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Carlo Crivelli | Polyptych of Montefiore dell'Aso, 1471
Carlo Crivelli, born in Venice 1435 and died in Ascoli Piceno, Marche 1495, is one of the most important, but overlooked painters of the Early Italian Renaissance.
One of Carlo Crivelli's finest works of art is the Montefiore Triptych altarpiece preserved in the museum complex of San Francesco in Montefiore dell'Aso, province of Ascoli Piceno, Italy.
The six-panel Triptych was commissioned by a descendant of Gentile Partino to embellish the Church of San Francesco in Montefiore dell'Aso.
Lili Elbe (Einar Wegener) | The Danish Girl
Lili Elbe (born December 28, 1882, Vejle, Denmark - died September 13, 1931, Dresden, Germany) was a Danish painter who was assigned male at birth, experienced what is now called gender dysphoria, and underwent the world’s first documented sex reassignment surgery.
Born Einar Wegener, Elbe lived nearly her whole life as a man.
Edward Moran | Marine painter
Edward Moran (1829-1901) was an British-born American artist who specialized in marine art.
He is arguably most famous for his series of 13 historical paintings of United States marine history.
Vincenzo Cardarelli | Autunno veneziano /Venetian Autumn, 1931
L'alito freddo e umido m'assale
di Venezia autunnale,
Adesso che l'estate,
sudaticcia e sciroccosa,
d'incanto se n'è andata,
una rigida luna settembrina
risplende, piena di funesti presagi,
sulla città d'acque e di pietre
che rivela il suo volto di medusa
contagiosa e malefica.
Marco Ortolan | The Venetian Mask
Henri Lebasque | Pittore post-impressionista
Henri Lebasque (1865-1937) fu membro fondatore del Salon d'Automne nel 1903 con il suo amico Henri Matisse ed espose al Salon des Indépendants.
Nacque in una famiglia modesta (il padre era bottaio) e si iscrisse all'Académie Colarossi nel 1886.
In seguito collaborò con Ferdinand Humbert agli affreschi del Panthéon per sei anni, a partire dal 1888.
Agnolo Bronzino | Mannerist painter
Agnolo Bronzino (1503-1563) of Florence, Italy, known as Il Bronzino, was a Mannerist painter.
Mixing styles of the late High Renaissance into the early Baroque period, Mannerists often depicted their subjects in unnatural forms.
Bronzino’s works have been described as “icy” portraits that put an abyss between the subject and the viewer.
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