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Giorgos Seferis | A word for Summer / Una parola sull'Estate, 1936

We’ve returned to autumn again; summer,
like an exercise book we’re tired of writing in, remains
full of deletions, abstract designs,
question marks in the margin; we’ve returned
to the season of eyes gazing
into the mirror under the electric light
closed lips and people strangers
in rooms in streets under the pepper-trees
while the headlights of cars massacre
thousands of pale masks.

Isaac Levitan (Russian landscape painter, 1860-1900) | Spring in Italy

We’ve returned to autumn again; summer,
like an exercise book we’re tired of writing in, remains
full of deletions, abstract designs,
question marks in the margin; we’ve returned
to the season of eyes gazing
into the mirror under the electric light
closed lips and people strangers
in rooms in streets under the pepper-trees
while the headlights of cars massacre
thousands of pale masks.

Isaac Levitan (Russian landscape painter, 1860-1900) | Spring in Italy

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Atsushi Koyama, 1978 | Humans and Machines

Born in Tokyo, Atsushi Koyama / 小山 篤 is a visual artist from Japan. He holds both a BFA in art from Tama Art University and a Bachelor’s degree in mathematics from Tokyo University of Science in 2008.
Koyama’s work clearly uses the backgrounds of his tutelage as he beautifully blends anatomical illustration with mechanical diagrams.
METAMACHINE is his collaborative project at the border of visual art and electronic music.
Although the meaning behind these oil paintings by Atsushi Koyama is somewhat ambiguous, it’s easy to appreciate the exactness of his paintbrush that colorfully and elegantly depicts mechanical diagrams mixed with anatomical illustrations.


Born in Tokyo, Atsushi Koyama / 小山 篤 is a visual artist from Japan. He holds both a BFA in art from Tama Art University and a Bachelor’s degree in mathematics from Tokyo University of Science in 2008.
Koyama’s work clearly uses the backgrounds of his tutelage as he beautifully blends anatomical illustration with mechanical diagrams.
METAMACHINE is his collaborative project at the border of visual art and electronic music.
Although the meaning behind these oil paintings by Atsushi Koyama is somewhat ambiguous, it’s easy to appreciate the exactness of his paintbrush that colorfully and elegantly depicts mechanical diagrams mixed with anatomical illustrations.


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Mozart: "The music is not in the notes, but in the silence between"

"A man of ordinary talent will always be ordinary, whether he travels or not; but a man of superior talent will go to pieces if he remains forever in the same place".
"Un uomo di talento ordinario sarà sempre ordinario, che viaggi o no; ma un uomo di talento superiore andrà in pezzi se rimane per sempre nello stesso posto".

"Melody is the essence of music".
"La melodia è l'essenza della musica".

Barbara Krafft | Portrait of Wolfgang Amadeus Mozart, 1819 (detail)

"A man of ordinary talent will always be ordinary, whether he travels or not; but a man of superior talent will go to pieces if he remains forever in the same place".
"Un uomo di talento ordinario sarà sempre ordinario, che viaggi o no; ma un uomo di talento superiore andrà in pezzi se rimane per sempre nello stesso posto".

"Melody is the essence of music".
"La melodia è l'essenza della musica".

Barbara Krafft | Portrait of Wolfgang Amadeus Mozart, 1819 (detail)

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Carl Schweninger | Genre painter

Carl Schweninger the Younger (1854-1912) was an Austrian painter.
Carl Schweninger was born in Vienna, Austria and came from a Viennese artist family.
He was the son of the painter Carl Schweninger the Elder (1818-1887) and brother of the painter Rosa Schweninger (1818-1918).


Carl Schweninger the Younger (1854-1912) was an Austrian painter.
Carl Schweninger was born in Vienna, Austria and came from a Viennese artist family.
He was the son of the painter Carl Schweninger the Elder (1818-1887) and brother of the painter Rosa Schweninger (1818-1918).


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Severin Nilsson | Genre painter

Johan Severin Nilsson (1846-1918) was a Swedish painter and photographer.
Nilsson was born in Asige Parish, Halland. His father was a blacksmith.
In 1865, at the age of eighteen, he enrolled as a student at the Royal Swedish Academy of Arts in Stockholm; graduating in 1871.
While there, he and Ernst Josephson became good friends.


Johan Severin Nilsson (1846-1918) was a Swedish painter and photographer.
Nilsson was born in Asige Parish, Halland. His father was a blacksmith.
In 1865, at the age of eighteen, he enrolled as a student at the Royal Swedish Academy of Arts in Stockholm; graduating in 1871.
While there, he and Ernst Josephson became good friends.