The Garmash | Romantic Impressionist / Plein Air painters | Part. 3

Mikhail (1969) and Inessa Garmash (1972) - Husband and Wife Team - Romantic Impressionists.
For biographical notes -in english and italian- and other works by Garmashs' see:

• Michael and Inessa Garmash | Romantic Impressionist painters ➦

For other works by Garmashs' see:

• Mr. and Mrs. Garmash | Romantic Impressionist / Plein Air painters ➦
• The Garmash | Romantic Impressionist / Plein Air painters | Part. 4➦
• The Garmash | Romantic Impressionist / Plein Air painters ➦

Victor Olson | Figurative Painter / Illustrator

Victor Olson (1924-2007) of Fanton Meadows, West Redding, Connecticut was a well known, award-winning Fairfield County artist, as well as an illustrator and graphic designer.

He has illustrated many national magazine covers for paperback publications and magazine stories for such publishers as Doubleday, Avon Books, MacFadden Books, Bantan and Monarch.

Alexander Averin, 1952 | Romantic / Genre painter

Alexander Averin (Russian: Александр Аверин) was born in Noginsk, near Moscow.

He graduated from the Moscow Art School of "Memory 1905" and trained under Dimitry Yorontov.

Member of the Russian Union of Artists since 1984.

Since 1976 member of numerous Russian and international solo and group exhibitions.

Works of the artist are held in private collections in Russia, France, England, the USA, Spain, Portugal, Italy, Denmark, Japan and many other countries.

Eugene Boudin | Impressionist painter | Quotes / Aforismi

• I shall do other things, but I will always be the painter of beaches.
• Farò altre cose, ma sarò sempre il pittore delle spiagge.

• I have a confession to make. When I came back to.... the beach at Trouville.... it seeemed nothing more than than a frightful masquerade.... If you have passed one month among the people condemned to hard work in the fields, with black bread and water, and you then find that gang of golden parasites with such a triumphant air, you can't help feeling a bit of pity.... Fortunately, dear friend, the Creator has spread a little of his splendid and warming light everywhere, and what I reproduce is not so much this world as the element that envelops it.

Eugene Boudin | Quotes / Aforismi

• Everything that is painted directly and on the spot always has strength, a power, and a vivacity of touch one cannot recover in the studio... Three strokes of the brush in front of nature are worth more than two days of work at the easel [in the studio].
• Le opere dipinte direttamente sul luogo posseggono un potere e una vivacità che non possono essere riprodotte nell'atelier.
• [Venice is] somewhat disguised by the artists who usually paint Venice, who have disfigured it by turning it into a city heated by the brightest and hottest sun. On the contrary, Venice, like all luminous cities, has a grey hue, the atmosphere is mild and misty and the sky arrays itself with clouds, just like the sky of our Norman and Dutch regions.

Antonio Paoletti | Genre painter

Antonio Ermolao Paoletti (May 8, 1834 in Venice - December 13, 1912 in Venice) was an Venetian impressionist painter from the Macchiaioli group and teacher.

Paoletti is well known for his paintings of Venetian genre scenes.

Paoletti attended course in the Accademia as a pupil of Pompeo Marino Molmenti, and as a colleague of the sculptor Antonio Dal Zotto and the Armenian painter and engraver Edgar Chahine.

Sir William Orpen | Portrait painter

Sir William Orpen, in full Sir William Newenham Montague Orpen (1878-1931) was a Irish painter.

He attended the Metropolitan School of Art, Dublin (1891-1897), and the Slade School of Art, London (1897-1899). He became a friend of Augustus John and joined the New English Art Club.

The influence of Velázquez, in particular, is apparent in such early genre subjects as The Mirror (1900; London, Tate).

Adolfo Tommasi | Macchiaioli painter

Adolfo Tommasi (1851, Livorno - 1933, Florence) was an Italian painter.

Having left Livorno, Tommasi moved to Florence, where he attended the Academy of Fine Arts and met Silvestro Lega, who taught Adolfo’s younger cousins Angiolo and Ludovico and spent a great deal of time with the Tommasi family. He also briefly studied under Carlo Markò the Younger, but the style of academic painting did not appeal to him.