Caravaggio and the birth of Baroque

Italian Renaissance painter Michelangelo Merisi da Caravaggio (1571-1610) "put the oscuro (shadows) into chiaroscuro".

Chiaroscuro was practised long before he came on the scene, but it was Caravaggio who made the technique a dominant stylistic element, darkening the shadows and transfixing the subject in a blinding shaft of light.

Paul Gauguin | The Siesta, 1892-94

The unaffected grace and communal ease of Tahitian women impressed Gauguin enormously.

The artist worked on this painting over an extended period, incorporating numerous changes.

The skirt of the woman in the foreground, for example, was originally bright red; there was a dog in the position now occupied by the basket at lower right; and the woman seated at the left edge of the porch was previously situated further to the left. | © The Metropolitan Museum of Art.

Paul Gauguin quotes: "Art = a mad search for individualism"

• "L'arte è un'astrazione: spremetela dalla natura sognando di fronte ad essa e preoccupatevi più della creazione che del risultato".

• "When the physical organism breaks up, the soul survives. It then takes on another body".

Correggio | Jupiter and Io, 1530

Jupiter and Io is a painting by the Italian late Renaissance artist Antonio Allegri da Correggio (1489-1534).

It is part of the collection of the Kunsthistorisches Museum of Vienna, Austria.

History

The series of Jupiter's Loves was conceived after the success of Venus and Cupid with a Satyr. Correggio painted four canvasses in total, although others had been programmed perhaps.

Felix Vallotton | Still life with gladioli, 1924

Félix Vallotton's still life paintings are characterized by their formal simplicity, striking compositions, and a cool, detached sensibility.

While still lifes were a minor subject for him earlier in his career, they became prominent in his work from around 1910 onwards.

In his later years, painting in his studio in Honfleur, Vallotton concentrated particularly on still lifes, particularly flowers, fruits and vegetables, very carefully arranged and painted with extreme precision.

Master of the Story of Griselda | Artemisia, 1498

"Artemisia" - Museo Poldi Pezzoli, Milano (Lombardia, Italy) - attributed to an anonymous Sienese master, known conventionally as the Master of the story of Griselda.

The Master of the Griselda Story is named from set of paintings which relate the story of Patient Griselda.

Other paintings have been ascribed to him.

The style is typical of Sienese art in the late fifteenth century and reflects the manner of Luca Signorelli.

His figures are notable for their elongated limbs, almost dancing motion and great elegance.

Master of the Female Half-Lengths | Renaissance painter

The Master of the Female Half-Lengths, active ca.1530-1540, was a Dutch Northern Renaissance painter* or likely a group of painters of a workshop.

The name was given in the 19th century to identify the maker or makers of a body of work consisting of 67 paintings to which since 40 more have been added.

The works were apparently the product of a large workshop that specialized in small-scale panels depicting aristocratic young ladies at half-length.