Carolina Serpa Marques, 1966 | Magic realism painter

Carolina Marques Serpa was born in Porto.

In 1989 she finished her Degree in Law at the Catholic University of Porto and since 1991 teaches at the University of Porto Lusiada.

Devotes himself to painting as an autodidact, running custom portraits.

In 2010 is selected as a finalist for the Prix Carmen Miranda.

Salvador Dalì | The hallucinogenic toreador, 1969-1970

The Hallucinogenic Toreador (Spanish: El Torero Alucinógeno) is a 1969–1970 multi-leveled oil painting by Salvador Dalí which employs the canons of his particular interpretation of surrealist thought.

It is currently being exhibited at the Salvador Dalí Museum in St. Petersburg, Florida.

In The Hallucinogenic Toreador Dalí transmits his wife's dislike for bullfighting by combining symbolism, optical illusions, and estranging yet familiar motifs.

Dalí used his paranoiac-critical method to create his own visual language within the painting, and combined versatile images as an instructive example of his artistic ability and vision.

Vincent Van Gogh | Sunset at Montmajour, 1888

Sunset at Montmajour is a landscape in oils painted by the Dutch artist Vincent van Gogh on 4 July 1888.

It was painted while the artist was at Arles, France and depicts a landscape of garrigue with the ruins of Montmajour Abbey in the background.

The painting is 73.3 cm × 93.3 cm (28.9 in × 36.7 in).

For over 100 years, it was in a Norwegian industrialist's private collection and wrongly assumed to be fake, before being re-examined, authenticated and sold to its current private owner.

The painting was temporarily on display from 24 September 2013 until 12 January 2014 as part of an exhibition at the Van Gogh Museum in Amsterdam.

Leonard Cohen | Winter Lady / Signora Inverno

Signora in viaggio, resta ancora un po’

finché la notte non sarà terminata

Sono solo una tappa del tuo cammino,

so che non sono il tuo amante.

Eva Gonzalès | Impressionist painter

Eva Gonzalès (1849-1883) was a French Impressionist painter.

She was one of the four most notable female Impressionists in the nineteenth century, along with Mary Cassatt (1844-1926), Berthe Morisot (1841-95) and Marie Bracquemond (1840-1916).

Gonzalès began her professional training and took lessons in drawing in 1865, from the society portraitist Charles Chaplin, who was also Mary Cassatt's teacher.