Jan Gossaert | Renaissance painter

Jan Gossart, also called Jan Gossaert or Jan Mabuse, (born c. 1478, Maubeuge?, France - died October 1, 1532, Antwerp?), Netherlandish painter who was one of the first artists to introduce the style of the Italian Renaissance🎨 into the Low Countries.

Gossart is most likely to be identified with Jennyn van Hennegouwe, who is registered as a master in the Guild of St. Luke at Antwerp in 1503.

His most important early work extant is the Adoration of the Kings, which is painted in the ornate style of the Antwerp school. Other early works, such as Jesus, the Virgin, and the Baptist, reflect his interest in the works of Jan van Eyck and Albrecht Dürer🎨. Another early work, famous for its sense of mood, is the Agony in the Garden.

Ivana Kobilca | Realist / Genre painter

Ivana Kobilca (1861-1926) is the most prominent Slovene female painter and a key figure of Slovene cultural identity.

She was a realist painter who studied and worked in Vienna, Munich, Paris, Sarajevo, Berlin and Ljubljana.

She mostly painted oil paintings and pastels, whereas her drawings are few.

The themes include still life, portraits, genre works, allegories and religious scenes.

She was a controversial person, criticised for following movements that had not developed further in later periods.

Leonard Cohen / Fatima Tomaeva | You do not have to love me / Non devi amarmi

Fatima Tomaeva / Фатима Томаева, 1967

You do not have to love me

just becouse

you are all the women

I have ever wanted

I was born to follow you

every night

while I'm still

the many men who love you

Pierre-Auguste Renoir | La Loge (The Theatre Box), 1874

Pierre-Auguste Renoir’s La Loge (The Theatre Box), 1874, is one of the masterpieces of Impressionism and a major highlight of The Courtauld Gallery’s collection.

Its depiction of an elegant couple on display in a loge, or box at the theatre, epitomises the Impressionists’ interest in the spectacle of modern life.

In celebration of The Courtauld Institute of Art’s 75th anniversary the exhibition Renoir At the Theatre: Looking at ‘La Loge’, on view from 21 February to 25 May 2008, unites La Loge for the first time with Renoir’s other treatments of the subject and logepaintings by contemporaries, including Mary Cassatt and Edgar Degas.

Eugène Buland | Genre | Naturalist painter

Jean-Eugène Buland is a French painter🎨, born on October 26, 1852, in Paris, and died in 1926 in Charly-sur-Marne in the Aisne.

The son of an engraver, Buland entered the École nationale supérieure des Beaux-Arts under the tutelage of Alexandre Cabanel🎨. His earliest works were Symbolist paintings🎨 of antique scenes, but he quickly turned towards depicting scenes of everyday life.

He used photographs in order to paint with realism. He received the Second Grand Prix🎨 de Rome two years in a row, in 1878 and 1879.

Hans Zatzka | Academic painter

Austrian painter Hans Zatzka (1859-1949) -also known as P. Ronsard, Zabateri, Pierre de Ronsard, Joseph Bernard and Bernárd Zatzka- was born in Vienna, to a builder and his viennese actress wife, Hilde Sochor.

Zatzka showed an early interest in painting.

From 1877-1882 he attended the Academy of Fine Arts in Vienna, studying under Christian Griepenkerl, Karl Wurzinger and Carl of Blaas.

In 1880, at the age of 20, he was awarded the Golden Füger medal; the golden decoration for services to the city Vienna.

Ivan Aivazovsky | Romantic painter

Ivan Konstantinovich Aivazovsky / Ива́н Константи́нович Айвазо́вский (1817-1900) became the most prolific Russian painter of his time.

Early in his career, he was elected a member of five Academies of Fine Arts, including those of St. Petersburg (his Alma Mater). Rome, Florence, Stuttgart and Amsterdam.

He was an Academician at 27, and Professor of Marine Painting at the Academy of Fine Arts, St. Petersburg, at the age of 30.

Leonardo da Vinci | Trattato della pittura, 1540 | Testo Integrale

Leonardo da Vinci rimane l'unico artista pensatore che ha accentrato il suo pensiero scientifico e filosofico sulla pittura in genere, sulla pittura che egli stesso faceva e su quella che si preparava per l'avvenire.

"Il Trattato della Pittura" va considerato come il programma fondamentale dell'arte, ed è qui presentato come una serie di apparati che consentono al lettore di coglierne la straordinaria ricchezza delle esperienze, riflessioni e scoperte, geniali anche quando sembrano contraddire l'armonia da esse medesime intuita nel caos del mondo.