Béla Adalbert von Spányi (19 March 1852, Pest - 12 June 1914, Budapest) was one of Hungary’s best painters of landscapes and scenes of natural outdoor beauty.
He studied in Vienna, Munich and Paris and spent much of his time in Szolnok, a popular gathering place for artists. He was one of the assistants who worked with Árpád Feszty to produce his monumental cyclorama Arrival of the Hungarians.
Béla Adalbert von Spányi (19 March 1852, Pest - 12 June 1914, Budapest) was one of Hungary’s best painters of landscapes and scenes of natural outdoor beauty.
He studied in Vienna, Munich and Paris and spent much of his time in Szolnok, a popular gathering place for artists. He was one of the assistants who worked with Árpád Feszty to produce his monumental cyclorama Arrival of the Hungarians.
Marchella Piery is a Italian-born Canadian artist. Her family greatly valued the arts, taking an early interest in drawing and painting. She studied art at Marseille's School of Fine Arts, France.
In 1996 she moved to Canada and specialized in flower arrangements, wedding bouquets and decorations. But never stop painting on canvas.
Her passion is flowers still lifes, bouquets and vases.
Marchella Piery is a Italian-born Canadian artist. Her family greatly valued the arts, taking an early interest in drawing and painting. She studied art at Marseille's School of Fine Arts, France.
In 1996 she moved to Canada and specialized in flower arrangements, wedding bouquets and decorations. But never stop painting on canvas.
Her passion is flowers still lifes, bouquets and vases.
Hubert Sattler (21 January 1817 - 3 April 1904) worked under pseudonyms Louis Ritchard, E Grossen and Stähly-Rychen, was an Austrian landscape painter.
Hubert Sattler was born in Salzburg. His father, Johann Michael Sattler, was also a landscape painter and created the Sattler Panorama of Salzburg in 1825-29. Hubert donated it and more than 300 of his own works to the city in 1870; the panorama is on permanent display in the Panorama Museum inside the Salzburg Museum, together with a rotating exhibit drawn from approximately 150 of Herbert's cosmoramas held by the museum.
Hubert Sattler (21 January 1817 - 3 April 1904) worked under pseudonyms Louis Ritchard, E Grossen and Stähly-Rychen, was an Austrian landscape painter.
Hubert Sattler was born in Salzburg. His father, Johann Michael Sattler, was also a landscape painter and created the Sattler Panorama of Salzburg in 1825-29. Hubert donated it and more than 300 of his own works to the city in 1870; the panorama is on permanent display in the Panorama Museum inside the Salzburg Museum, together with a rotating exhibit drawn from approximately 150 of Herbert's cosmoramas held by the museum.
Guillermo Gómez Gil [1862-1942] was born in Malaga in 1862. He showed an interest in art from a very early age and began training as an artist in 1878 as a pupil of the San Telmo School of Fine Arts in Malaga. He must have made good progress as he ventured to compete for the Barroso prize awarded by the council as an incentive to students of the school, although he did not win. He tried again in 1881 and was equally unsuccessful.
In 1880 he took part in his first group show, the Art, Industrial and Agricultural Exhibition organised by Malaga council. The works he entered attest to his preference for seascapes as they were entitled Puesta de sol (“Sunset”) and Marina (“Seascape”); the former was acquired by the council for 375 pesetas.
Guillermo Gómez Gil [1862-1942] was born in Malaga in 1862. He showed an interest in art from a very early age and began training as an artist in 1878 as a pupil of the San Telmo School of Fine Arts in Malaga. He must have made good progress as he ventured to compete for the Barroso prize awarded by the council as an incentive to students of the school, although he did not win. He tried again in 1881 and was equally unsuccessful.
In 1880 he took part in his first group show, the Art, Industrial and Agricultural Exhibition organised by Malaga council. The works he entered attest to his preference for seascapes as they were entitled Puesta de sol (“Sunset”) and Marina (“Seascape”); the former was acquired by the council for 375 pesetas.
