Hugues Merle | Genre painter

From National Gallery of Art:

Born in 1823 at Saint-Marcellin (Isère), Hugues Merle studied in Paris with the history painter Léon Cogniet (1794-1880) and devoted himself to a wide range of subjects, from religious themes and historical anecdotes to incidents from contemporary life, particularly of the urban and rural poor.

His greatest popular successes, however, were won by scenes of maternal affection and childhood innocence that he sought to imbue with impish sweetness and sentimentality.

Francesco Lavagna | The Neapolitan still life of the eighteenth century

Francesco Lavagna (Naples, 1684-1724) was an Italian still life painter who worked mainly in Naples.

Little is known about his biographical data and career, but he was first mentioned by B. De Dominici in the 18th century and has since been regarded as an important still life painter of the Neapolitan School.

Antonio Calderara | Abstract / Minimalist painter

- "Contemplation, harmony, proportion, stillness; this is the invisible thread that weave my aspiration" - Antonio Calderara

Self-taught as a child growing up in Milan, and later mentored for a time by a young Lucio Fontana, the earliest influences of Antonio Calderara (1903-1978) were of the figuration and light effects of Piero della Francesca, Seurat and the Milanese Novecento painters.

After abandoning his university studies in engineering in 1925 the young man dedicated himself fully to experimenting with colour and form.

Filippo Baratti | Orientalist painter

Filippo Baratti (1849-1936) was an Italian painter; known primarily for his Orientalist scenes.

Filippo Baratti was born in Trieste, then a part of the Austro-Hungarian Empire.

Little is known of his early years, however in 1868 he was exhibiting at the Esposizione di Belle Arte in Milan.

Baratti then moved to Turin, where he exhibited at the Società Promatirice di Belle Arte 1869-1872.

Angiolo Tommasi | The Emigrants /Gli Emigranti, 1986

Angelo Tommasi is a Naturalistic painter, influenced by Courbet’s realism, and played an active role spreading the technique employed by the Macchiaioli.

The monumental painting The Emigrants shows a common situation in Italy after the unification process.

The burning and dramatic theme of overseas emigration is vividly depicted by the packed crowds at the Port of Livorno, people who have resigned themselves to their fate and the expectation of embarkation. The painting's extraordinary dimensions contribute to an illustration of the theme of Italian emigration on an almost epic scale.