Félix Vallotton | Landscapes and seascapes

Vallotton's landscapes and seascapes avoided conventional views and techniques, and presented unusual viewpoints and perspectives.

The scene is sometimes seen from above, with the horizon very high in the picture, or without the sky being visible at all.

The forms are simplified, and the figures are often small and almost unrecognizable.

Felix-Vallotton | The Ball, 1899 | Musée d'Orsay, Paris

Sleeping Hermaphroditus / L'Ermafrodito dormiente

The ambivalence and voluptuous curves of this figure of Hermaphroditus, who lies asleep on a mattress sculpted by Bernini, are still a source of fascination today.

His body merged with that of the nymph Salmacis, whose advances he had rejected, Hermaphroditus, son of Hermes and Aphrodite, is represented as a bisexed figure.

The original that inspired this figure would have dated from the 2nd century BC, reflecting the late Hellenistic taste for the theatrical.

Department of Greek, Etruscan and Roman Antiquities: Hellenistic Art (3rd-1st centuries BC) Greek, Etruscan and Roman Antiquities - Musée du Louvre.

Gaetano Bellei | Academic / Genre painter

The Italian master Gaetano Bellei was born in Modena in 1857, died in the same city in March 1922.

A student of Adeodato Malatesta and companion of John Muzzioli.

Twenty-four he won the Retired Potetti that allowed him to travel to Rome for some time learning about yourself.

Winslow Homer | Summer Night / Notte d'estate, 1890

Winslow Homer started his career as a graphic reporter during the American Civil War, before going on to paint scenes of army life and the rural world with the Naturalist precision which then prevailed in American painting.

After a stay in Paris, Homer used an Impressionist palette for a while then developed a personal style midway between Realism and Symbolism.

Summer Night perfectly expresses this synthesis and may be considered one of the first masterpieces of American art still in search of its identity.

Winslow Homer | Summer Night / Notte d'estate, 1890 | Musée d'Orsay

Berit Kruger-Johnsen | Romantic Surrealist painter

Growing up in Oslo, Norway, nature has always played a major part in Berit Kruger-Johnsen's life.

She studied for a degree in biology and upon completion was accepted into the only graphic design school in Oslo at that time.

The only artist in my family was my grandfather, who never met. It was crazy during the Depression era and was institutionalized. I think it would be fair to say that whenever an artist or not entitled connotations in my family.

Lord Frederic Leighton | Cymon and Iphigenia, 1884

Cymon and Iphigenia is an oil on canvas painting by Frederic Leighton, 1st Baron Leighton PRA.

The painting does not bear a date but was first exhibited at the Royal Academy of Arts, London, in 1884.

The Art Gallery of New South Wales in Sydney, Australia, purchased it at a Christie's auction in London in 1976.

John Frederick Lewis | Orientalist painter

John Frederick Lewis RA (London, 1804-1876) was an British painter. He specialized in Oriental and Mediterranean scenes in exquisitely detailed watercolour or oils.

Lewis lived for several years in a traditional mansion in Cairo, and (after his return to England) painted highly detailed works showing both realistic Genre scenes of Middle Eastern life and more idealized scenes in upper class Egyptian interiors with no traces of Western cultural influence yet apparent.

Henri Matisse | Orientalist Odalisque

In 1917 Matisse relocated to Cimiez on the French Riviera, a suburb of the city of Nice.

His work of the decade or so following this relocation shows a relaxation and a softening of his approach.

This "return to order" is characteristic of much art of the post-World War I period and can be compared with the neoclassicism of Picasso and Stravinsky as well as the return to traditionalism of Derain.