Carlo Crivelli | Santa Maria Maddalena, 1480

With Carlo Crivelli, the so-called "International Gothic" style experienced its final flowering in Italy.

This perfectly preserved panel was painted towards the end of his career.

It served as the altarpiece of a provincial church dedicated to Mary Magdalene in the sparsely populated rural area of the Marches where Crivelli lived. | Source: © Rijksmuseum, Amsterdam

Carlo Crivelli | Mary Magdalene, 1480 | Rijksmuseum, Amsterdam

Odilon Redon | Hommage a Goya, 1885 | The series

Homage to Goya (Hommage à Goya) is an portfolio of 6 lithographs on chine appliqué reveal Redon's admiration for the Spanish painter and printmaker, who died in 1828.

This series is one of many that Odilon Redon created throughout his career.

Nearly two-thirds of his lithographs took the form of portfolios - prints connected conceptually by a theme or narrative and physically by a folder or binding.

Odilon Redon | Hommage a Goya, 1885 | Scharf Gerstenberg Collection

Raffaello Gambogi | Post-Macchiaioli painter

Raffaello Gambogi (Livorno, 1874-1943) was an Italian painter, mainly of urban landscapes and genre scenes.

In 1891 Gambogi obtained a scholarship to the Academy of Fine Arts of Florence, where he studied under Giovanni Fattori.

Andy Warhol | Johann Wolfgang von Goethe, 1982

Andy Warhol saw the famous portrait of Johann Wolfgang von Goethe by J. H. Wilhelm Tischbein during a visit to the Städel.

As the quintessence of German culture, it inspired him to create this work and other prints, some of which are likewise in the Städel collection.

In 1962 Warhol - a key figure of American Pop Art - began reproducing press photos of celebrities such as Marilyn Monroe or Elvis Presley with the silkscreen technique.

Andy Warhol | Johann Wolfgang von Goethe, 1982 | Städel Museum, Frankfurt

Narcissus by Boltraffio and after Boltraffio, 1500-1510

Narcissus at the Fountain is a 1500-1510 oil-on-panel painting by Giovanni Antonio Boltraffio, now in the Uffizi, in Florence.

A copy is held in the National Gallery, London.

Both works show a young man in profile, interpreted as Narcissus due to his downward gaze.

Giovanni Antonio Boltraffio | Narcissus at the Fountain | Uffizi Gallery, Florence