Arts des Lettres in 1976.

In 1963, he was honored with the Francis Smith Prize🎨.

Barry Yang | Children in art

Barry Yang was born in China and began to paint at the early age of six. His interest in art led to an opportunity to study with a well-established artist in the area, before eventually being accepted to the local college of fine art.

Barry then found employment with the state owned newspaper as the Editor for Art and Design Barry has traveled throughout China and has visited much of Europe and the United States.

Because he prefers the simplicity of rural communities to the loud noises of city life, Barry frequents small villages in the countryside. Many of his paintings are from his travels to rural Tibet.

Jim Morrison / Pino Daeni

"I'll stop loving you only when a deaf painter

manages to paint the noise of a rose petal

falling on a glass floor of a castle never existed..."

Jim Morrison

Vittorio Gussoni (1893-1968) | Figurative painter

Vittorio Gussoni (1893-1968) was an Italian painter🎨, born in Milano, Italy into a family of artists.

He learned the first bases of drawing from his father, he enrolled at the Academy of Brera, where he was a pupil of Cesare Tallone before the world war, and of Ambrogio Alciati🎨 afterwards.

From the very beginning in Brera and the Famiglia Artistica in 1922, he provided proof of a solid figurative connotation characterized by a precise personality, not deaf to the calls of the twentieth century.