Georgios Iakovidis | Genre/Portrait painter

Greek painter Γεώργιος Ιακωβίδης [1853-1932] founded and was the first curator of the National Gallery of Greece in Athens. Georgios Jakobides was one of the main representatives of the Greek artistic movement of the Munich School. He was one of the thirty “immortal” members of Athen’s Academy when firstly created, in 1926. His paintings, over 200, are found in the National Gallery of Athens, private collections and in museums and art galleries around the world including art galleries in Germany and the Art Institute of Chicago.

Greek painter Γεώργιος Ιακωβίδης [1853-1932] founded and was the first curator of the National Gallery of Greece in Athens. Georgios Jakobides was one of the main representatives of the Greek artistic movement of the Munich School. He was one of the thirty “immortal” members of Athen’s Academy when firstly created, in 1926. His paintings, over 200, are found in the National Gallery of Athens, private collections and in museums and art galleries around the world including art galleries in Germany and the Art Institute of Chicago.

Patricia-Lysiane Beck

With Patricia-Lysiane Beck, creation comes to life in the magical universe of places of encounters: old bistrots, restaurants, hotel halls. In her paintings, enthusiasm and joy reach out in pure spontaneity. The emotions surrounding nostalgic places of tradition fire our imagination and in the halo of the atmosphere, transport us into light and movement. Patricia-Lysiane Beck stirs her performances with intense passion, at the tireless rhythm of life in the beauty of the moment.

With Patricia-Lysiane Beck, creation comes to life in the magical universe of places of encounters: old bistrots, restaurants, hotel halls. In her paintings, enthusiasm and joy reach out in pure spontaneity. The emotions surrounding nostalgic places of tradition fire our imagination and in the halo of the atmosphere, transport us into light and movement. Patricia-Lysiane Beck stirs her performances with intense passion, at the tireless rhythm of life in the beauty of the moment.

Jean-Claude Desplanques, 1936

Ancien élève à l’école des Beaux Arts, Jean-Claude Desplanques se consacre à la peinture depuis 1960. Né en Normandie en 1936, il se passionne pour le dessin dès l’âge de huit ans. Ses créatures mythiques, ses personnages mystérieux et sublimes, nous emmènent vers son univers pictural riche et fantastique, parfois théâtral, où la beauté règne.

Ancien élève à l’école des Beaux Arts, Jean-Claude Desplanques se consacre à la peinture depuis 1960. Né en Normandie en 1936, il se passionne pour le dessin dès l’âge de huit ans. Ses créatures mythiques, ses personnages mystérieux et sublimes, nous emmènent vers son univers pictural riche et fantastique, parfois théâtral, où la beauté règne.

Aung Kyaw Htet, 1965 | Figurative painter

Aung Kyaw Htet paints the faces of monks and nuns in great detail to show their humanity. This is in contradiction to most Burmese artists who usually omit facial details to focus on monks as symbols of religion rather than as human individuals.
Aung Kyaw Htet was born in Myaungmya and studied at the State School of Fine Arts in Rangoon.
He is a devout Buddhist and grew up in a small village, two factors which have a strong influence on his art.
His paintings of religious life in Burma show monks and nuns in a realistic manner, though non-essential objects are omitted from the paintings in order to draw attention to the individuals.

Aung Kyaw Htet paints the faces of monks and nuns in great detail to show their humanity. This is in contradiction to most Burmese artists who usually omit facial details to focus on monks as symbols of religion rather than as human individuals.
Aung Kyaw Htet was born in Myaungmya and studied at the State School of Fine Arts in Rangoon.
He is a devout Buddhist and grew up in a small village, two factors which have a strong influence on his art.
His paintings of religious life in Burma show monks and nuns in a realistic manner, though non-essential objects are omitted from the paintings in order to draw attention to the individuals.

Pascale Pratte, 1974 | Abstract / Mixed Media painter

Canadian painter** Pascale Pratte began her artistic career at a very young age, initially selling her handmade greeting cards in Old Montreal at age of 10.

Four years later, her cards had grown so popular that they could be found throughout Quebec, in France, as well as in Belgium. At the age of 27, Pascale Pratte received her second wave of success, this time as a painter.

Canadian painter** Pascale Pratte began her artistic career at a very young age, initially selling her handmade greeting cards in Old Montreal at age of 10.

Four years later, her cards had grown so popular that they could be found throughout Quebec, in France, as well as in Belgium. At the age of 27, Pascale Pratte received her second wave of success, this time as a painter.