Leonardo da Vinci | Come si deve figurare una notte

Trattato della Pittura - Parte seconda | Capitoli 106-144

Il Testo Integrale

Indice

106. Precetto, che il pittore non s'inganni nell'elezione della figura in che esso fa l'abito.

107. Difetto de' pittori che ritraggono una cosa di rilievo in casa a un lume, e poi la mettono in campagna ad altro lume.

108. Della pittura e sua divisione.

109. Figura e sua divisione.

110. Proporzione di membra.

111. Del fuggire le calunnie de' giudizi varî che hanno gli operatori della pittura.

112. De' movimenti e delle operazioni varie.

Sherree Valentine Daines, 1956 | Modern Impressionist painter

Sherree Valentine Daines was born in Effingham, Surrey. She was not always an artist, at 18 she began work as a legal secretary in London. Realising the quality of the idle sketches she drew on her legal pads, it became clear that she had a talent for drawing.

Valentine Daines studied fine art at Epsom School of Art for 4 years, leaving in 1980. It was during her time at art school that she developed an interest in painting figures.

After graduating, she spent the first summer in Cornwall, painting villages, harbours and beaches and most of all the people. She has also been known to paint the busy streets of London, especially showing passers by hailing cabs, looking around markets or leaving the theatre.

Robert Fowler | Victorian painter

Robert Fowler (1853-1926) was an Scottish artist who painted mythological scenes and landscapes. Fowler was born in Anstruther, Fife, and was brought up mainly by his uncle and aunt while his parents were away on business. He showed a very early aptitude for art, starting first with pencil drawings then moving on to painting and clay modelling.

His family moved to Liverpool and Fowler went to school at Liverpool College. At the age of 16, he found employment in a commercial office where his talent for art was recognised by his employer, who encouraged Fowler's parents to send him to art school.

Fowler went to London to study at the Heatherley School of Fine Art and the South Kensington Schools.

Leonardo da Vinci | Del massimo difetto de' pittori..

Trattato della Pittura - Parte seconda | Capitoli 79-105

Il Testo Integrale

Indice

79. Ordine del disegnare.

80. Del ritrarre di naturale.

81. Del ritrarre una qualunque cosa.

82. Come deve essere alto il lume da ritrarre di naturale.

83. Quali lumi si debbono eleggere per ritrarre le figure de' corpi.

84. Delle qualità del lume per ritrarre rilievi naturali o finti.

85. Del ritrarre i nudi.

Leonardo da Vinci | Dell'imitare pittori

Trattato della Pittura - Parte seconda | Capitoli 54-78

Il Testo Integrale

Indice

54. Del giudizio del pittore.

55. Discorso de' precetti del pittore.

56. Precetto del pittore.

57. Precetti del pittore.

58. Dell'essere universale nelle sue opere.

59. Precetto.

60. Precetti del pittore.

61. Precetto intorno al disegno dello schizzare storie e figure.

62. Dell'operatore della pittura e suoi precetti.

63. Modo d'aumentare e destare l'ingegno a varie invenzioni.

64. Dello studiare insino quando ti desti, o innanzi tu ti dormenti nel letto allo scuro.

Gabriel Mark Lipper | Figurative painter

Gabriel Mark Lipper: "I love to paint. I’ve been blessed by timing. To be alive right now for this chapter in arts history is a phenomenal gift. Classicism, once pronounced “dead” is reemerging with a new contemporary vitality. The gifts of modernism: color, form, and abstraction, are now being seamlessly integrated with the craftsmanship and techniques of the past".

Gabriel Lipper’s work addresses the growing schism between Self and Other. Many of his paintings appear plastic both in surface and in content.

His emphasis on technique and application of oil paint serve as a classical anchor for his otherwise often vacuous contemporary subjects.

This dualism is borne out of an obsession with craftsmanship and a visceral response to the cannibalistic decadence of the new millennium.

Eugenè Burnand (1850-1921) | Naturalist painter

Eugène Burnand was a prolific Swiss painter and illustrator from Moudon, Switzerland.

Born of prosperous parents who taught him to appreciate art and the countryside, he first trained as an architect but quickly realised his vocation was painting.

He studied art in Geneva and Paris then settled in Versailles.

In the course of his life he travelled widely and lived at various times in Florence, Montpellier, Seppey (Moudon) and Neuchâtel.

Claudio Bravo Camus | Hyperrealist painter

Claudio Bravo Camus (November 8, 1936 – June 4, 2011) was a Chilean hyperrealist painter.

He was greatly influenced by Renaissance and Baroque artists, as well as Surrealist painters such as Salvador Dalí.

He lived and worked in Tangier, Morocco, beginning in 1972. Bravo also lived in Chile, New York and Spain.

He was known mainly for his paintings of still lifes, portraits and packages, but he had also done drawings, lithographs, engraving and figural bronze sculptures.

Claudio Bravo Camus was born in Valparaíso, Chile.