Eugène Henri Cauchois | Still Life painter

Eugène Henri Cauchois (1850-1911) was born in the city of Rouen on February 14, 1850.

He received his artistic training under the master painters Ferdinand Duboc and Alexandre Cabanel.

His soft, colorful and lustrous still‑lives reflect a strong influence from the renowned Impressionist artists of his time.

Samuel Uhrdin | Genre painter

Samuel (Sam) Uhrdin (1886-1964) was a Swedish painter who was born in Siljansnäs, Dalarna, Sweden.

Isaac Grunewald | Modern Expressionist painter

Isaac Grünewald (1889-1946) was a Swedish-Jewish Expressionist painter born in Stockholm. He was the leading and central name in the first generation of Swedish modernists from 1910 up until his death in 1946, in other words during almost his entire career spanning four decades. He was a highly productive painter as well as a writer and public speaker.

Albert Goodwin | Victorian Visionary landscapes

Albert Goodwin (1845-1932) was a British landscape painter, specialising in watercolours. Goodwin was a prolific artist, producing over 800 works and continuing to paint well into his eighties. His work shows the influences of Turner and the Pre-Raphaelite Brotherhood.

Goodwin was born in Maidstone in Kent, the son of a builder and one of 9 children. After leaving school he became an apprentice draper. His exceptional artistic ability was recognised at an early age and he went on to study with the Pre-Raphaelite artists Arthur Hughes and Ford Madox Brown - the latter predicting that he would become "one of the greatest landscape painters of the age".

Museum Masterpieces [Part.2]

Gyula Benczúr (Hungarian painter, 1844-1920) | Narcissus, 1881 | Hungarian National Gallery

Gyula Benczúr, a contemporary of Mihály Munkácsyand Pál Szinyei Merse, was a consistently outstanding exponent of academicism from his time at the Academy in Munich, and later a much feted artist in Budapest.

He was accomplished in every aspect of painting that could be learned from studying the works of his Renaissance and Baroque forebears.

These skills, encompassing composition and the precise, sensual depiction of details, are demonstrated in his Narcissus of 1881.

Surprisingly, however, Benczúr’s treatment of this Ovidian theme deviates from the traditional iconography.