Francesco Solimena (1657-1747) | Baroque painter

Francesco Solimena was a prolific Italian painter🎨 of the Baroque era🎨, one of an established family of painters and draughtsmen.

Francesco Solimena was born in Canale di Serino, province Avellino.

He received early training from his father, Angelo Solimena, with whom he executed a Paradise for the cathedral of Nocera (a place where he spent a big part of his life) and a Vision of St. Cyril of Alexandria for the church of San Domenico at Solofra.

Royal Palace of Caserta | A triumph of Italian Baroque

The Royal Palace of Caserta is a former royal residence in Caserta, southern Italy, constructed by the House of Bourbon-Two Sicilies as their main residence as kings of Naples.

It is one of the largest palaces erected in Europe during the 18th century.

In 1997, the palace was designated a UNESCO World Heritage Site; its nomination described it as "the swan song of the spectacular art of the Baroque, from which it adopted all the features needed to create the illusions of multidirectional space".

Jacques-Louis David (1748-1825) | Neoclassical / Romantic painter

Jacques-Louis David🎨 was a highly influential French painter🎨 in the neoclassical style, considered to be the preeminent painter of the era.

In the 1780-s his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward a classical austerity and severity, heightened feeling chiming with the moral climate of the final years of the Ancien Régime.

Benjamin West PRA (1738-1820) | Neoclassical painter

American🎨-born Benjamin West was one of the most prominent artists in late eighteenth century London.

President of the Royal Academy (PRA) from 1792 until his death, he received many commissions from George III and other English patrons, and at the same time served as teacher and advisor to three generations of American artists in London.

Gaetano Gandolfi (1734-1802) | Paintings

Gaetano Gandolfi🎨 was an Italian painter🎨 of the late Baroque🎨 and early Neoclassic period, active in Bologna.

Gaetano was born in San Matteo della Decima, near Bologna, to a family of artists.

Ubaldo Gandolfi was his brother, Mauro Gandolfi was his son, and Democrito Gandolfi was his grandson.

Gaetano became a "student" at the Accademia Clementina in Bologna, where he was taught by Felice Torelli and Ercole Lelli.

Veduta | Il Vedutismo

Johannes Vermeer🎨 (Dutch Baroque Era painter, 1632-1675) | View of Delft, 1660-1661 | Mauritshuis, The-Hague

A veduta (Italian for "view"; plural vedute) is a highly detailed, usually large-scale painting or, more often, print of a cityscape or some other vista. The painters of vedute are referred to as vedutisti.

This genre of landscape originated in Flanders, where artists such as Paul Bril painted vedute as early as the 16th century.

In the 17th century, Dutch painters🎨 made a specialty of detailed and accurate recognizable city and landscapes that appealed to the sense of local pride of the wealthy Dutch middle class.

An archetypal example is Johannes Vermeer's🎨 View of Delft.

Canaletto (1697-1768) | Veduta painter | Page 2

Giovanni Antonio Canal🎨 was born in Venice on October 17 or 18, 1697 to a well-defined class in Venetian society, just below the ranks of the patrician nobility.

His father, Bernardo Canal, was a painter of theatrical scenery and a view painter, and Canaletto appears to have assisted him at an early stage in the role of theater designer.

In 1719-1720 he accompanied his father to Rome to execute scenes for two operas by Alessandro Scarlatti performed there during the Carnival of 1720.

Elisabeth Vigée Le Brun (1755-1842) | Neoclassical painter

Elisabeth Louise Vigée-Le Brun was one of the most successful portraitists of 18th century France, gaining renowned in particular for her self-portraits and depictions of courtly women, Queen Marie Antoinette most famously.

Born in Paris as the eldest child of the portraitist Louis Vigée (1715-1767) and Jeanne Maissin, Vigée Le Brun was trained by her father from an early age.

She succeeded in gaining entrance to the Académie de Saint-Luc at the age of just nineteen, a remarkable accomplishment for a woman at the time.