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Oleg Supereco, 1974 | Symbolist / Renaissance style painter


Russian painter🎨 Oleg Supereco was born in Moscow. After finishing art school, Oleg enrolled in the Academy of Fine Arts in Moscow.
It was there that he met a pivotal figure in his artistic life; Ilya Glazunov, present rector of the Academy and one of the most important contemporary Russian painters🎨.

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Tamara de Lempicka | Still Life

In pioneering her own distinct style, Tamara de Lempicka (1898-1980) absorbed a variety of elements from the avant-garde movements of her time - the geometric aesthetic and fragmented perspective of Cubism, the vibrant color palette of the Fauves, the proportionality of Neo-Classicism, the dynamic lines of the Futurists, the dream-like spatial logic of Surrealism and the razor-sharp draftsmanship and hyper-realism of the Neue Sachlichkeits in central Europe-blending these styles and influences with her love of the Italian Old Masters to extraordinary effect.


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Henry Pether (1828-1865) | Moonlight painter


Henry Pether was an British🎨 landscape painter, the son of Abraham Pether🎨 (1756-1812) and brother of Sebastian Pether (1790-1844).
All were know for their skill in portraying moonlit scenes.
His father Abraham Pether🎨 established a reputation as a specialist painter of moonlight landscapes, influenced by the earlier Dutch masters🎨 and he is often referred to as ‘Moonlight Pether’.

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A New - Second Site for Tutt'Art@

Creata nel 2011, la Tutt'Art@ | Pittura * Scultura * Poesia * Musica - aggiornata quotidianamente - ha assunto dimensioni tali da costituire un punto di partenza, una porta di ingresso ad un gruppo consistente di risorse per i nostri seguitori, che ringraziamo infinitamente.
Di fronte all'immenso patrimonio artistico-culturale mondiale, la Tutt'Art@ diventa un insieme di due siti web correlati tra loro, con una veste grafica simile, ma contenuti diversi ed arricchiti, con artisti e dei mondi dell'arte di qualità.


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Liseth Visser, 1960 | Classical Realist painter


Dutch artist🎨 Liseth Visser a.k.a. ElisabethV paints her pictures in a classic realistic way using oils. She paints on panels and works both on a commission and non-commission basis.
She uses a traditional labour-intensive technique with under-layers, under-paintings and lots of (half) transparent to create softness, depth and glow within the final layers, this to achieve a natural and realistic skin tone in a poetic ambiance.