Andre Kohn, 1972 | Impressionist Figurative painter

The precise convergence of three dynamic forces, culture, environment and talent, combined to produce one of the most collected figurative painters on the American art scene today.

Raised by an artistically gifted family near the Caspian Sea in southern Russia, Andre Kohn's childhood was marked by the natural splendor of mountains and sea, and by an unfettered access to all the creative arts.

His mother was a symphony violinist and his father a noted linguist, writer and sculptor.

Both were educators trained in psychology who gave their only child unrestricted opportunity to explore the depths of art and his own obvious talent.

Bob Pejman, 1963 | Romantic painter

"There are no people in my paintings, so you can imagine yourself in the scenes", explains the artist.

Born in Vienna, Bob Pejman was surrounded by art and culture from an early age.

The son of an operatic composer and a concert musician, he spent his early childhood in Vienna, and then by way of England moved to the United States in 1976.

Pejman began painting by the age of seven, and by the time he was sixteen he had won numerous awards in group exhibitions.

Peder Mørk Mønsted (1859-1941)

Danish painter Peder Mørk Mønsted was born in Balle Mölle, near Grenna in eastern Denmark on 10th December 1859.

He studied at the Prince Ferdinand’s Drawing School, Aarhus where he studied under Andries Fritz (1828-1906), a landscape and portrait painter, before moving to Copenhagen.

Here he studied at the Royal Academy of Art between 1875-1878, and was taught figure painting by Julius Exner (1825-1910).

Bathers, 1918 by Pablo Picasso

Starting from 1918, Picasso spent all his summers at the beach, first at Biarritz, then on the Cote d'Azur or in Dinard.

These journeys inspired him to create a series of works on the theme of bathers.

This painting was created in 1918 at Biarritz and the first one of the series.

It has been a long tradition in art history for artists to depict the female figure with the sea scene, extending from The Birth of Venus by Sandro Botticelli to The Large Bathers of Paul Cezanne.

M. and I. Garmash | Romantic Impressionist painters

Michael and Inessa Garmash have created beautiful paintings, stained-glass windows, mosaics and drawings exhibited all over Europe.

Michael Garmash began a painting of their daughter for a project at school several years after their marriage.

However, their two-year-old found the painting during his absence and painted her own version of the subject.

Inessa Garmash, not wanting Michael to be upset, fixed the painting, packed it up and gave it to him to submit.

Michael handed the painting over for review and was told it was his best work ever.

Michelangelo | The young Saint John the Baptist, 1495-1496

The biographies of Michelangelo by Vasari (1550) and Condivi (1553) recount that following the artist’s return to Florence from Bologna in 1495, his first commission was for a marble sculpture of a “San Giovannino” for Lorenzo di Pierfrancesco de’Medici (cousin of Lorenzo the Magnificent), now identified as the present work.

Rather than following the model of Donatello’s Saint John the Baptist (Florence, Museo del Bargello) as other Florentine sculptors had done, Michelangelo depicted the Baptist as much younger, no more than a boy of six or seven.

Eugène Delaplanche | Figurative sculptor

Eugène Delaplanche (28 February 1836 - 10 January 1891) was a French sculptor, born at Belleville, Seine.

He was a pupil of the neoclassical sculptor Francisque Joseph Duret (French, 1804-1865), gained the Prix de Rome in 1864 (spending 1864-67 at the Villa Medici in Rome), and the medal of honor° in 1878.

Why the Michelangelo's David statue is so famous?

David is a masterpiece of Renaissance sculpture created between 1501-1504 by Michelangelo.

It is a 5.17-metre (17.0 ft)[a] marble statue of a standing male.

The statue represents the Biblical hero David, a favoured subject in the art of Florence.

Originally commissioned as one of a series of statues of prophets to be positioned along the roofline of the east end of Florence Cathedral, the statue was placed instead in a public square, outside the Palazzo della Signoria, the seat of civic government in Florence, where it was unveiled on 8 September 1504.